Working the Stage

Dancing with the Stars hunk crashes Fifth Harmony's RodeoHouston homecoming debut

More than 64,000 fans showed up to see Fifth Harmony make their RodeoHouston debut Friday night at NRG Stadium, and the group told their “Harmonizers” early and often just how much it meant to see them there.

“I want to thank you guys so much for your continuous love and support from the beginning,” member Normani Kordei said. “I mean, there were five girls with a dream.”

Kordei was referencing the number of people in the group before former member Camila Cabello exited last December, making Fifth Harmony a quartet. But Kordei’s current bandmates, Ally Brooke Hernandez, Dinah Jane Hansen, and Lauren Jauregui, didn’t let her linger on that long as they surrounded her on stage to make an announcement that their fans probably already knew: Kordei is competing on the 24^th season of Dancing with the Stars.

What “Harmonizers” likely didn’t expect to see was Kordei’s DWTS partner, Valentin Chmerkovskiy, join them on the stage. He won the Mirrorball trophy with gymnast Laurie Hernandez last season, so we’ll see if he can make it two in a row with Kordei when the new season premieres Monday night (March 20) on ABC 13.

Chmerkovskiy posted a video on Twitter twerking with Kordei's grandmother backstage at the Rodeo and it appears the Fifth Harmony member learned some of her dance skills from granny.

she got from her grams for sure 😍😂 @NormaniKordei #DWTS pic.twitter.com/q7VeA18ooI

— Valentin (@iamValC) March 18, 2017

But before going to the ballroom, Kordei had some unfinished business at the Rodeo, even as her bandmates wished her well on the competition.

“We knew from the day that we met you how phenomenal a talent you are, especially an incredible dancer,” Alley Brooke Hernandez gushed. “We can’t wait to see you on that stage doing outstanding and killing it just like you do out here with us.”

Memories of Selena

To kick things off, Fifth Harmony seemed to throw it back to the legends. Queen’s “We Will Rock You” blared through the stadium as soon as the lights went down and after close to a minute of hearing Freddie Mercury, Fifth Harmony rolled in on a horse-drawn carriage. It reminded me of Selena’s entrance to her RodeoHouston concert at the Astrodome in 1995.

But after that, Fifth Harmony kept the hour-long show focused on their music, performing songs including “That’s My Girl,” “Miss Movin’ On,” “Sledgehammer,” “Boss,” and “All In My Head (Flex).”

Backed up by an all-female band, Fifth Harmony took a timeout from dancing to get personal on “Brave, Honest, Beautiful," written by Meghan Trainor, who is also featured on the song. “I want you to always feel loved, to always feel important because you are, and right now I want you to repeat after me: I am brave, I am honest, I am so beautiful,” member Dinah Jane Hansen said.

Fifth Harmony saved their biggest hits for last, cueing “Worth It” and then dropping an obvious hint about what was coming next. “Our Harmonizers have been ‘working with us.’ We actually have 9 awards because of them,” Hansen said with a smile.

“Work From Home” was the closing song, and no pun intended, but it has worked for the group well. It’s been certified quadruple platinum. It also got the crowd on their feet.

Homecoming for two members

Fifth Harmony’s first performance at the Rodeo was a homecoming of sorts for two members of the group. Hernandez is a Texas native, hailing from San Antonio, and Kordei lives in Houston.

Fifth Harmony wrapped up on the same message they began on: gratitude to be in front of fans, especially in the Lone Star State.

“I’m so blessed to be here. It’s because of you guys we get to go up here on this stage and do exactly what we love to do,” Kordei said. “I’m so grateful and I wouldn’t choose any other place to represent.”

And “Harmonizers” will likely be watching to see how far Kordei makes it on DWTS.

How soon Fifth Harmony will be back in H-town remains to be seen. Their 7/27 tour starts March 25 in Asia.

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Set List:
That’s My Girl
Miss Movin’ On
Sledgehammer
Reflection
This Is How We Roll
Scared of Happy
Write On Me
No Way
Big Bad Wolf
Boss
Not That Kinda Girl
All In My Head (Flex)
Brave Honest Beautiful
Gonna Get Better
Worth It
Work from Home

Fifth Harmony made their RodeoHouston debut Friday night at NRG Stadium, and the group told their “Harmonizers” early and often just how much it meant to see them there.

Photo by Michelle Watson/CatchLight Group

Fifth Harmony made their RodeoHouston debut Friday night at NRG Stadium, and the group told their “Harmonizers” early and often just how much it meant to see them there.

concerts rodeo reviews houston-rodeo music texas

Movie Review

George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

Photo by Peter Mountain/Netflix

George Clooney in Jay Kelly.

The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

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Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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