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    Movie Review

    Disney’s stellar Zootopia draws in adults and kids from start to finish

    Alex Bentley
    Mar 5, 2016 | 10:00 am
    Disney’s stellar Zootopia draws in adults and kids from start to finish
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    Since 1995, Pixar has been the star of Disney animation, delivering time and again with only a few exceptions. But in the last 10 years, the other half of Disney’s animated output — Walt Disney Animation Studios — has proven it can make films just as memorable.

    Since 2007, the studio has been responsible for Bolt, The Princess & the Frog, Tangled, Wreck-It Ralph, Frozen, and Big Hero 6, a stretch that rivals Pixar’s success. The trend continues with Zootopia, an absolute delight of a movie that takes the tried-and-true premise of talking animals to another level.

    They do so not just by having anthropomorphic animals of all kinds, but also by creating a fully realized universe where almost every detail astounds. The hero of the film is Judy Hopps (voiced by Ginnifer Goodwin), a rabbit who has dreamt her entire life of being a police officer. Finally given her shot, she’s assigned to lowly parking meter duty instead of actually fighting crime.

    A chance run-in with a con artist fox named Nick Wilde (Jason Bateman) sets in motion a series of events that finds the two of them trying to track down a missing otter. That investigation opens up something bigger than they could have imagined, unraveling a conspiracy that has far-reaching implications.

    If that sounds heavy for an animated Disney film, it is and it isn’t. One of the biggest pleasures of Zootopia, as is the case with most great animated films, is how it appeals equally to kids and adults. The lush animation, cute animals, and other elements make it kid-friendly, but the relatively complex plot, pop culture references, and somewhat scary sequences make it enjoyable for adults too.

    Heck, at one point, the filmmakers — led by veterans Byron Howard and Rich Moore — even bring in a not-so-lightly veiled allusion to the dangers of racism and fear-mongering. However, they do so in a way that’s completely consistent with the world of the film, making the important message palatable for younger viewers.

    Although I normally say that having celebrities voice animated characters is a waste of time, both Goodwin and Bateman, along with Jenny Slate as Bellwether the sheep, bring a little something extra to the movie. Other stars like Idris Elba, J.K. Simmons, Bonnie Hunt, Tommy Chong, Octavia Spencer, Alan Tudyk, and Shakira all deliver nice performances, but their star power does little to enhance the film.

    It’s easy to tell when a studio and its filmmakers care about the quality of their product, and the output from both sides of Disney has gotten as reliable as a Swiss clock. Zootopia is another stellar movie from a studio that just knows how to do things right.

    Jason Bateman plays Nick Wilde and Ginnifer Goodwin plays Judy Hopps in Zootopia.

    Scene from Zootopia
    Photo courtesy of Walt Disney Studios Motion Pictures
    Jason Bateman plays Nick Wilde and Ginnifer Goodwin plays Judy Hopps in Zootopia.
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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