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    Live Music Now

    These are the 5 best shows to see in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 15, 2018 | 2:34 pm

    From steamy salsa, to cool electronica, it's another hot week of music in Houston. Here are the best shows coming up over the next seven days.

    Best show that will bring a taste of Miami to H-Town
    Riding the wave of mainstream Latin acts in the late-'90s that included Ricky Martin and Enrique Iglesias, the former Mr. Jennifer Lopez — also known as Marc Anthony — remains a huge draw on the Latin music circuit. Anthony boasts the most record sales by a tropical salsa artist, and this show will draw a lot of fans, despite having been rescheduled from an early October 2017 date postponed due to “scheduling and logistics issues.”

    The multiple Grammy and Latin-Grammy award winner will bring the heat to Toyota Center this weekend. He hasn’t released anything but a children’s music album the last few years, so expect a mixture of his hits from over the years.

    Marc Anthony stokes the heat at Toyota Center, located at 1510 Polk St., on Friday, February 16. Tickets start at $55. Tickets from his previously scheduled show will be accepted. Show starts at 8 pm.

    Best chance at seeing indie-rock hero in an intimate space
    Not since Cat Power has a female-fronted indie act offered such heartache — along with head-nodding tunes — like Waxahatchee. It’s no surprise that Katie Crutchfield started this project following the break-up of a relationship and band — it’s pure heart-on-sleeve, gut punch guitar music that sounds like the most confessional works of Liz Phair, and melodic sensibility of The Breeders.

    Four albums in, she has yet to produce a dud, the latest being the fabulous 2017 set Out in the Storm, which chronicles a love gone sour. Following a great booking in Pedro the Lion, Rockefellers has struck programming gold with Waxahatchee, with the benefit of the more intimate space.

    Waxahatchee brings the intimacy to Rockefellers, located at 3620 Washington Ave., on Friday, February 16. Night Shop will open. Tickets start at a reasonable $16 plus fees. Doors open at 7 pm.

    Best electro-pop from north of the border
    Valerie Anne Poxleitner, also known as Lights, has made a name for herself in her native land of Canada as a forward-thinking electro-pop star. She earned the Juno, the Canadian equivalent of a Grammy, for Best New Artist back in 2009, and later Best Pop Album in 2015 for her disc Little Machines. She’s appeared on tracks with emo-rock bands, rappers and some of the biggest EDM producers around.

    Expect an epic light show and a lot of screaming fans dancing along to her high energy show. She’ll roll into town with a new single “We Were Here,” off her acclaimed 2017 album Skin & Earth, from which she wrote and drew her very own comic book series. Not too shabby.

    Lights shines at White Oak Music Hall, located at 2915 N Main St., on Saturday, February 17. Chase Atlantic and DCF will open. Tickets start at $21 plus fees. Doors open at 7 pm.

    Best show for beat-lovers
    Toronto’s Keys N Krates keeps some exclusive company. The trio released music on DJ Steve Aoki’s Dim Mak label, as well as Diplo’s Mad Decent label, meaning their cred as electronic music artists is not to be questioned. Consisting of a drummer, keyboard and turntablist, Keys N Krates has been making waves on the festival circuit with their mix of trap, hip-hop and electronica and they are already booked for summer appearances at major musical gatherings.

    Houston EDM fans will get a chance to see them in the cozier confines of Stereo Live as part of their Cura World Tour, promoting their first full-length album of the same name.

    Keys N Krates plays at Stereo Live, located at 6400 Richmond Ave., on Saturday, February 17. Promnite and Jubilee open. Tickets are $12.50 in advance. Show starts at 9 pm.

    Best show of the week
    At the Day For Night Festival back in December, Annie Clark, also known as St. Vincent showcased herself as an artist at the height of her singular creative talent. Her tour for her latest album, Masseduction, one of the best of 2017, relies on a sparse stage set-up – a circular stage for her to stand on, a bank of video screens choreographed to her setlist, and one killer, fashion-forward performer shredding on guitar as good as any professional today. Clark returns to Houston after that triumphant December set, where she expressed her love for Texas audiences (she grew up in the Dallas area) and thrillingly ripped through her biggest alternative hits. Those who missed out will get a second chance to catch a must-see show.

    St. Vincent will bring down the House of Blues, located at 1204 Caroline St., on Tuesday, February 20. Tuck & Patti open. Tickets start at $40. Doors open at 7 pm.

    St. Vincent makes an encore performance after Day For Night at House of Blues, Tuesday, February 20.

    St. Vincent singer
      
    Photo by Zackery Michael
    St. Vincent makes an encore performance after Day For Night at House of Blues, Tuesday, February 20.
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    Movie Review

    Houston native Wes Anderson shows off comedic side in The Phoenician Scheme

    Alex Bentley
    Jun 6, 2025 | 4:00 pm
    Benicio Del Toro, Mia Threapleton, and Michael Cera in The Phoenician Scheme
    Photo courtesy of TPS Productions/Focus Features
    Benicio Del Toro, Mia Threapleton, and Michael Cera in The Phoenician Scheme.

    If you were to do a poll of the best comedy filmmakers of the 21st century, writer/director Wes Anderson is not the obvious choice to come out on top, but there’s an argument to be made for him. His quirky style doesn’t yield the guffaws that more broad comedies do, but the absurd situations he creates in his films are often more consistently funny than anything else.

    Anderson’s inimitable approach is once again on full display in The Phoenician Scheme. At its center is Zsa-Zsa Gorda (Benicio Del Toro), a much-hated businessman who’s looking to complete a number of big projects in the fictional country of Phoenicia. As he seems to be the target of multiple assassination attempts, he appoints his daughter, Liesl (Mia Threapleton), as his heir to try to ensure his legacy.

    Both she and his new assistant, Bjorn (Michael Cera), accompany him around the country as he tries to enact a scheme to have others cover the bulk of the cost for the various projects. Those he attempts to convince include Phoenician Prince Farouk (Riz Ahmed), brothers Leland (Tom Hanks) and Reagan (Bryan Cranston), fellow businessman Marseille Bob (Mathieu Amalric), ship captain Marty (Jeffrey Wright), his Cousin Hilda (Scarlett Johansson), and Uncle Nubar (Benedict Cumberbatch).

    Put in Andersonian terms, the film is a mix between the madcap antics from The Grand Budapest Hotel and the impenetrable storytelling of Asteroid City. If you were to try to understand every detail of what’s going on in the story of The Phoenician Scheme, it might take three or more viewings to do so. But the film is still highly entertaining because Anderson fills its frames with his typical visual delights, great wordplay, and his particular version of slapstick.

    Much of the comedy of the film derives from Anderson inserting moments that initially come as a surprise and then utilizing them as running jokes. The film features more blood than usual for the filmmaker, but each time a character gets wounded (or worse), it gets funnier. The assassination attempts get broader as the film goes along, and the matter-of-fact way in which they’re treated by Gorda and others is also hilarious.

    Of course, Anderson is the cinephile’s comedy director, so the film is also full of high-brow things like allusions to paintings, tributes to other filmmakers, and classical music. Each time Gorda has an attempt on his life, he briefly finds himself in a version of limbo, depicted in black-and-white by Anderson. The cast of characters Gorda finds there - including Bill Murray as God - could come straight out of a 1950s Ingmar Bergman movie.

    Del Toro has delivered some great performances over the years, but this one is near the top for him. This is his second Anderson film (following The French Dispatch) and he nails the deadpan method. Also great is Cera, who uses a ridiculous accent to make a big impression. Threapleton, the daughter of Kate Winslet, makes the most of her first big film role. The list of supporting actors is too deep to properly laud everyone, but they all fit in seamlessly.

    Opinions will differ, but for this critic’s money, Anderson is at his best when he fully leans into the comedy of his films. He does just that in The Phoenician Scheme, to the point that it doesn’t matter that the story is overly complex. The combination of his eye for visual detail, a witty script, and committed performances make it a success.

    ---

    The Phoenician Scheme is now playing in theaters.

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