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    From Dusk Till Dawn

    New network looks to Texas blood-sucking vampires for ratings success

    Ryan Lakich
    Mar 10, 2014 | 9:49 am

    Film is a major cog in the machine of SXSW, but television is beginning to gain traction at the popular media festival, and one new show ready to lead the charge in 2014 is from Austin's own backyard.

    A product of the new El Rey Network, From Dusk Till Dawn: The Series is a bold step for a young television channel. A spin-off of the 1996 Robert Rodriguez-directed cult horror film with a script by Quentin Tarantino, the TV series looks to do more than just separate itself from its source material — it’s looking to leave a lasting effect as El Rey’s introduction to the world.

    Filmed at Troublemaker Studios in East Austin, it may be easy to consider the series just another reboot of a cult classic, but Rodriguez and his cast say it's a unique chance to explore a larger world only hinted at in the film’s finale.

    "So when we thought of doing our first series for El Rey, From Dusk Till Dawn has always been a fan favorite," says Rodriguez.

    On the walls of the studio’s meeting room hang various forms of memorabilia from previous Rodriguez and Troublemaker flicks, the most prominent of which is a matte painting that was the film’s final shot (a hidden Aztec temple that was the foundation of the vampire-infested Titty Twister strip club). The painting was the first source of inspiration for Rodriguez and his team of writers when the series entered production.

    "When Quentin first told me about the script that took place in Mexico I thought that we could bring in a lot of some kind of ancient vampire type culture in Aztec or Mayan mythology," says Rodriguez. "I always knew there was something really rich there, as that temple sort of suggested. So when we thought of doing our first series for El Rey, From Dusk Till Dawn has always been a fan favorite."

    "But instead of just making it required viewing for people to watch the first one or anything, I want to retell it," Rodriguez continues. "If the film was the short story, I want to retell the novel."

    In order to have the story carry over to later seasons, the characters require different motivations and different fates from the film. And Rodriguez and his team of writers have included ideas that are either brand new or have been kicked around since the first film, adding to a larger world. The final shot of the film (that pulls back revealing the temple), adds "story value," Rodriguez says, so the audience can easily imagine other stories. "They kind of see it in their head. Well, now we’re making a version of it they can see," he explains.

    "This is straight-up who we are. You’re either going to love it, or if you don’t that’s totally cool. But if you love it, this is your home," says Valderrama.

    To essentially rewrite a beloved horror film is a tall order. The cast also has some big shoes to fill from a film that starred George Clooney, Tarantino, Salma Hayek and plenty more. But any stress that the actors might feel is eclipsed by their excitement at being an integral part of El Rey Network’s first signature scripted series — and also making Rodriguez’s vision come to life.

    Wilmer Valderrama, who plays an original character created for the series, says that Rodriguez "has created a platform for all of us to perform how we know we can and to express ourselves the best we could." Valderrama also understands how El Rey is making a firm statement of its personality from the beginning.

    "This is straight-up who we are. You’re either going to love it, or if you don’t that’s totally cool. But if you love it, this is your home," says Valderrama. "And to be on board of this initial first line of fire as we launch this brand-new destination, a brand-new movement on television, I’m not surprised of the coalition of people that Robert has put together. Everyone in this cast and everyone in the network that’s coming on board has somehow touched pop culture in one way or another — and reinvented it together now. And that’s really fun."

    Zane Holtz, who takes over the role of Richie Gecko that was performed by Tarantino in the film, expresses the same excitement for being one of the first faces to represent a new network. "It’s probably the best opportunity you can be given as an actor on television. It’s do or die, basically … To be at the forefront and to be part of something as it’s coming together is incredible."

    ---

    From Dusk Till Dawn: The Series premieres on El Rey Network on Tuesday, March 11 at 8 p.m. CDT.

    Zane Holtz, left, and D.J. Cotrona, right, will take over as the new lead actors in From Dusk Till Dawn: The Series.

    Zane Holtz and D.J. Cotrona in From Dusk Till Dawn the series as Gecko brothers
    Photo courtesy of El Rey Network
    Zane Holtz, left, and D.J. Cotrona, right, will take over as the new lead actors in From Dusk Till Dawn: The Series.
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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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