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    Best Houston Movie Theaters

    The best movie theaters in Houston: Lavish amenities now abound at cinema complexes

    Clifford Pugh
    Mar 15, 2016 | 11:31 am

    A night at the movies has gotten more special since a number of Houston cinema complexes have added plush seats, ability to pick where you want to sit and upscale food and drinks. Sure, it might make for a pricey evening, but at least it's first class all the way. Here's our pick of the best theaters in Houston to watch a first-run movie:

    iPic Houston

    The newest Houston cinema complex, located at River Oaks District, has been called the "Air Emirates of movie theaters" because of its plush and pricey surroundings. Its eight theaters offer a luxury experience with two options — Premium (spacious leather seats) and Premium Plus (deluxe leather seats that recline electronically, complimentary pillows and soft blankets, a storage area for shoes and handbags, free popcorn and a rotating table for food and drink served by black-clad Ninja waiters).

    Ticket prices can vary from $16 to $44, but discounted tickets are available for Sapphire members who pay an annual $29 fee.

    Sundance Cinemas

    Robert Redford's dream movie complex is now owned by Carmike Cinemas, which kept the name and same film-going attitude. Sundance Cinemas, located in Bayou Place in downtown Houston, continues to offer online ticket sales, the opportunity to pick your seat in advance, and a large lobby bar with extensive food offerings in addition to traditional popcorn and a soda. Movie offerings are a mix of blockbusters and independent films. And best of all, there are no commercials before a movie begins.

    Landmark River Oaks

    The Landmark River Oaks Theatres, which shows art house and independent films exclusively, has a magnificent first-floor theater that has the feel of an elegant, old-time movie palace with a big screen, art deco friezes on each side of the screen and lots of seats. Look online or call to make sure that the movie you're seeing is there and not on one of the two second-floor screens, carved out of the balcony, that are cramped with less-than-optimal acoustics. A full-service upstairs bar provides a range of liquid options.

    Alamo Drafthouse Vintage Park

    The Austin-based chain really loves movies, which is evident at the Vintage Park location, with seven screens showing new releases, independent films, and repertory programming with state-of-the-art sound and projection, including two auditoriums equipped with 35mm projector systems. Online reserved seating, a multi-course menu featuring such items asa "Royale with Cheese" Burger and warm chocolate chip cookies, and a strict"no texting, no talking" cell phone policy make the moviegoing experience civilized.

    Also, patrons must be 18 years or older or be accompanied by a parent for most films. But the theater offers a weekly Baby Day, for regular shows that start before 2 pm on Tuesdays, and infants are allowed in for free.

    Movie fans also have kind words about the other Houston-area Alamo Drafthouse Mason Park location in Katy.

    Studio Movie Grill CityCentre

    The multi-screen complex in popular CityCentre offers first-run movies with the latest digital and sound projection, online reserved seating, a full bar, featuring more than 60 premium spirits, signature cocktails and local microbrews, and in-theater dining, where you press the call button at your seat and a server will arrive to take your order.

    In early May, Studio Movie Grill will open a 12-auditorium theater with more than 1,200 luxury seats in Pearland at the Shops at Boulder Creek. The new theater complex will feature luxury, custom recliners with built-in tabletops and "push for service" call buttons, as well as Christie DLP powered projectors with Q-SYS sound systems to every screen plus Dolby 3D.

    AMC Fountains 18

    The Stafford multiplex is getting high marks from moviegoers since undergoing a recent remodel that includes plush reclining leather seats, a bar called MacGuffins (named for a cinema phrase coined by Alfred Hitchcock) featuring beer, wine and cocktails that can be consumed in the theaters, an expanded food menu and a self-serve soda fountain, which seems appropriate at a cinema located in the Fountains.

    Santikos AVX West Houston

    The theater complex with 22 screens is actually located in Richmond, but some film fans say it's worth the drive for the enhanced movie-going experience, which includes six screens with wall-to-wall and floor-to-ceiling screens, Sony 4K digital projection and Dolby Atmos sound in all screens along with stadium seating with reclining seats, D-Box premium motion controlled seats in some theaters, reserved seating and in-theater dining. There's even a bowling alley in the complex for those who want to hit the lanes before of after a movie.

    The San Antonio-based theater operator also operates the Santikos Silverado IMAX in Tomball, which offers many of the same features as the Richmond complex.

    For art house movies, in addition to the Sundance Cinemas and River Oaks Theatre, the following options offer the best in independent film:

    Museum of Fine Arts, Houston

    Brown Auditorium Theater at the Museum of Fine Arts, Houston shows an extensive mix of classic, art, independent and foreign films in one of the best theater spaces in town, although they don't allow popcorn or drinks.

    Aurora Picture Show

    The non-profit media arts center presents artist-made, non-commercial films and videos in its Rice/Kirby headquarters as well as collaborative partnerships and site-specific events in unique settings and alternative art spaces around Houston.

    14 Pews

    Film lover Cressandra Thibodeaux has transformed the former site of the Aurora Picture Show into a performing arts space and movie theater showing independent documentaries and little-known feature films that might not otherwise be viewed in Houston.

    The new iPic Theaters at River Oaks District offer spacious reclining seats and numerous dining options

    News, Shelby, IPic Theaters, Oct. 2015
      
    Photo by Shelby Hodge
    The new iPic Theaters at River Oaks District offer spacious reclining seats and numerous dining options
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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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