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    Get the Party Started

    Concert of the Year? Pink gets a gold star for dazzling show: She sings, she soars, she sparkles!

    Jane Howze
    Feb 22, 2013 | 11:05 am

    Pink, whose Truth About Love Tour kicked off its U.S. leg in Phoenix last week, with 99 total shows planned worldwide, touched down in Houston’s Toyota Center on Thursday for a sold-out performance. Even those not familiar with Pink through her 2009 Funhouse tour will remember her breathtaking, unforgettable acrobatic performance of “Glitter in the Air” at the 2010 Grammys.

    One mark of a good concert is that you may not know every song in the program when you enter, but you walk out wondering how fast you can get home and start downloading. Pink delivered that and more.

    How Pink can sing while hanging upside down suspended by three male dancers is a mystery.

    The first thing I noticed was the age of the crowd. After going to a Justin Bieber concert last year, where the average age seemed to be about 12, and a Paul McCartney concert that was geared to the baby boomer generation, the Pink fan is harder to peg and includes a slightly older crowd, though clearly not one that had to be coaxed out of their seats. Yep Yanni fans, that would be you.

    The Hives, a Swedish garage band, opened for Pink with a short, highly energetic set which, unlike many opening acts, brought enthusiastic applause.

    Game show start

    Pink’s concert starts as a TV game show, with a slightly annoying emcee scanning the crowd for someone to compete on "The Truth About Love." Surprise! Pink is selected as the contestant and then makes her entrance by being shot into the air on bungee cords as she opens with “Raise Your Glass.”

    It is a dramatic and stunning number, and how Pink can sing while hanging upside down suspended by three male dancers is a mystery.

    The 21-song setlist uses vignettes about one night stands, rejection, parties and regret as a way to introduce songs from her sixth Grammy nominated album, Truth About Love.

    I have always said that Chris Martin, frontman of Coldplay is the hardest working entertainer around, but I’m reconsidering, and now I’m giving Pink the nod.

    Pink quickly moved into some of chart topping hits and fan favorites including "Walk of Shame," "Just Like a Pill,” "F***in' Perfect," "So What," “Family Portrait” and her latest singles, “Try” and "Just Give Me A Reason," featuring Nate Ruess.

    I have always said that Chris Martin, frontman of Coldplay is the hardest working entertainer around, but I’m reconsidering, and now I’m giving Pink the nod. A Pink concert is a little like a Cirque du Soleil performance. There is so much happening on stage—the songs, the dancing and of course the acrobatics—it is a feast for the senses. Sometimes there were so many dancers on the stage that I had trouble finding Pink.

    The stage set was an elaborate production with five screens, one of which was in the shape of a heart, along with dramatic staircases, a wildly talented five piece band, two back-up singers and a high octane crew of dancers.

    Pink made numerous costume changes, many of which showed off her phenomenally toned body. I was particularly drawn to her footwear choices. For some numbers she performed barefoot, but she also sported boots, high high heels and sneakers.

    Best for last

    Pink’s voice sounded strong, especially considering that most of the numbers included strenuous dancing or physically demanding acrobatics. And if she used back-up vocals no one seemed to care.

    During one of the few pauses, Pink asked the audience how many people had been to a prior concert of hers. The audience erupted in cheers. Pink acknowledged the fans by reaching out to grasp hands of those near the stage during several numbers and chatted with fans, saying that her daughter was in the audience and appearing to wave to her saying, “She is a better dancer than I.”

    With Madonna’s last concert tour playing to mixed reviews and Lady Gaga cancelling her 2013 tour, Pink may prove to be the concert of the year.

    Pink saved the best for last. Dressed in a gold bodysuit and strapped into a harness, she flew over the crowd several times, singing “So What,” taking brief stops on perches set up on each side of the arena. She got so close that some in the audience said they could see the detail on her costume.

    It was so spectacular and mind-blowing that there was not one person in the crowd who was not trying to capture the moment on their camera. But Pink was not done. Reprising her famed Grammy performance, "Glitter in the Air," she was again in the air for a hauntingly beautiful performance that had her spinning gracefully as she sang.

    With Madonna’s last concert tour playing to mixed reviews and Lady Gaga cancelling her 2013 tour, Pink may prove to be the concert of the year. Based on the reactions of fans at the Toyota Center Thursday night, Pink gets a gold star.

    Pink greets some fans.

    Pink loves her fans and her fans love her
    Photo by Jane Howze
    Pink greets some fans.
    unspecified
    news/entertainment

    Movie Review

    New comedy I Want Your Sex saddles an all-star cast with a dull story

    Alex Bentley
    Jul 31, 2026 | 2:15 pm
    Cooper Hoffman and Olivia Wilde in I Want Your Sex
    Photo courtesy of Magnolia Pictures
    Cooper Hoffman and Olivia Wilde in I Want Your Sex.

    Writer/director Gregg Araki has been making provocative movies for nearly 40 years, releasing his debut — Three Bewildered People in the Night — in 1987. Most of them have had plotlines that revolved around sex in one way or another, and for his latest — his first film in 12 years — he’s putting it right there in the title, I Want Your Sex.

    Elliot (Cooper Hoffman) is an aimless twenty-something who can’t even afford the rent for his apartment with best friend, Apple (Chase Sui Wonders). Thankfully, he finds a job at the gallery of artist Erika Tracy (Olivia Wilde), who is open with her sexuality both in her artwork and in her day-to-day life. That soon includes Elliot, whom she convinces to enter into a dominant-submissive relationship with her, with sessions taking place both at work and her home.

    Elliot, who’s in a going-nowhere coupling with Minerva (Charli XCX), is more than willing to participate, both because it lets him feel something he doesn’t get normally and because Erika offers a perspective on sex that’s much different from people of his generation. But as he gets in deeper with her, he starts to lose a sense of himself, going down a path in which he finds himself talking to police detectives Zem (Johnny Knoxville) and Zola (Margaret Cho).

    Araki does his level best to make I Want Your Sex into a broad comedy, and early on it seems as if he might succeed. The deadpan way that sexual objects appear in the film (a penis-shaped rug in Elliot and Apple’s apartment, a vagina artwork with chewed gum as the medium) make for amusing sight gags. He also makes Elliot the bewildered other in multiple twosomes, with Minerva being the funniest, as she’s way more interested in studying than his ham-fisted attempts at sex.

    It’s clear that Araki wants the film to be a commentary on the generational differences about sex, but he fumbles his own idea. It starts with an on-the-nose conversation between Erika and Elliot, and continues with the various dalliances, which seem to be more about making Elliot look and feel ridiculous than giving true insight. Their encounters certainly open his mind about what sex can be, but their one-note nature makes them repetitive and frankly boring, odd considering the acts in which the two engage.

    The uninspired storytelling makes the 90-minute film drag way more than it should. Araki includes a few other characters to try to vary the tone of the film, including gallery workers Zap (Mason Gooding) and Vikktor (Daveed Diggs), but their early promise yields little results. The framing device of Elliot’s interview with the detectives never works, especially because Araki completely neuters the personalities of Cho and Knoxville for seemingly no good reason.

    The cast as a whole goes to waste. Hoffman is showing the promise of his late father (Philip Seymour Hoffman), and even though he’s appealing here, the material pulls him down. Wilde just made her own provocative movie about sex (The Invite), and this one pales in comparison despite her heightened performance. Wonders, Charli XCX, and Gooding are all young stars who deserve to be showcased much better than they are in this film.

    A film called I Want Your Sex is announcing itself as daring and alluring, but this film contains almost none of those qualities. Instead, it’s a slog that only occasionally has something interesting to show or say, mostly relying on the power of its actors to hold viewers’ attention — and failing at even that.

    ---

    I Want Your Sex is now playing in select theaters.

    news/entertainment
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