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    From Dusk Till Dawn

    New network looks to Texas blood-sucking vampires for ratings success

    Ryan Lakich
    Mar 10, 2014 | 9:49 am

    Film is a major cog in the machine of SXSW, but television is beginning to gain traction at the popular media festival, and one new show ready to lead the charge in 2014 is from Austin's own backyard.

    A product of the new El Rey Network, From Dusk Till Dawn: The Series is a bold step for a young television channel. A spin-off of the 1996 Robert Rodriguez-directed cult horror film with a script by Quentin Tarantino, the TV series looks to do more than just separate itself from its source material — it’s looking to leave a lasting effect as El Rey’s introduction to the world.

    Filmed at Troublemaker Studios in East Austin, it may be easy to consider the series just another reboot of a cult classic, but Rodriguez and his cast say it's a unique chance to explore a larger world only hinted at in the film’s finale.

    "So when we thought of doing our first series for El Rey, From Dusk Till Dawn has always been a fan favorite," says Rodriguez.

    On the walls of the studio’s meeting room hang various forms of memorabilia from previous Rodriguez and Troublemaker flicks, the most prominent of which is a matte painting that was the film’s final shot (a hidden Aztec temple that was the foundation of the vampire-infested Titty Twister strip club). The painting was the first source of inspiration for Rodriguez and his team of writers when the series entered production.

    "When Quentin first told me about the script that took place in Mexico I thought that we could bring in a lot of some kind of ancient vampire type culture in Aztec or Mayan mythology," says Rodriguez. "I always knew there was something really rich there, as that temple sort of suggested. So when we thought of doing our first series for El Rey, From Dusk Till Dawn has always been a fan favorite."

    "But instead of just making it required viewing for people to watch the first one or anything, I want to retell it," Rodriguez continues. "If the film was the short story, I want to retell the novel."

    In order to have the story carry over to later seasons, the characters require different motivations and different fates from the film. And Rodriguez and his team of writers have included ideas that are either brand new or have been kicked around since the first film, adding to a larger world. The final shot of the film (that pulls back revealing the temple), adds "story value," Rodriguez says, so the audience can easily imagine other stories. "They kind of see it in their head. Well, now we’re making a version of it they can see," he explains.

    "This is straight-up who we are. You’re either going to love it, or if you don’t that’s totally cool. But if you love it, this is your home," says Valderrama.

    To essentially rewrite a beloved horror film is a tall order. The cast also has some big shoes to fill from a film that starred George Clooney, Tarantino, Salma Hayek and plenty more. But any stress that the actors might feel is eclipsed by their excitement at being an integral part of El Rey Network’s first signature scripted series — and also making Rodriguez’s vision come to life.

    Wilmer Valderrama, who plays an original character created for the series, says that Rodriguez "has created a platform for all of us to perform how we know we can and to express ourselves the best we could." Valderrama also understands how El Rey is making a firm statement of its personality from the beginning.

    "This is straight-up who we are. You’re either going to love it, or if you don’t that’s totally cool. But if you love it, this is your home," says Valderrama. "And to be on board of this initial first line of fire as we launch this brand-new destination, a brand-new movement on television, I’m not surprised of the coalition of people that Robert has put together. Everyone in this cast and everyone in the network that’s coming on board has somehow touched pop culture in one way or another — and reinvented it together now. And that’s really fun."

    Zane Holtz, who takes over the role of Richie Gecko that was performed by Tarantino in the film, expresses the same excitement for being one of the first faces to represent a new network. "It’s probably the best opportunity you can be given as an actor on television. It’s do or die, basically … To be at the forefront and to be part of something as it’s coming together is incredible."

    ---

    From Dusk Till Dawn: The Series premieres on El Rey Network on Tuesday, March 11 at 8 p.m. CDT.

    The matte painting from the original From Dusk Till Dawn film that inspired Robert Rodriguez.

    Aztec Temple matte painting From Dusk Till Dawn the movie
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    The matte painting from the original From Dusk Till Dawn film that inspired Robert Rodriguez.
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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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