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    the shows go on

    Houston live music venues maintain COVID safety measures after restrictions lift

    Johnston Farrow
    Johnston Farrow
    Mar 10, 2021 | 11:22 am

    Mask on or mask off? That is the question.

    Like many in the hospitality and entertainment industry, local live music venues are scrambling to decide what actions to take in the wake of Governor Greg Abbott’s announcement last week rescinding the state-wide mask mandates and opening all businesses at full capacity.

    Houston venues still hosting shows instituted strict health guidelines months ago, which included limited capacity, mask requirements, staggered entry times, and enforced social distancing with tables or cordoned off sections. For now, it looks like those most of those measures will remain in place.

    White Oak Music Hall, one of the largest venues to host shows during the pandemic, did so by implementing a grid system wherein small groups share a section of the outdoor lawn area. Patrons are required to wear masks should they step out of their section and concessions were ordered online. The venue effectively shut the indoor stage area and has no immediate plans to re-open it.

    They’ll move ahead with upcoming grid shows, including two Blue October frontman Justin Furtsenfeld on Friday, March 12 and Saturday, March 13.

    White Oak fans can also watch for the Texas Smoke Break Fest Comedy Show with Ali Siddiq, Byrson Brown, and more on Wednesday, March 17. The Texas Smoke Break Fest with Larry June, Le$f, Slim Thug, DevinTheDude, and goes down on Saturday, March 20. Meanwhile, the Read Southall Band performs on Saturday, April 17 with all current safety measures in place.

    "We’re thrilled to see COVID rates declining and steps taken to open Texas back up,” Johnny So, managing partner of White Oak Music Hall said in a statement. “We’re still evaluating what that means for us and how that might affect our concerts. We're hopeful that it will allow us to book more shows and welcome more fans, but we need to ensure that those shows can be done safely."

    Other venue owners echoed the same sentiment, while not committing to any quick changes to safety measures.

    “We have great hope that our venues will return to normal operations very soon,” Edwin Cabaniss with the Heights Theater tells CultureMap. “If we continue to see progress, we anticipate making incremental changes to our protocols on our way to full reopening. We are just thankful to be in a position to safely-reopen after an extraordinarily difficult year - many of our peers were not that fortunate.”

    Out of those that responded to requests from CultureMap, the majority of local spots said they elected to keep current safety guidelines in place. Others that shuttered completely will stay closed for the time being.

    While some national artists are still touring, namely Staind lead singer Aaron Lewis performing on March 11 and South African punk rap act Die Antwoord booked for May 29 at Revention Music Center, it appears it will be some time before venues get close to hosting full sized crowds.

    The following is a list of music venues that responded to requests about the health and safety restrictions in place. All of those hosting shows have hand sanitization stations throughout the venue.

    Venues currently open:

    Axelrad: Limited capacity; masks required inside and while ordering.

    Dosey Doe: Patrons encouraged to wear masks.

    Heights Theater: Mandatory social distancing; face mask required except while eating and drinking.

    House of Blues: Face coverings mandatory and must be worn at all times except while eating and drinking; guest belongings must be kept in a clear bag or small clutch bag; mandatory social distancing; staggered arrival times.

    Main Street Crossing: Face coverings mandatory and must be worn at all times except while eating and drinking; mandatory social distancing; contactless payment.

    McGonigel’s Muck Duck: Mask requirements except while eating and drinking; capacity limits

    Revention Music Center: Face coverings mandatory and must be worn at all times except while eating and drinking; guest belongings must be kept in a clear bag or small clutch bag; mandatory social distancing; staggered arrival times.

    Rudyards: Mask requirements except while eating and drinking; capacity limitations.

    Warehouse Live: Limited seating; masked encouraged when not seated; social distancing encouraged.

    White Oak Music Hall: Face coverings mandatory and must be worn at all times except while eating and drinking; limited capacity; mandatory social distancing; drinks must be ordered through cocktail server.

    Venues closed or currently not booking acts:

    Satellite Houston: No shows booked at this time.

    Smart Financial Center: No shows until May 15.

    The Secret Group: Closed through the month of March and likely through April.

    The Continental Club: Remains closed at this time.

    White Oak Music Hall will continue to follow safety measures despite Gov. Greg Abbott lifting all COVID restrictions.

    White Oak Music Hall exterior
    Photo by Eric Sandler
    White Oak Music Hall will continue to follow safety measures despite Gov. Greg Abbott lifting all COVID restrictions.
    musicnightlifeconcerts
    news/entertainment

    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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