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    Live Music Now

    Houston musicians play a different tune amid sudden venue closures

    Johnston Farrow
    Johnston Farrow
    Mar 17, 2020 | 2:35 pm

    Just over a week ago, a co-worker joked amidst growing concerns around the spread of COVID 19 — aka coronavirus — if all shows are cancelled, what will you write about?

    That joke isn't funny anymore.

    Friday, March 6, is a day that many will remember forever. As an abundance of caution, Austin mayor, Steve Adler, shut down South By Southwest, one of the largest music and multimedia gatherings in the country —despite not having a confirmed case of the virus in the city. It left many in the city to wonder, would our biggest music event of the year, RodeoHouston, be next?

    Buoyed by Bayou City grit and determination, RodeoHouston soldiered on. Event organizers released a statement that since it didn’t draw nearly as many international guests, that RodeoHouston would continue while working hand-in-hand with local city health officials in addition to instituting widespread sanitation measures throughout the rodeo grounds.

    Then, it happened. Houston Mayor Sylvester Turner and Harris County Judge Lina Hidalgo made the announcement on Wednesday, March 11, at a noon press conference making an emergency health declaration, effectively shutting down RodeoHouston for the first time in 87 years. To add to the sober moment, Turner noted that someone that tested positive for the virus had attended cook-off the previous Friday.

    As CultureMap reported, the projected economic reach of RodeoHouston was around $391 million in 2019. It was inevitable the other cowboy boot would drop on the rest of the Houston live music scene. Other venues started to close down operations across the local entertainment industry with concert cancellations falling like autumn leaves in a brisk wind.

    That didn’t stop The Continental Club from hosting one last party. Local DJ Disko Cowboy performed at the aptly named Doomsday Disco, which, in hindsight, might not have been the best idea ahead of the self-quarantine measures encouraged by governmental agencies only days later.

    Unfortunately, what the RodeoHouston closure could not do, the U.S., Texas, and Houston governments did. To put it bluntly, every venue is effectively shut down. With President Trump asking people to limit gatherings to 10 people to slow the spread of COVID-19, there simply is no wiggle room for event spaces to do legitimate business.

    But art finds a way in the darkest days. Artists need an outlet to create and perform, and many local acts swiftly stepped up to the plate to replace lost income or simply show solidarity with all those effected by the financial and cultural fallout in Houston.

    Indie surf rock and aquatic-themed Swimwear Department announced a “quarantine livestream” concert on March 14 evening via YouTube, in what seems now like a prescient move. World renowned bands are now following suit. Coldplay and John Legend performed via social media channels on March 16 and March 17.

    Keith Urban, who was supposed to take the stage at NRG Stadium on March 16, instead livestreamed a performance featuring his wife, Nicole Kidman, on Instagram, a small condolence to fans who had purchased tickets to the Houston show.

    Local synth pop duo Space Kiddettes, who have always had a strong online presence, announced they would perform online throughout the week in various ways, including their LiveStream events on Mondays, featuring music, chats with fans, and jams with invited virtual guests. Thursdays will feature a hybrid musical workout called Blood, Sweat, and Tears to promote physical and mental health. As a forecast of what’s likely to come, their cancelled March 26 Abundantly Queer live show at Pearl Bar will be streamed virtually with viewers asked to donate via Venmo with proceeds going directly to Pearl staff. Check out their Instagram and Facebook feeds for more.

    Closures be damned, Irish rock act Blaggards planned to virtually celebrate St. Patrick’s Day in self-quarantine style from their Facebook channel at 4 pm. They requested viewers donate to the Houston Food Bank.

    Even as bands adapt to the new reality, the biggest question right now is how will the Houston music scene recover from this unprecedented shuttering? Not only are venues losing thousands in revenue, but staff and vendors are out of work with no end to the mass closure in sight. Local musicians are out of paid gigs at their usual Houston spots and touring acts postponed any travel until later this year at the earliest.

    It's not a debate that music will live on in some incarnation and concerts in Houston will return. The unknown answer is when will that be and how the local landscape will look when it does.

    House of Blues has postponed most shows through April.

    The House of Blues Foundation Room
    Photo courtesy of House of Blues Foundation Room
    House of Blues has postponed most shows through April.
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    Movie Review

    Dark satire Digger could bring an Oscar nomination for star Tom Cruise

    Alex Bentley
    Oct 1, 2026 | 4:15 pm
    Tom Cruise in Digger
    Photo courtesy of Warner Bros. Pictures
    Tom Cruise in Digger.

    For most of the 21st century, and especially the last 15 years, Tom Cruise has been a “movie star” rather than an “actor.” That’s not to say he’s a bad actor, but rather that his focus has been on making blockbuster movies where his unique ability to go all-in on action supersedes any need for introspection. Now perhaps past his action movie days, he’s giving full-on acting another try in Digger.

    Cruise plays Digger Rockwell, an eccentric oil baron whose current project is drilling for oil in Greenland. Turns out that’s a bad idea in multiple ways, most significantly when an explosion at the site manages to calve an ice shelf five times the size of Boston. That humongous piece of ice then starts on an inevitable collision course with mainland Europe, where it is predicted that there will be hundreds of thousands of deaths and uncountable property damage from the ensuing tsunami.

    That sounds bleak, and it is, but the film plays the scenario for laughs thanks to over-the-top characters like Digger, his sister Emma (Sandra Hüller), U.S. President Compson (John Goodman), and the unnamed Vice President (Michael Stuhlbarg). As those people and others try to spin the disaster of epic proportions, others like the scientist Ganesh (Riz Ahmed) try to get the leaders to see reason or to take responsibility for their actions.

    Written and directed by Alejandro Iñárritu and co-written by three others, the film has more than a few surprises in store, including one big one that will go unspoiled here. Suffice it to say that for anyone who might be put off by how Cruise (who seems to be channeling his Les Grossman character from Tropic Thunder) and others are acting in the trailers for the film may change their minds about the performances after actually having seen the complete product.

    What can be said is that the film is a wild, wacky, and occasionally disorienting experience that also doubles as a cogent critique of the governments and corporations responsible for climate change and unchecked capitalism. Digger is a motormouth who often cuts off people with relevant information to impart, having already determined that he knows all he needs to know about a certain topic. He’s stuck in his ways in many respects, including trying to keep alive a 20-year-old cat that clearly wants to die.

    Once the full scope of the story is revealed, it becomes easier to understand what Iñárritu and Cruise are trying to accomplish with the film. It has some similarities to Stanley Kubrick’s dark satire Dr. Strangelove, but it also tries to stay grounded in certain ways. The push-and-pull between those who only seem to be out for themselves and those who want to get to the truth of the matter is played out on different fronts throughout the film. Not all of it lands, but enough does to not make the film seem completely unhinged.

    Cruise has been nominated for three Oscars, and it’s clear he’s aiming for a fourth nod with this performance. He does his best to sell every quirk and aspect of the character, epitomized by a gonzo speech that utilizes every mental and physical skill he can muster. The supporting actors are hit-and-miss, but Ahmed comes off the best as a person serving as Digger’s moral conscience. He’s an antidote to Cruise’s mania, but then turns it up to 11 when needed.

    Not everything is as it seems in Digger, and the out-there approach by Iñárritu and his team falls into the love-it-or-hate-it dichotomy that applies to many of his films. The very fact that everyone involved was willing to dedicate their whole selves to such an off-the-wall concept makes it deserving of attention, even if not everything is a success.

    ---

    Digger opens in theaters on October 2.

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