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    Mark your calendars

    The switch up: Houston arts group changes its name, unveils a new lineup of more engaging concerts

    Joel Luks
    Feb 26, 2014 | 9:00 am

    After more than five decades of the same old look, Houston Friends of Chamber Music is freshening up its stylings to better represent what the volunteer-led classical music presenter does best: Bringing only the crème de la crème of chamber music ensembles from around the world to the Bayou City.

    As Houston Friends of Chamber Music unveils the 2014-15 season, it also reveals a new modernist logo and a more concise name to sound the beginning of new tuneful adventures for concert goers — Chamber Music Houston. The name change will simplify how the organization's mission is communicated to Houstonians, particularly as Houston Friends of Chamber Music has been confused for a philanthropic venture that supports Rice University's Shepherd School of Music, which it isn't.

    "The name Chamber Music Houston is easy to remember, expresses clearly what we offer, and is in a continuity with our former name," Lucile Agaisse, chair of marketing and communications, tells CultureMap. "It fits well with our new, fresh look while indicating that the organization will continue bringing the world's most celebrated chamber music ensembles to Houston."

    The lineup of performances for 2014-15, aptly themed "New season. New name. New experience," promises to offer engaging concerts with more interaction between the guest artists and the audience, a hallmark of the intimate genre that can be lost in more traditional concert settings.

    HOUSTON DEBUTS

    The name Kavafian-Schub-Shifrin Trio (Nov. 11) — violinist Ani Kavafian, pianist Andre-Michel Schub and clarinetist David Shifrin — may imply the kind of conservatism associated with chamber music. But expect this program of 20th century jewels, including Bartok's Contrasts and Bolcom's Afternoon Cakewalk, to evince why this 25-year-old hyper-virtuoso ensemble has been praised for its intriguing programming and fierce integrity.

    Friends Philippe Bernhard, Loïc Rio, Laurent Marfaing and François Kieffer comprise the Modigliani Quartet (April 9, 2015). It only took one year after the group formed in 2003 to earned international recognition, winning the Frits Philips String Quartet competition in 2004 and then the Young Concert Artists Auditions in New York in 2006. The "fab foursome" (Seattle Times) will perform Mozart's Quartet in D Minor, K. 421, Shostakovich's Quartet No 1 in C Minor and Dohnányi's Quartet No. 3 in A Minor.

    NEW FAVORITES

    The Austin-based Miró Quartet (Sept. 16) opens the Chamber Music Houston season. After last year's sincere and virile performance, consider this engagement as a sign that Chamber Music Houston has settled on a new favorite. Haydn's String Quartet in D minor, Op. 76, No. 2 "Fifths" plus Schuller's Houston premiere of his Quartet No. 5 are complemented by Schubert's famed Quartet in D Minor "Death and the Maiden." Music nerds will of course be wondering how the Miró will treat the opening of Schubert's work: To down bow or to up bow? That is the question.

    Cantus (Feb. 10, 2015) made its Chamber Music Houston debut in 2008. No word yet on the playbill for this men's a cappella troupe, but we suspect a melange of introspective choral, carefree songs and powerful scores performed with a superhuman breath of colors and textures.

    The Jupiter String Quartet (Dec. 2), which made its Chamber Music Houston debut in 2008, will be joined by violist James Dunham for Brahms' String Quintet in G Major. Also on the program are Schubert's Quartet in A Minor "Rosamunde" and Beethoven's String Quartet in F Major, Op. 135.

    GOOD OLE FRIENDS

    The Vienna Trio (March 10, 2015) returns for its fourth appearance with Chamber Music Houston. An evening of Austro-German works by Mozart, Schumann and Mendelssohn will test the threesome's "telepathic gifts of communications" (The Plain Dealer). We can only hope that Chamber Music Houston supplements the performance with Sachertorte at the reception. Too much to ask?

    The Canadian Brass (Jan. 20, 2015) should need to introduction. Arguably the world's most recognized brass quintet, these musicians are always out and about with concert programs that surprise and entertain, eh?

    Noted for dramatic and powerful performances, the Jerusalem Quartet (Oct. 21) returns with Beethoven's String Quartet in A Major, Op. 18, No. 5, Bartok's String Quartet No. 2 and Ravel's String Quartet in F Major.

    ENCORE, PLEASE

    At the current season's finale concert, set for April 29, Houston audiences will finally hear the new version of the Emerson since cellist David Finckel retired. With reviews that describe the veteran musicians plus cellist Paul Watkins as having a "new burst of energy," Chamber Music Houston once again hires the Emerson String Quartet (April 30, 2015) for the big bang of a curtain call.

    ___

    Chamber Music Houston full season subscriptions start at $185 for adults, $167 for seniors and $92.50 for students. Subscription packages ranging from three to seven concerts are available starting at $70 for adults and $63 for seniors. Tickets may be purchased online or by calling 713-348-5400.

    Philippe Bernhard, Loïc Rio, Laurent Marfaing and François Kieffer comprise the Modigliani Quartet.

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    let's dance

    Houston Ballet leaps into 2026-2027 with world premieres and Swan Lake

    Tarra Gaines
    Feb 17, 2026 | 10:30 am
    Artists of Houston Ballet in Stanton Welch’s Swan Lake
    Photo by Lawrence Elizabeth Knox
    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    Announcing its 2026-2027 season, Houston Ballet leaps into an immersive wonderland with the world premiere ballet Where’s Alice? from co-artistic director Stanton Welch. This is just one of many dance adventures set for a season filled with spectacular story ballets, cutting edge contemporary dances, and world premieres.

    “This season reflects the full breadth of what Houston Ballet is — and where we’re going,” Houston Ballet co-artistic director Julie Kent said in a statement. “We are honoring the great choreographic voices that have shaped our art form, from Balanchine and MacMillan to Lubovitch and Peck, while simultaneously opening the door to new creative possibilities through world premieres and bold collaborations.”

    The season begins September 11 through 20 with a classic Texas twang for Pecos Bill, the title production of an eclectic mixed repertory program. Stanton Welch’s fun and rollicking dance follows the adventures of the folklore cowboy, Pecos Bill. The program also showcases a work from 20th century dance master, George Balanchine, with the elegant and dynamic Symphonie Concertante. And for the first time, the company will perform celebrated choreographer Lar Lubovitch’s Meadow, a piece Julie Kent herself once danced when it first debuted.

    Sir Kenneth MacMillan’s Manon returns September 24 through October 4. First performed by the company in 1994, the doomed love story between irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux, has had audiences swooning for decades.

    Of course, it wouldn’t be a Houston Ballet season without the annual Margaret Alkek Williams Jubilee of Dance. And then closing out 2026, the company gifts Houston with Welch’s delightful and delectable Nutcracker Ballet.

    The new year premieres Where's Alice? , Welch’s brand new work will be a re-envisioning of Lewis Carroll’s Alice in Wonderland, February 25 through March 7. Describing it as one of the most ambitious undertakings in HB’s recent history, the company plans for Alice to become a fully immersive theater experience that incorporates cutting-edge audio and visual effects that will take audience down the rabbit hole into a living, breathing, wondrous world.

    Keeping with what looks to be the 26-27 season’s theme of blockbuster ballets from Welch, the company floats into spring, March 11 through 21, with the classic story of Madam Butterfly, a dramatic exploration of love, sacrifice, and cultural collision danced to Puccini’s heartbreaking score.

    Beginning May 27 through June 6, HB offers the second mixed repertory program of the season, The Rite of Spring, and with it another world premiere. First, the company brings back the hypnotic, contemporary ballet, Reflections, a piece it originally debuted by the dance world’s reigning rock star, Justin Peck. Company member and up-and-coming choreographer Jacquelyn Long will create a new ballet for the program. Another highlight of the evening and the title work, Welch’s The Rite of Spring, offers a a visceral and elemental reimagining of dance for Stravinsky’s score that shocked the music world when it first debuted.

    Artists of Houston Ballet in Stanton Welch\u2019s Swan Lake

    Photo by Lawrence Elizabeth Knox

    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    The season ends June 10 through 27 with one of ballet’s most beloved stories, Swan Lake. Stanton Welch’s celebrated production was first staged by the company in 2006 and has gone on to become an audience favorite. Inspired by Pre-Raphaelite painter John William Waterhouse’s painting “The Lady of Shalott,” the production features lavish sets and costumes.

    Reflecting on the whole season and his Alice in particular, Welch echo’s Kent’s belief that the programming offers a vision that connects the company’s history, present, and future.

    “Where’s Alice? is an example of that vision – a production that pushes the boundaries of ballet through immersive sets and thought-provoking storytelling that makes you question, 'Who in the world am I?' as Alice did, creating an entirely new world audiences can step into,” Welch said. “It’s work like this that allows us to welcome new audiences into the theater while continuing to challenge and inspire our longtime supporters.”

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