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    Beats Meet Broncos

    Rave on: The Chainsmokers turn RodeoHouston into world's largest nightclub with an electro beat

    Johnston Farrow
    Johnston Farrow
    Mar 12, 2017 | 11:37 pm

    A middle-aged man stood outside NRG Stadium, dressed in the traditional garb worn by the majority at the Houston Livestock Show and Rodeo on Sunday evening: a patterned button down shirt, blue jeans and cowboy boots.

    But his hat revealed that this wasn't an ordinary night. It read, "Make America Rave Again," a cheeky allusion to the show 74,280 people had just witnessed thanks to the electronic dance music DJ duo, The Chainsmokers.

    Thanks to an early start time on a Sunday, many families touting sons and daughters familiar with the Top 40 radio hits of Andrew Taggart and Alex Pall stuck around to check out the first EDM act to play RodeoHouston. The hour-long set turned NRG Stadium into the world's largest nightclub with big electro beats, pyrotechnics and fireworks, fog machines, and a trippy laser and light show. It immediately followed bull riding and mutton bustin'.

    At first, it didn't seem as though the combo of cowboys and dancefloor bangers would mix, as the duo came out to stage with a bare table of four CDJs and a single microphone, not a single stringed instrument in sight. Taggart did sing vocal hooks on a handful of songs, but the setlist was comprised entirely of prerecorded selections, many just snippets mixed into one another.

    Taggart even alluded to his strange surroundings at one point. "I know the expression is this isn't your first rodeo, but this really is our first rodeo," he said. "I don't think I've ever seen dance music in a situation like this."

    But if a DJ's job is to get people moving, then The Chainsmokers succeeded by mastering the first rule of the craft — know your audience. The setlist not only included their biggest songs (No. 1 single "Closer," top 10 singles "Paris," "Don't Let Me Down," "Something Just Like This" and "Roses"), but a mishmash of songs familiar to everyone including "Rock And Roll All Nite" by Kiss, "Gonna Fly Now" from the film Rocky and "Under The Bridge" by the Red Hot Chili Peppers. They were obviously playing to the youngest in attendance by including tunes from emo rock (Panic! At the Disco), punk pop (Blink 182) and hip-hop (T.I., DJ Khaled).

    While it may have left a segment of country diehards scratching their heads underneath their cowboy hats, the performance that amounted to two self-admitted party bros dancing on on a table and twiddling knobs was better received than anyone anticipated. The go-for-broke, expertly-choreographed visuals helped sell the entire package.

    "Make some noise if this is your first rave," Taggart directed the crowd. And make noise they did, attendees turning NRG Stadium into a dance party, with a surprising amount singing along to many of the songs in the wide-ranging set.

    Once one got over how weird it was to see two guys throwing down massive beats in the middle of a dirt pile, it was a lot of fun. Taggart and Pall were well aware of the irony of it all, at one point dropping the theme of Disney's The Lion King, with the former snickering that he couldn't believe he had just played it at a rodeo.

    RodeoHouston deserves credit for thinking outside the box with its programming, knowing full well that families would be out on a Sunday to take in the sights. It was an ingenious way to keep butts in seats, or in the case of Sunday's performance, wiggling in the aisles.

    Electric Daisy Carnival, eat your heart out.

    -----------------------

    Setlist Note: Artists at the Houston Livestock Show and Rodeo generally have a setlist made available to media. The Chainsmokers did not, so this list was compiled thanks to good old Shazam. Songs that were not found or known are marked as such.

    “Paris (Remix),” The Chainsmokers
    “Don’t Let Me Down (Remix),” The Chainsmokers
    “Inside Out (Remix),” The Chainsmokers
    Unknown track
    “Feel Your Love,” Flux Pavilion & NGHTMRE feat. Jamie Lewis
    “Follow (Zomboy Remix),” Bro Safari
    “Until You Were Gone (Skruz & Saturn Remix),” The Chainsmokers feat. Emily Warren
    “Let ‘Em Know,” Datsik feat. Armanni Reign
    “Rock and Roll All Nite (Remix),” Kiss
    “Weaponize,” Pegboard Nerds & MIU
    “What You Know,” T.I.
    “Thief,” Ookay
    “All We Know,” The Chainsmokers
    “Gonna Fly Now (Rocky Theme) Remix,” Bill Conti
    “Pop Dat,” 4b & Aazar
    “Sweet Nothing,” Calvin Harris feat. Florence Welch
    “Cinema,” Benny Benassi X Skrillex feat. Gary Go
    “Kanye,” The Chainsmokers feat. SirenXX
    “I’m God,” Clams Casino
    “All I Do Is Win,” DJ Khaled
    “Split (Only U),” Tiesto & The Chainsmokers
    “Show Me,” Tiesto & DallasK
    “Can’t Get Enough,” Lookas
    “Under The Bridge,” Red Hot Chili Peppers
    “Roses,” The Chainsmokers feat. ROZES
    “Setting Fires,” The Chainsmokers
    “Paris,” The Chainsmokers
    “Paris (Pegboard Nerds Remix),” The Chainsmokers
    “What’s My Age Again,” Blink 182
    “Wylin, Part 2,” Cesqueaux
    “Tremor (Sensation 2014 Anthem),” Dimitri Vegas & Martin Garrix & Like Mike
    “Bang,” WAVEDASH
    “Closer,” The Chainsmokers feat. Halsey
    “Closer (Wuki Remix),” The Chainsmokers feat. Halsey
    “I Write Sins Not Tragedies,” Panic! At The Disco
    “Ride,” Twenty One Pilots
    Unknown track
    “Something Just Like This,” The Chainsmokers & Coldplay
    “King of Africa (The Lion King theme),” Douser
    Unknown track
    “Boozy,” Stoltenhoff
    “Yellow (Remix),” Coldplay
    “Don’t Let Me Down,” The Chainsmokers feat. Daya

    The Chainsmokers put on a hell of a dance party at RodeoHouston.

    The Chainsmokers Houston Rodeo 2017 stage
    Photo by Michelle Watson/CatchLight Group
    The Chainsmokers put on a hell of a dance party at RodeoHouston.
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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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