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    Sundance Film Festival 2014

    Real stars of Sundance: Documentaries on dinosaurs, dancers, Romney and legal battles

    Jane Howze
    Jan 26, 2014 | 11:30 am

    PARK CITY, Utah — Dramas at the Sundance Film Festival can be hit (Little Miss Sunshine or Winter’s Bone) or miss (too numerous to name), but year in and year out the real stars are documentaries, which are consistently outstanding. The 2014 lineup includes stories of social injustice, historical and political issues, and subjects covered only superficially by the mainstream press. And, naturally, there are those that are uniquely Sundance in their weirdness.

    Among the many documentaries are these five that will soon be available on the big or small screen (or perhaps your nearest dance club) :

    Mitt

    In the past, Sundance has featured documentaries on Dick Cheney and Ronald Reagan. Moving down the Republican chain of command, Mitt follows presidential candidate Mitt Romney in his two failed presidential runs, beginning in Christmas 2006 through his concession speech on election night in 2012.

    One thing is clear about the film. Romney's bond with his family is incredibly strong.

    Filmed by fellow Mormon Greg Whitely, the film avoids any discussion of political strategy (because Whitely was denied access to advisors) and instead focuses on Romney's relationship with his family (because Whitely had almost unfettered access to Romney, his wife and five sons). It is an intimate, fascinating and sometimes painful film to watch as the family experiences the disappointment of defeat in Romney's final run for the nation's highest office.

    Most of the time, though, Romney appears loving, funny and often quirky. He eats spaghetti out of a carton and irons the cuffs of his shirt while wearing it. He also riffs on his favorite movie, O Brother, Where Art Thou? One thing is clear from watching the film: Romney's bond with his family is incredibly strong.

    In the Q&A following the film, a member of the audience admitted that she wasn't a big fan of Romney but liked him more after watching the film. It's available now on Netflix.

    Dinosaur 13

    Featured in the coveted opening night film reserved for Sundance’s strongest documentaries, Dinosaur 13 tells the story of the discovery of the largest and most complete Tyrannosaurus Rex skeleton (nicknamed Sue) ever found and the custody battle between the government and the paleontologists who loved her.

    The South Dakota scenery is dramatic and the film illuminates, without being political, the arcane laws governing fossils, Indian lands and the fate of an average American against the federal government unleashed. It was purchased by Lionsgate and CNN Films, and will be released later this year.

    Private Violence

    Private Violence follows a professional advocate for abused women as she works with a victim who presses charges against her husband who kidnapped and nearly killed her, only to be released by the police. There are pictures of burns, bruises and lacerations that made me turn my head away, but the film also shows how current laws work against the victims and that the penalties are stiffer for abusing a stranger than your spouse.

    HBO will show the film in its summer lineup and it will be introduced in women’s centers throughout the country later this year. More importantly, after the showing, the filmmaker was surrounded by people who were so moved by the documentary that they wanted to help on a local level. That's the beauty of Sundance.

    The Case Against 8

    The Case Against 8 offers an inside look at the five-year legal battle to overturn California's Proposition 8, passed in 2008, that barred same sex marriage in the Golden state. The film puts a human face on the issue by following two same sex couples whose lawsuit over the initiative eventually was decided by the Supreme Court. The film also focuses on the unlikely relationship between co-counsel Ted Olson and David Boies who had been on opposing sides in the legal battle that resulted in George W. Bush's 2000 election win over Al Gore.

    The film, which received a standing ovation, will probably not change anyone’s mind about gay marriage but is a primer for the time, emotional and financial commitment it takes to argue a case that ultimately ends up before the nation's highest court. It was acquired by HBO and will be shown in June.

    Living Stars

    The 63-minute film, Living Stars, is a string of 30-second vignettes of Argentineans from all walks of life who show off their dancing skills. I loved seeing the middle-aged dentist grooving out by his dental chair to Lionel Richie's "All Night Long" with unabashed joy. But after the 20th amateur dancer, it seemed like I was trapped in an audition of So You Think You Can Dance? with dancers who didn't make the cut.

    There is no plot or dialogue — just average people dancing. Feel good? Yes, for 10 minutes. Memorable? Not really. Marketable? Maybe, if it's shown at dance clubs nationwide where you, too, can join the danceathon.

    Living Stars

    Sundance Film Festival, Living Stars
    Courtesy photo
    Living Stars
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    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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