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    Movie Review

    Black Panther an early contender for best movie of 2018

    Alex Bentley
    Feb 16, 2018 | 8:29 am
    Black Panther an early contender for best movie of 2018
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    Movies in the Marvel Cinematic Universe have been enormously successful, if not universally beloved, because they tend to follow a certain formula. Introduce a particular hero, add in a certain level of snark, pair him with one or more other heroes, challenge him with the villain of the month, and repeat.

    The problem with this style is that it's repetitive and there's very little at stake. While most of the previous 17 MCU films are fun, few of them have anything remotely comparable to real emotion. They merely contain cartoon figures whose job is to entertain us, and nothing more.

    Black Panther changes all that. No longer does a hero have to be a loner who joins up with others only when necessary. Instead, T'Challa/Black Panther (Chadwick Boseman) relies on a whole host of people from his home country of Wakanda to be the leader and hero he is.

    Notably, that group is composed mostly of women, including his stoic mother, Ramonda (Angela Bassett); spy and ex-girlfriend, Nakia (Lupita Nyong'o); tech wizard and little sister, Shuri (Letitia Wright); and leader of the Dora Milaje, an all-female warrior group, Okoye (Danai Gurira).

    The plot of the film is also very personal. Following the death of his father in Captain America: Civil War, T'Challa is on the hunt for Ulysses Klaue (Andy Serkis). Klaue has a long history of running afoul of Wakanda, constantly trying to steal the ultra-valuable vibranium from them. Klaue is now being helped by the mysterious Erik Killmonger (Michael B. Jordan), whose link to Wakanda has him on a unique mission.

    Writer/director Ryan Coogler (Fruitvale Station, Creed) and co-writer Joe Robert Cole have crafted about as perfect a superhero movie as one could imagine. They refuse to cut any corners, fleshing out the story of every significant character so that it's clear this is not a one-man show for Black Panther. The action scenes are not just an excuse for random mayhem; they serve a clear narrative purpose each and every time.

    The filmmakers also don't shy away in the slightest from making this a truly African film. From the costumes to the hairstyles to the tribal customs, every detail is designed to immerse the audience in the world of Wakanda, and to pay homage to African people in general.

    Most importantly, the film actually has something to say about the real, non-movie world. Yes, it's a work of fiction, but it's very much grounded in the realities of the world we live in. The plight of Africans, African-Americans, and people of color around the world is at the heart of the plot. To not only acknowledge racial inequities but to make them the driving force sets Black Panther apart from other superhero films in an astonishing way.

    Despite having played a trio of real-life African-American heroes, T'Challa might be Boseman's best role to date. There's no legacy to uphold, so he's free to play the character however he wants, and he makes it one of Marvel's most relatable heroes to date.

    He's helped immensely by the main quartet of women, especially Nyong'o, Wright, and Gurira. Nyong'o and Gurira demonstrate just as much strength and skill as Boseman despite their characters not being artificially enhanced. And Wright steals the movie every time she's on screen with her effervescent spirit.

    Black Panther feels altogether different from anything Marvel has ever made, and that's a great thing. It's deserving not only of high praise, but of being put into early consideration for best movie of the year.

    Chadwick Boseman in Black Panther.

    Chadwick Boseman in Black Panther
      
    Photo courtesy of Marvel Studios
    Chadwick Boseman in Black Panther.
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    Movie Review

    New movie Friendship pairs Tim Robinson and Paul Rudd in a bizarre bromance

    Alex Bentley
    May 16, 2025 | 3:30 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara), and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin — a weatherman at a local TV channel — even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, many things in the story go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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