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    Sundance Film Festival 2014

    Real stars of Sundance: Documentaries on dinosaurs, dancers, Romney and legal battles

    Jane Howze
    Jan 26, 2014 | 11:30 am

    PARK CITY, Utah — Dramas at the Sundance Film Festival can be hit (Little Miss Sunshine or Winter’s Bone) or miss (too numerous to name), but year in and year out the real stars are documentaries, which are consistently outstanding. The 2014 lineup includes stories of social injustice, historical and political issues, and subjects covered only superficially by the mainstream press. And, naturally, there are those that are uniquely Sundance in their weirdness.

    Among the many documentaries are these five that will soon be available on the big or small screen (or perhaps your nearest dance club) :

    Mitt

    In the past, Sundance has featured documentaries on Dick Cheney and Ronald Reagan. Moving down the Republican chain of command, Mitt follows presidential candidate Mitt Romney in his two failed presidential runs, beginning in Christmas 2006 through his concession speech on election night in 2012.

    One thing is clear about the film. Romney's bond with his family is incredibly strong.

    Filmed by fellow Mormon Greg Whitely, the film avoids any discussion of political strategy (because Whitely was denied access to advisors) and instead focuses on Romney's relationship with his family (because Whitely had almost unfettered access to Romney, his wife and five sons). It is an intimate, fascinating and sometimes painful film to watch as the family experiences the disappointment of defeat in Romney's final run for the nation's highest office.

    Most of the time, though, Romney appears loving, funny and often quirky. He eats spaghetti out of a carton and irons the cuffs of his shirt while wearing it. He also riffs on his favorite movie, O Brother, Where Art Thou? One thing is clear from watching the film: Romney's bond with his family is incredibly strong.

    In the Q&A following the film, a member of the audience admitted that she wasn't a big fan of Romney but liked him more after watching the film. It's available now on Netflix.

    Dinosaur 13

    Featured in the coveted opening night film reserved for Sundance’s strongest documentaries, Dinosaur 13 tells the story of the discovery of the largest and most complete Tyrannosaurus Rex skeleton (nicknamed Sue) ever found and the custody battle between the government and the paleontologists who loved her.

    The South Dakota scenery is dramatic and the film illuminates, without being political, the arcane laws governing fossils, Indian lands and the fate of an average American against the federal government unleashed. It was purchased by Lionsgate and CNN Films, and will be released later this year.

    Private Violence

    Private Violence follows a professional advocate for abused women as she works with a victim who presses charges against her husband who kidnapped and nearly killed her, only to be released by the police. There are pictures of burns, bruises and lacerations that made me turn my head away, but the film also shows how current laws work against the victims and that the penalties are stiffer for abusing a stranger than your spouse.

    HBO will show the film in its summer lineup and it will be introduced in women’s centers throughout the country later this year. More importantly, after the showing, the filmmaker was surrounded by people who were so moved by the documentary that they wanted to help on a local level. That's the beauty of Sundance.

    The Case Against 8

    The Case Against 8 offers an inside look at the five-year legal battle to overturn California's Proposition 8, passed in 2008, that barred same sex marriage in the Golden state. The film puts a human face on the issue by following two same sex couples whose lawsuit over the initiative eventually was decided by the Supreme Court. The film also focuses on the unlikely relationship between co-counsel Ted Olson and David Boies who had been on opposing sides in the legal battle that resulted in George W. Bush's 2000 election win over Al Gore.

    The film, which received a standing ovation, will probably not change anyone’s mind about gay marriage but is a primer for the time, emotional and financial commitment it takes to argue a case that ultimately ends up before the nation's highest court. It was acquired by HBO and will be shown in June.

    Living Stars

    The 63-minute film, Living Stars, is a string of 30-second vignettes of Argentineans from all walks of life who show off their dancing skills. I loved seeing the middle-aged dentist grooving out by his dental chair to Lionel Richie's "All Night Long" with unabashed joy. But after the 20th amateur dancer, it seemed like I was trapped in an audition of So You Think You Can Dance? with dancers who didn't make the cut.

    There is no plot or dialogue — just average people dancing. Feel good? Yes, for 10 minutes. Memorable? Not really. Marketable? Maybe, if it's shown at dance clubs nationwide where you, too, can join the danceathon.

    Private Violence

    Private Violence, Sundance Film Festival
    Photo by Rex Miller
    Private Violence
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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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