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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Mar 13, 2019 | 9:01 am

    Before we get to the concerts of the week, let's talk about concert etiquette for a minute and how Houston audiences are often guilty of the worst behaviors at a show.

    On Saturday, March 9, Aaron Lewis of heavy rock act Staind made news by storming off stage before the end of his performance in Oklahoma City because people couldn't stop talking during the show. Yeah, we get it, Staind isn't the best act in the world, and this show was a Lewis acoustic solo showcase, which demanded even more attention. But the crazy fact is people paid good money to see him perform in the price range of $33-$168 and decided they'd rather gab than rock out.

    Houston, sadly, also carries a reputation for talkative crowds. At the album release show for The Suffers last year, lead singer Kam Franklin had to stop mid-performance to remind folks to save the chit-chat for after the show ends. More recently, both the LP and Trampled by Turtles shows at White Oak Music Hall suffered from the same issues.

    The rule is simple: if someone is on stage playing an instrument (that isn't a roadie), don't talk. It ruins it for the rest of those paying customers that want to enjoy the creative talents of those on display.

    Hopefully these shows won't befall the same fate. CultureMap's biggest, best, and most notable shows of the week are:

    Last lap for RodeoHouston
    It's the final countdown for RodeoHouston after another record-setting week. After Cardi B broke attendance numbers on March 1, besting the seemingly immortal Garth Brooks, Los Tigres del Norte squeezed six more people into NRG Stadium for Go Tejano Day. Can anyone top that? We're honestly not sure where they're squeezing in bodies at this point.

    Country will be featured heavily this week with only Latin guitar legend, Santana, on Wednesday, March 13 standing out from the boots and buckles crowd; country rebel, Chris Stapleton, performs on Thursday, March 14; wholesome C&W crooner Cody Johnson is featured on Friday, March 15; Nationwide insurance pitchman Brad Paisley is on the calendar for Saturday, March 16; with festivities closing out on March 17 with our show of the week below.

    All RodeoHouston shows take place at NRG Stadium, located at 1 NRG Pkwy. Tickets start at $20 plus fees. Weekday concerts start around 8:45 pm. Weekend concerts around 5:45 pm.

    CultureMap recommends: The Avett Brothers
    North Carolina folk-rock/Americana act The Avett Brothers return to Houston. Comprised of two brothers, Scott Avett and Seth Avett along with Bob Crawford and Joe Kwon, the group achieved more mainstream popularity with each successive album, reaching as high as No. 3 on the Billboard chart with their last LP, True Sadness.

    Their melancholy storytelling, recalling Bob Dylan, sounds much like the wave of talent coming out of the folk-rock scene, such as Jason Isbell. No album follow-up has been announced, but they continue to release new music, including the recent singles, "Roses & Sacrifice," "Trouble Letting Go," and "Neapolitan Sky."

    The Avett Brothers are at Revention Music Center, located at 520 Texas Ave., on Thursday, March 14. Tickets start at $55 plus fees. Doors open at 7 pm.

    Ice Cube at House of Blues
    Last time Ice Cube rolled into town it was to hype up the crowd prior to his BIG3 basketball league event. He's back, and this time he'll play a full set at the House of Blues behind promotion for 2018's Everythangs Corrupt. The multi-talented Cube is better known to younger fans for his movie career, but, no doubt, he's in the top pantheon of rappers, thanks to his untouchable career in N.W.A. and as a solo artist.

    Ice Cube is at the House of Blues, located at 1204 Caroline St., on Thursday, March 14. Tickets start at $50 plus fees. Doors open at 8 pm.

    Celebr8tion of Beer at 8th Wonder
    It’s the perfect time to be outside with a brew and music. The weather is not too hot, not too cold, humidity at a decent level. In other words, it’s the perfect time for local craft brewery 8th Wonder’s 6th annual Celebr8tion of Beer. Austin psych-rockers The Bright Light Social Hour, fresh off the release of new album, Jude Vol. 1, will headline. Eclectic North Carolina band The Nude Party, up-and-coming Houston act Swimwear Department, and more will play throughout the day.

    The 6th annual Celebr8tion of Beer takes place at 8th Wonder brewery, located at 2202 Dallas St. on Saturday, March 16. Tickets start at $35 plus fees. Doors open at 2 pm.

    Mountain Man
    Before she blew up as the vocal half of Sylvan Esso, Amelia Meath was in folk trio Mountain Man, founded with college friends Molly Earle Sarle and Alexandra Sauser-Monnig. Meath is seemingly a machine, because fresh off touring with her other band, she managed to record Mountain Man's latest, 2018's Magic Ship. She's joined her girls on the road for a round of shows, and if her charisma is any indication of what Earle Sarle and Sauser-Monnig bring to the table, this'll be a great concert.

    Mountain Man headlines Heights Theater, located at 339 W 19th St, on Saturday, March 16. Jake Xerxes Fussell open. Tickets start at $22 plus fees. Doors open at 7 pm.

    CultureMap show of the week: George Strait at RodeoHouston
    The man, the myth, the legend. The second-highest seller of albums by a country artist, George Strait, comes out of retirement from his home in the Texas Hill Country to close out RodeoHouston. This will be a celebration of Texas country music as Strait will be joined by Lone Star state cult faves Lyle Lovett and Robert Earl Keen. But ultimately, Strait will fill NRG to capacity behind the songs every country fan knows, including “Amarillo by Morning,” “I Cross My Heart,” “Check Yes or No,” and “All My Ex’s Live in Texas.” If anyone can break the newly minted attendance record, it’ll be Strait.

    George Strait closes RodeoHouston, located at 1 NRG Pkwy. He will be joined by Lyle Lovett and Robert Earl Keen. Tickets start at $20 plus fees. Show starts at 7 pm.

    The Beths
    The Beths are a gang of one-time Kiwi jazz students influenced by the power-pop of their youth to start a rock band. They produced one of the most fun albums of 2018, Future Me Hates Me, which is getting decent airplay on alternative and college radio. The group is playing a Houston show after nine gigs on the schedule at South By Southwest this week, so who knows what’ll happen at the Satellite Bar. Even if it’s at 25 percent energy of their output, it’ll still be worth checking out.

    The Beths play Satellite Bar, located at 6922 Harrisburg Blvd., on Sunday, March 17. Bad Bad Hats and Dollie Barnes open. Tickets start at $12 plus fees. Doors open at 7 pm.

    Famed Americana act the Avett Brothers play Revention Music Center on Thursday, March 14.

    Avett Brothers
    Courtesy Live Nation
    Famed Americana act the Avett Brothers play Revention Music Center on Thursday, March 14.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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