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    Mark your calendars

    The switch up: Houston arts group changes its name, unveils a new lineup of more engaging concerts

    Joel Luks
    Feb 26, 2014 | 9:00 am

    After more than five decades of the same old look, Houston Friends of Chamber Music is freshening up its stylings to better represent what the volunteer-led classical music presenter does best: Bringing only the crème de la crème of chamber music ensembles from around the world to the Bayou City.

    As Houston Friends of Chamber Music unveils the 2014-15 season, it also reveals a new modernist logo and a more concise name to sound the beginning of new tuneful adventures for concert goers — Chamber Music Houston. The name change will simplify how the organization's mission is communicated to Houstonians, particularly as Houston Friends of Chamber Music has been confused for a philanthropic venture that supports Rice University's Shepherd School of Music, which it isn't.

    "The name Chamber Music Houston is easy to remember, expresses clearly what we offer, and is in a continuity with our former name," Lucile Agaisse, chair of marketing and communications, tells CultureMap. "It fits well with our new, fresh look while indicating that the organization will continue bringing the world's most celebrated chamber music ensembles to Houston."

    The lineup of performances for 2014-15, aptly themed "New season. New name. New experience," promises to offer engaging concerts with more interaction between the guest artists and the audience, a hallmark of the intimate genre that can be lost in more traditional concert settings.

    HOUSTON DEBUTS

    The name Kavafian-Schub-Shifrin Trio (Nov. 11) — violinist Ani Kavafian, pianist Andre-Michel Schub and clarinetist David Shifrin — may imply the kind of conservatism associated with chamber music. But expect this program of 20th century jewels, including Bartok's Contrasts and Bolcom's Afternoon Cakewalk, to evince why this 25-year-old hyper-virtuoso ensemble has been praised for its intriguing programming and fierce integrity.

    Friends Philippe Bernhard, Loïc Rio, Laurent Marfaing and François Kieffer comprise the Modigliani Quartet (April 9, 2015). It only took one year after the group formed in 2003 to earned international recognition, winning the Frits Philips String Quartet competition in 2004 and then the Young Concert Artists Auditions in New York in 2006. The "fab foursome" (Seattle Times) will perform Mozart's Quartet in D Minor, K. 421, Shostakovich's Quartet No 1 in C Minor and Dohnányi's Quartet No. 3 in A Minor.

    NEW FAVORITES

    The Austin-based Miró Quartet (Sept. 16) opens the Chamber Music Houston season. After last year's sincere and virile performance, consider this engagement as a sign that Chamber Music Houston has settled on a new favorite. Haydn's String Quartet in D minor, Op. 76, No. 2 "Fifths" plus Schuller's Houston premiere of his Quartet No. 5 are complemented by Schubert's famed Quartet in D Minor "Death and the Maiden." Music nerds will of course be wondering how the Miró will treat the opening of Schubert's work: To down bow or to up bow? That is the question.

    Cantus (Feb. 10, 2015) made its Chamber Music Houston debut in 2008. No word yet on the playbill for this men's a cappella troupe, but we suspect a melange of introspective choral, carefree songs and powerful scores performed with a superhuman breath of colors and textures.

    The Jupiter String Quartet (Dec. 2), which made its Chamber Music Houston debut in 2008, will be joined by violist James Dunham for Brahms' String Quintet in G Major. Also on the program are Schubert's Quartet in A Minor "Rosamunde" and Beethoven's String Quartet in F Major, Op. 135.

    GOOD OLE FRIENDS

    The Vienna Trio (March 10, 2015) returns for its fourth appearance with Chamber Music Houston. An evening of Austro-German works by Mozart, Schumann and Mendelssohn will test the threesome's "telepathic gifts of communications" (The Plain Dealer). We can only hope that Chamber Music Houston supplements the performance with Sachertorte at the reception. Too much to ask?

    The Canadian Brass (Jan. 20, 2015) should need to introduction. Arguably the world's most recognized brass quintet, these musicians are always out and about with concert programs that surprise and entertain, eh?

    Noted for dramatic and powerful performances, the Jerusalem Quartet (Oct. 21) returns with Beethoven's String Quartet in A Major, Op. 18, No. 5, Bartok's String Quartet No. 2 and Ravel's String Quartet in F Major.

    ENCORE, PLEASE

    At the current season's finale concert, set for April 29, Houston audiences will finally hear the new version of the Emerson since cellist David Finckel retired. With reviews that describe the veteran musicians plus cellist Paul Watkins as having a "new burst of energy," Chamber Music Houston once again hires the Emerson String Quartet (April 30, 2015) for the big bang of a curtain call.

    ___

    Chamber Music Houston full season subscriptions start at $185 for adults, $167 for seniors and $92.50 for students. Subscription packages ranging from three to seven concerts are available starting at $70 for adults and $63 for seniors. Tickets may be purchased online or by calling 713-348-5400.

    Austin-based Miró Quartet opens the Chamber Music Houston season.

    2 Miro Quartet preview September 2013
    Photo courtesy of Houston Friends of Chamber Music
    Austin-based Miró Quartet opens the Chamber Music Houston season.
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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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