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    Eclectic mix of songs

    Zac Brown Band's modern take on Southern rock and soul energizes lively rodeo crowd

    Reid Schroder
    Reid Schroder
    Mar 1, 2013 | 6:43 am

    A cow got loose during a cutting horse competition in Reliant Arena early Thursday afternoon, and nobody got hurt.

    It took some very capable officials quite a bit of time to get the animal corralled back onto the arena floor, but I bet that the Zac Brown Band could have lured it there with just a few measures of their mesmerizing Southern music.

    A Georgia native, Brown and his troupe of bearded musical wonders specialize in a lively, modern take on traditional southern rock and soul. As affable as his band, which included Jimmy De Martini on fiddle and Clay Cook on mandolin, was, the music was even better.

    I can't think of a better band to cap off such a wild day than Brown and his capable team of merry songsters entertaining a Reliant audience who never seemed to sit down.

    The musicians made the most out of an hour-long set, which was seasoned with fan favorites "Chicken Fried" and "Jump Right In" along with a several harmonious ballads like "No Hurry." Towards the middle of the set, a surprisingly faithful rendition of Metallica's "Enter Sandman," featuring a fork-bearded John Driskell Hopkins on vocals and Zac Brown on bass guitar, surprised the already energetic crowd of 64,174.

    As the searing cover song ended, the band somehow found a way to seamlessly segue into a prayerful fiddle passage before moving on to "Free," a much slower and more contemplative offering.

    In the same way that good gospel music at the end of the week can make me feel nice and refreshed, Brown's set had a charming quality to it that just felt right after a long day of smelling horse debris and watching chickens hatch in Reliant Center.

    In fact, hours before the doors at Reliant Stadium opened up, I was traipsing around the grounds, looking for the seldom-seen parts of the weekday rodeo in anticipation of this show.

    After seeing what I saw on Thursday, I've come to one conclusion; There is a completely different Rodeo Houston world outside of Reliant Stadium going on during the week. A world in which you can eavesdrop on two bee keepers talking shop about how the drought has affected the honey harvest, or take in a sloth and anteater show on the Kids' Country stage put on by a group from...Wisconsin?

    I can't think of a better band to cap off such a wild day than Brown and his capable team of merry songsters entertaining a Reliant audience who never seemed to sit down.

    Brown must have felt it, too, as he was often milling around and hooting like a mountain man between songs, to wild applause.

    He and his band seemed genuinely happy to be in Houston. The fact that they were playing in one of the largest sports arenas in the country never once seemed to faze them. Reliant Stadium could have been the Armadillo Palace or the recently endangered Blanco's Bar & Grill for all that this band cared, and the show was all the better for it.

    How else can you explain a set list that can go from a Metallica cover to a soulful Appalachian ballad without missing a beat?

    Set:

    "Keep Me In Mind"
    "Walkin'"
    "Knee Deep"
    "The Wind"
    "No Hurry"
    "Toes"
    "Uncaged"
    "Colder"
    "Enter Sandman"
    "Free"
    "Jump Right In"
    "Goodbye"
    "America, The Beautiful"
    "Chicken Fried"

    Brown felt the crowd's energy as he often hooted like a mountain man between songs, to much applause.

    0008, RodeoHouston, Zac Brown Band concert, March 2013
      
    Photo by © Michelle Watson CatchLightGroup.com
    Brown felt the crowd's energy as he often hooted like a mountain man between songs, to much applause.
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    series/htx-lets-go-rodeo-2013
    news/entertainment

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    Rodeo ticket surprise

    George Strait isn't as hot as expected: Alamodome, New Orleans tickets in higher demand

    Whitney Radley
    Mar 18, 2013 | 3:14 pm

    Emotions ran wild in Reliant Stadium on Sunday night as George Strait worked his way through three decades of hits during his 21st Houston Livestock Show and Rodeo performance — one that was also his last.

    Though 60 and not quite as light on his feet as he once was, Strait maintains the smooth voice and the charismatic stage presence that has earned him the title of the King of Country, and the record-setting rodeo audience of 80,020 appreciated it all up until the last minute of "Cowboy Rides Away."

    The monetary value of the floor seating collapsed as the date drew near.

    Although ticket prices to see Strait with the Randy Rogers Band and Martina McBride were initially astronomical, the monetary value of the floor seating collapsed as the date drew near.

    "The seats on the 50 yard line that were once $700 each could be had for $300 each in the days before the show," said Pat Ryan, co-owner of The Ticket Experience, a local secondary market ticket broker with years of experience.

    Ryan explained that people wanting to spend big to see King George instead sprung for tickets to the final stops of Strait's farewell tour, in New Orleans on April 13 or at the Alamodome in San Antonio on June 1.

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