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    Cutting-edge architect

    $20 million for a campus changer: Rice's new arts center to have a bold, risky look

    Tyler Rudick
    Feb 14, 2013 | 11:03 am

    Thanks to a generous donation from the Moody Foundation, Rice University is $20 million closer to creating its much-anticipated arts center.

    The 50,000-square-foot building, now dubbed the Moody Center for the Arts, will be located near the Rice Media Center on the south side of campus and has a tentative grand opening planned for 2015. Costs currently are estimated around $30 million, leaving the university already two thirds towards its goal.

    Los Angeles architect Michael Maltzan — known for MoMA's outpost in Queens — has been hired for the pre-design phase.

    Los Angeles architect Michael Maltzan — known for converting a Queens stapler factory into temporary exhibition space during MoMA's most recent renovations — has been hired for the pre-design phase to develop three types of spaces: interdisciplinary classrooms and studios, a theater for experimental productions and a pair of exhibition areas.

    With his designs ranging from LA's hyper-contemporary Inner City Arts campus to his controversial St. Petersburg Pier in Florida, Maltzan might not be the first architect that comes to mind for Rice's rather conservative set of campus buildings. But with the Brochstein Pavilion and James Turrell's skyspace, the university appears to be ready to break from its trademark Spanish Revival style.

    "We feel that Maltzan captures the spirit of what we hope the building will achieve," says Caroline Levander, an English professor whose post as vice provost for interdisciplinary initiatives has pushed her to the front line of the center's design committee.

    "The Moody Center is meant to be a hub of collaborative innovation that encourages risk-taking in art. These will be new, additional spaces that will connect disciplines from across the Rice campus. In our interdisciplinary areas, which we're calling the Arts Design Kitchen, you may have an engineer working with a historic preservation specialist or a musician co-teaching a class with a visual artist."

    The center will provide Rice with its first official student/faculty gallery as well as a secure exhibition space that will allow the university to borrow work from other museums. The 150-seat studio theater will be open and flexible enough to enable dance instruction, another first for the school.

    "We feel the building will offer opportunities to create robust partnerships not only throughout the campus, but throughout Houston," Levander says. "The Moody Center will be an integral part of the city's arts community."

    Michael Maltzan's St. Petersburg Pier in Florida (currently under construction)

    Michael Maltzan, St. Petersburg Pier rendering
    Michael Maltzan Architecture
    Michael Maltzan's St. Petersburg Pier in Florida (currently under construction)
    unspecified
    news/entertainment

    Movie review

    Will Arnett shines in Bradley Cooper’s divorce drama Is This Thing On?

    Alex Bentley
    Jan 9, 2026 | 10:30 am
    Will Arnett in Is This Thing On?
    Photo by Searchlight Pictures/Jason McDonald
    Will Arnett in Is This Thing On?.

    With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

    Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

    The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

    The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

    As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

    If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

    Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

    Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

    ---

    Is This Thing On? opens wide in theaters on January 9.

    news/entertainment
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