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    Live Music Now

    Houston musicians play a different tune amid sudden venue closures

    Johnston Farrow
    Johnston Farrow
    Mar 17, 2020 | 2:35 pm

    Just over a week ago, a co-worker joked amidst growing concerns around the spread of COVID 19 — aka coronavirus — if all shows are cancelled, what will you write about?

    That joke isn't funny anymore.

    Friday, March 6, is a day that many will remember forever. As an abundance of caution, Austin mayor, Steve Adler, shut down South By Southwest, one of the largest music and multimedia gatherings in the country —despite not having a confirmed case of the virus in the city. It left many in the city to wonder, would our biggest music event of the year, RodeoHouston, be next?

    Buoyed by Bayou City grit and determination, RodeoHouston soldiered on. Event organizers released a statement that since it didn’t draw nearly as many international guests, that RodeoHouston would continue while working hand-in-hand with local city health officials in addition to instituting widespread sanitation measures throughout the rodeo grounds.

    Then, it happened. Houston Mayor Sylvester Turner and Harris County Judge Lina Hidalgo made the announcement on Wednesday, March 11, at a noon press conference making an emergency health declaration, effectively shutting down RodeoHouston for the first time in 87 years. To add to the sober moment, Turner noted that someone that tested positive for the virus had attended cook-off the previous Friday.

    As CultureMap reported, the projected economic reach of RodeoHouston was around $391 million in 2019. It was inevitable the other cowboy boot would drop on the rest of the Houston live music scene. Other venues started to close down operations across the local entertainment industry with concert cancellations falling like autumn leaves in a brisk wind.

    That didn’t stop The Continental Club from hosting one last party. Local DJ Disko Cowboy performed at the aptly named Doomsday Disco, which, in hindsight, might not have been the best idea ahead of the self-quarantine measures encouraged by governmental agencies only days later.

    Unfortunately, what the RodeoHouston closure could not do, the U.S., Texas, and Houston governments did. To put it bluntly, every venue is effectively shut down. With President Trump asking people to limit gatherings to 10 people to slow the spread of COVID-19, there simply is no wiggle room for event spaces to do legitimate business.

    But art finds a way in the darkest days. Artists need an outlet to create and perform, and many local acts swiftly stepped up to the plate to replace lost income or simply show solidarity with all those effected by the financial and cultural fallout in Houston.

    Indie surf rock and aquatic-themed Swimwear Department announced a “quarantine livestream” concert on March 14 evening via YouTube, in what seems now like a prescient move. World renowned bands are now following suit. Coldplay and John Legend performed via social media channels on March 16 and March 17.

    Keith Urban, who was supposed to take the stage at NRG Stadium on March 16, instead livestreamed a performance featuring his wife, Nicole Kidman, on Instagram, a small condolence to fans who had purchased tickets to the Houston show.

    Local synth pop duo Space Kiddettes, who have always had a strong online presence, announced they would perform online throughout the week in various ways, including their LiveStream events on Mondays, featuring music, chats with fans, and jams with invited virtual guests. Thursdays will feature a hybrid musical workout called Blood, Sweat, and Tears to promote physical and mental health. As a forecast of what’s likely to come, their cancelled March 26 Abundantly Queer live show at Pearl Bar will be streamed virtually with viewers asked to donate via Venmo with proceeds going directly to Pearl staff. Check out their Instagram and Facebook feeds for more.

    Closures be damned, Irish rock act Blaggards planned to virtually celebrate St. Patrick’s Day in self-quarantine style from their Facebook channel at 4 pm. They requested viewers donate to the Houston Food Bank.

    Even as bands adapt to the new reality, the biggest question right now is how will the Houston music scene recover from this unprecedented shuttering? Not only are venues losing thousands in revenue, but staff and vendors are out of work with no end to the mass closure in sight. Local musicians are out of paid gigs at their usual Houston spots and touring acts postponed any travel until later this year at the earliest.

    It's not a debate that music will live on in some incarnation and concerts in Houston will return. The unknown answer is when will that be and how the local landscape will look when it does.

    House of Blues has postponed most shows through April.

    The House of Blues Foundation Room
    Photo courtesy of House of Blues Foundation Room
    House of Blues has postponed most shows through April.
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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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