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    Miranda Lambert's Rodeo

    Miranda Lambert shows she's moved on from Blake in sizzling Rodeo performance

    Jonathan Valadez
    Mar 8, 2016 | 6:48 am

    Playing at RodeoHouston for the first time since her split with Blake Shelton shocked her many fans, Miranda Lambert opened her set with “Kerosene” on Monday night. The song, which is about giving up on love, seemed like a subtle way to let her audience know that she is ready to move on without having to mention her former husband and Voice star by name.

    During the song, which was Lambert's first big hit a decade ago, her vocals were muffled, which made it very hard to hear the lyrics. The sound techs quickly fixed the problem and she soon sounded a lot better, proving to the excited crowd of 60,118 why she is one of country music's biggest female stars.

    Before the show started, I looked around NRG Stadium and was legitimately dissatisfied with the lack of cowboy hats and sequin tops in the crowd. I tried to reason with myself and decided that most people were saving their rodeo best for the weekend.

    The lights went down and the fireworks began while a one-minute montage of the rodeo played on the big screen. Nothing will pump you up more for Lambert than fireworks and a montage. The five-time rodeo veteran came out on stage, dressed in a denim dress dripping in fringe and matching cowboy boots, and her “Ran fans” erupted.

    Between songs, a stagehand handed Lambert a beautiful semi-hollowed guitar, and she readied for the next song. Sadly, she only used the pink guitar once. If I had the opportunity to play a guitar that beautiful, I would use it for every song, even if the tune didn’t call for it, but I guess that’s why I’m not a country star.

    After a few, Lambert played a new song called “Sweet By and By,” which she said she had never performed live before. A couple of songs later, she launched into “Baggage Claim” and called on the women in the audience to join in. They went wild as Lambert belted out the last lyrics: “Come and get your shit.”

    In between songs, Lambert played the crowd like the consumate professional she is. At one point, the Longview native said, "This feels like home.” Then, she quickly adjusted by declaring, “No, it is home!”

    She went on to say that she and the band were headed to London in the morning for a series of European concerts and drew big applause when she said, “We’re gonna show them how Texas does it over there.”

    Lambert showed an easy rapport with her band, occasionally playfully hitting and teasing them, which the crowd seemed to enjoy. Whenever she launched into a solo, the guitarist performing it would get into the obligatory power stance and squint his face as if he were concentrating really hard on what he was doing. A guitarist with a soul patch, who looked like he probably played in a ‘90s rock band, perfected the stance and facial expression so well that it looked effortless.

    The bassist danced a lot but often by himself. I have a feeling that Lambert may have told him that if he’s going to do that he better do it in the corner. My favorite member of the band was the tambourine player-turned-hype girl. She played the tambourine as if her life depended on it. It didn’t hurt that she was wearing a sequin top that really stood out as she moved and danced.

    However goofy the band appeared at times, they still gave the impression that they genuinely enjoyed their work and were thankful for the opportunity.

    The most moving moment occurred when the lights dimmed and Lambert played “The House That Built Me” while fans pulled out their cell phones and lit up NRG. The crowd went berserk as Lambert finished the song.

    Lambert & Co. ended with “Gunpowder and Lead” as the audience kept cheering while some sang along. Lambert thanked the crowd and said, “See 'ya next year,” as she left the stage and the crowd roared.

    As the song ended, Lambert was escorted to the tunnel and the fireworks began again. Her catch-phrase “Well-Behaved Women Rarely Make History” appeared on the big screen and I realized that if the singer hadn't made much history on this night, she certainly showed the large crowd a damn good time and proved she is having a good time, too.

    -------------------

    Set List

    Kerosene

    Fastest Girl in Town

    Heart Like Mine

    Sweet By and By

    Over You

    Baggage Claim

    All Kinds of Kinds

    Smokin' and Drinkin'

    Mama's Broken Heart

    Covered Wagon

    The House That Built Me

    Automatic

    White Liar

    Little Red Wagon

    Gunpower and Lead

    Miranda Lambert wore a denim fringe dress and matching boots.

    Miranda Lambert at Rodeo
    © Michelle Watson/Catchlight Group
    Miranda Lambert wore a denim fringe dress and matching boots.
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    Movie Review

    Wicked: For Good clings to the musical and misses out on movie magic

    Alex Bentley
    Nov 20, 2025 | 1:20 pm
    Ariana Grande and Cynthia Erivo in Wicked: For Good
    Photo by Giles Keyte/Universal Pictures
    Ariana Grande and Cynthia Erivo in Wicked: For Good.

    Splitting the film adaptation of the musical Wicked into two parts makes a certain kind of sense beyond the financial incentive of making fans pay for two films. Like most stage musicals, there’s a definitive break between the two acts, and it’s hard to resist going out on the high note of “Defying Gravity” for the first film. And expanding the story for the films puts the entire story at around 5 hours, much too long for one sitting.

    However, separating them puts a spotlight on the strengths and weaknesses of each act of the musical, and it's a popular opinion that the second act is inferior to the first act. In the awkwardly-named Wicked: For Good, Elphaba (Cynthia Erivo) is firmly ensconced as the Wicked Witch of the West, striking fear in people across Oz. Meanwhile, Glinda (Ariana Grande) has ascended as the protector of the land’s citizens, even as she hides the fact that she doesn’t possess the powers that Elphaba does.

    The story speeds through a number of different arcs, including Elphaba’s sister, Nessarose (Marissa Bode), becoming governor of Munchkinland; Glinda essentially forcing Fiyero (Jonathan Bailey) to commit to marrying her; even more bad revelations involving the Wizard of Oz (Jeff Goldblum) and Madame Morrible (Michelle Yeoh); and more. Hanging over all of it is the tenuous bond between Elphaba and Glinda, which is tested on multiple occasions.

    Director John M. Chu, working from a script by original musical writer Winnie Holzman and Dana Fox, leads the way on the faithful adaptation that is perhaps a bit too faithful. Chu helmed the memorable adaptation of Lin-Manuel Miranda’s In the Heights that brought more life to an already lively production. He accomplished similar results in Wicked part one, but For Good often feels less than cinematic, with many scenes coming off as static and too much like a stage production.

    The second film contains a lot of story movement, including the vague or explicit introduction of the four main characters from The Wizard of Oz, providing plenty of opportunity for creative staging or deeper storytelling. Instead, things just sort of happen, with Holzman and Fox failing to see the necessity of connecting story dots in a movie setting. With lots of extra time to work with (the run time is 2 hours and 17 minutes), giving more information about significant events shouldn’t have been an issue, and yet the filmmakers rarely give the audience that luxury.

    The songs, as they should be, are the showcase of the film, and yet none of the sequences measure up to the ones in the first film. The rushed storylines make it difficult to connect with emotionally-resonant songs like “As Long As You’re Mine” and “No Good Deed.” “No Place Like Home” and “The Girl in the Bubble,” new songs created for the film for Elphaba and Glinda, respectively, are decent but lack power. “For Good” is the one everyone is waiting for, but it too fails to land properly.

    Erivo and Grande certainly give it their all, and when they’re allowed to dig deep into their characters, they make as much of an impact as they did in the first film. Unfortunately, it’s nowhere near as often, and their characters’ bond suffers. Most of the other actors are done no favors by the whirlwind storytelling, but Goldblum still stands out in his various scenes.

    Creating a whole film for the second act of Wicked gave Chu and his team a perfect chance to slow things down and give the events it contains extra meaning. Unfortunately, they turned For Good into something that feels less like an expansive movie and more like a slightly more interesting version of the stage production.

    ---

    Wicked: For Good opens in theaters on November 21.

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