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    Shelby's Social Diary

    Best wardrobe switch ever? It's one woman, two spectacular gowns at Rolling Stone rocking bash

    Shelby Hodge
    shelby hodge
    Mar 8, 2013 | 3:32 pm

    Chairing a gala that has a split personality — a sedate seated dinner followed by a rocking after party — calls for wardrobe creativity. Just ask Ann Short, who chaired "Cabaret Da Camera" with husband Don Short. Think dressing for the Sarah Rothenberg dinner recital while being fashionably correct for the late-night bash with Rolling Stone keyboardist Chuck Leavell.

    Happily for Ann, she's close friends with international designer Zang Toi. The major talent created two gowns for her starring role at the Da Camera gala and was on her arm at the St. Regis Hotel throughout the evening.

    For the dinner portion, the designer created a black velvet "Louis XV" gown trimmed in mink and embroidered with Swarovski crystals.

    For the dinner portion, the designer created a black velvet "Louis XV" gown trimmed in mink and embroidered with Swarovski crystals that Ann wore with a Kokin-autographed "Millionaires Row" feather fascinator. When the party got rocking with Leavell, Ann changed into Toi's red silk satin gown decorated with love birds, that touch in celebration of her 20th wedding anniversary. She finished off the look with a Kokin top hat, also autographed.

    The French-themed evening honored 25 years of Da Camera trustees and board members. Rothenberg, the non-profit's artistic and general director, presented a musical program featuring Da Camera Young Artists Sonja Harasim, Aaron Perdue, Julia Fox and Geraldine Ong.

    Kicking the action up a notch were after party chairs Jennifer and Josh Gravenor, who were on the packed dance floor as Leavell rocked the night.

    The guest list included Lillie Robertson, Nancy and Walter Bratic, Chinhui and Eddie Allen, Mimi Lloyd, Da Camera board chairman Laura Sayavedra and husband Leo Sayavedra, Claudia and David Hatcher, Robert Azencott, Annette and John Eldridge, Gary Tinterow and Christopher Gardner, Sharyn and David Harris, Harvey Marks and Lynn Detrick, Alex and Lou Ann Chae and Joe and Susie Ting.

    Da Camera, March 2013, Julia Fox
    Photo by Pin Lim Forest Photography
    unspecified
    news/arts

    major menil changes

    Houston museum repurposes historic building for massive new installation

    Holly Beretto
    Jun 18, 2026 | 10:30 am
    Fresco Building exterior
    Photo courtesy of The Menil Collection
    The former Byzantine Fresco Chapel on the campus of The Menil Collection will open next year as an art installation space.

    A building on the campus of The Menil Collection is getting a new life, after being closed for nearly a decade. The organization announced this week that the Fresco Building, which shuttered in 2018, will be transformed into a space for semi-permanent, site-specific commissions.

    Brooklyn-based artist Teresita Fernández will open the first installation in 2027. She's creating a monumental immersive work that will debut as The Menil Collection celebrates its 40th anniversary.

    “The Menil Collection has programmed its 40th anniversary year with strong exhibitions that explore the museum’s past, present, and future,” said Rebecca Rabinow, director of The Menil Collection. “As one of the highlights, Teresita Fernández’s extraordinary installation at the Fresco Building will join the Menil’s other single-artist buildings, the Cy Twombly Gallery and the Dan Flavin Installation at Richmond Hall. In recognition of the Fresco Building’s origins, her ambitious, site-specific artwork will address themes of spirituality and the human condition.”

    The Fresco Building sits among residential bungalows and two neighboring institutions, the University of St. Thomas and the Rothko Chapel. It opened in 1997 as the Byzantine Fresco Chapel, under the auspices of the Byzantine Fresco Foundation, and originally housed two 13th-century frescoes that were restored and held on an extended loan from the Holy Archbishopric of Cyprus. Those frescos were returned to Cypress in 2012. The building was then decommissioned as a chapel and held a series of installations before closing in 2018.

    The re-purposing of the chapel and Fernández’s commission are in keeping with the Menil’s history of working with living artists who draw inspiration from the museum’s campus, collection, and archives. Menil founders, John and Dominique de Menil, were among Houston’s most-noted art collectors and philanthropists, championing emerging artists from around the globe. The Menil Collection’s main building opened in 1987, showcasing paintings, sculptures, drawings, and other works in the couple’s vast collection. As more buildings became part of the Menil campus, it has become a must-visit for art lovers in Houston and from around the world.

    “It is an immense honor to have been chosen to reimagine the Fresco Building within the prestigious context of the Menil’s campus,” said Fernández. “Creating an immersive, site-specific installation for this building is especially meaningful to me because of the Menil’s deep commitment to artists and the transformational power that contemplative art experiences can offer. For the last thirty years my practice has questioned how we construct notions of landscape and place; this project gives me a unique opportunity, on a monumental scale, to continue to unravel the intimacies between human beings and matter as well as the more numinous landscapes we carry within.”

    Once the new Fresco Building is open, Fernández’s installation will remain for five years.

    Fresco Building exterior

    Photo courtesy of The Menil Collection

    The former Byzantine Fresco Chapel on the campus of The Menil Collection will open next year as an art installation space.

    museumsmenil collectionopenings
    news/arts

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