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    Live Music Now

    These are the 5 best shows to see in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 15, 2018 | 2:34 pm

    From steamy salsa, to cool electronica, it's another hot week of music in Houston. Here are the best shows coming up over the next seven days.

    Best show that will bring a taste of Miami to H-Town
    Riding the wave of mainstream Latin acts in the late-'90s that included Ricky Martin and Enrique Iglesias, the former Mr. Jennifer Lopez — also known as Marc Anthony — remains a huge draw on the Latin music circuit. Anthony boasts the most record sales by a tropical salsa artist, and this show will draw a lot of fans, despite having been rescheduled from an early October 2017 date postponed due to “scheduling and logistics issues.”

    The multiple Grammy and Latin-Grammy award winner will bring the heat to Toyota Center this weekend. He hasn’t released anything but a children’s music album the last few years, so expect a mixture of his hits from over the years.

    Marc Anthony stokes the heat at Toyota Center, located at 1510 Polk St., on Friday, February 16. Tickets start at $55. Tickets from his previously scheduled show will be accepted. Show starts at 8 pm.

    Best chance at seeing indie-rock hero in an intimate space
    Not since Cat Power has a female-fronted indie act offered such heartache — along with head-nodding tunes — like Waxahatchee. It’s no surprise that Katie Crutchfield started this project following the break-up of a relationship and band — it’s pure heart-on-sleeve, gut punch guitar music that sounds like the most confessional works of Liz Phair, and melodic sensibility of The Breeders.

    Four albums in, she has yet to produce a dud, the latest being the fabulous 2017 set Out in the Storm, which chronicles a love gone sour. Following a great booking in Pedro the Lion, Rockefellers has struck programming gold with Waxahatchee, with the benefit of the more intimate space.

    Waxahatchee brings the intimacy to Rockefellers, located at 3620 Washington Ave., on Friday, February 16. Night Shop will open. Tickets start at a reasonable $16 plus fees. Doors open at 7 pm.

    Best electro-pop from north of the border
    Valerie Anne Poxleitner, also known as Lights, has made a name for herself in her native land of Canada as a forward-thinking electro-pop star. She earned the Juno, the Canadian equivalent of a Grammy, for Best New Artist back in 2009, and later Best Pop Album in 2015 for her disc Little Machines. She’s appeared on tracks with emo-rock bands, rappers and some of the biggest EDM producers around.

    Expect an epic light show and a lot of screaming fans dancing along to her high energy show. She’ll roll into town with a new single “We Were Here,” off her acclaimed 2017 album Skin & Earth, from which she wrote and drew her very own comic book series. Not too shabby.

    Lights shines at White Oak Music Hall, located at 2915 N Main St., on Saturday, February 17. Chase Atlantic and DCF will open. Tickets start at $21 plus fees. Doors open at 7 pm.

    Best show for beat-lovers
    Toronto’s Keys N Krates keeps some exclusive company. The trio released music on DJ Steve Aoki’s Dim Mak label, as well as Diplo’s Mad Decent label, meaning their cred as electronic music artists is not to be questioned. Consisting of a drummer, keyboard and turntablist, Keys N Krates has been making waves on the festival circuit with their mix of trap, hip-hop and electronica and they are already booked for summer appearances at major musical gatherings.

    Houston EDM fans will get a chance to see them in the cozier confines of Stereo Live as part of their Cura World Tour, promoting their first full-length album of the same name.

    Keys N Krates plays at Stereo Live, located at 6400 Richmond Ave., on Saturday, February 17. Promnite and Jubilee open. Tickets are $12.50 in advance. Show starts at 9 pm.

    Best show of the week
    At the Day For Night Festival back in December, Annie Clark, also known as St. Vincent showcased herself as an artist at the height of her singular creative talent. Her tour for her latest album, Masseduction, one of the best of 2017, relies on a sparse stage set-up – a circular stage for her to stand on, a bank of video screens choreographed to her setlist, and one killer, fashion-forward performer shredding on guitar as good as any professional today. Clark returns to Houston after that triumphant December set, where she expressed her love for Texas audiences (she grew up in the Dallas area) and thrillingly ripped through her biggest alternative hits. Those who missed out will get a second chance to catch a must-see show.

    St. Vincent will bring down the House of Blues, located at 1204 Caroline St., on Tuesday, February 20. Tuck & Patti open. Tickets start at $40. Doors open at 7 pm.

    St. Vincent makes an encore performance after Day For Night at House of Blues, Tuesday, February 20.

    St. Vincent singer
    Photo by Zackery Michael
    St. Vincent makes an encore performance after Day For Night at House of Blues, Tuesday, February 20.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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