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    Movie Review

    Den of Thieves borrows and steals for solid entertainment

    Alex Bentley
    Jan 18, 2018 | 5:20 pm
    Den of Thieves borrows and steals for solid entertainment
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    When it comes to movies about crime, filmmakers tend to focus on stories about bank robberies. Unlike other more heinous crimes, bank robberies — especially sophisticated ones — are intriguing, with the audience often left rooting for the criminals to get away with them. That goes double when the cops put in charge of taking down the robbers are equally unsavory, as is the case in Den of Thieves.

    The film, written and directed by Christian Gudegast, pits a notorious robbery crew, led by Merrimen (Pablo Schreiber), against the Major Crimes unit of the L.A. County Sheriff’s Department, led by Nick Flanagan (Gerard Butler). As the robbery crew, which also includes Levi (Curtis “50 Cent” Jackson) and Donnie (O’Shea Jackson, Jr.), becomes more brazen, Nick and his group — known as the Regulators — increase their questionably legal tactics to stop them.

    Part of the gambit of the film is for the audience to decide which side they’re on — the Outlaws or the Regulators. And for much of the running time, it’s a true moral conundrum. Do you side with the guys who acknowledge they’re criminals, with all of the seedy things that go with it? Or do you side with the cops who behave like criminals, not giving a damn what anyone outside of their tight-knit group thinks?

    Gudegast puts a lot of effort into the two competing factions posturing toward each other, but he doesn’t spend as much time getting to the heart of who they are. There are a couple of feeble attempts at showing some of the men’s home lives, but they’re so lackluster that you wonder why they were included at all.

    Instead, it’s the interactions within and between the groups that make the film what it is, with the hard-boiled characters that inhabit each side keeping things interesting. This is somewhat surprising on the Regulators’ end, as, apart from Nick, they all tend to blend together. However, the menacing feel put forth by them, and the film in general, makes up for a lack of details.

    The story is close to standard-issue when it comes to bank robbery movies, but Gudegast has a feel for pulling off twists without telegraphing them. The elaborate high-stakes robbery at the center of the third act conjures comparisons to other robbery films like Ocean’s Eleven, Heat, and Inside Man, even if the film isn’t quite as high quality as those classics.

    Nick is a character who’s right up Butler’s alley, someone’s who’s rough, uncouth, and ready to rumble at a moment’s notice. Schreiber is familiar for anyone who’s watched The Wire or Orange is the New Black, but this is his most high-profile role to date. He proves to be a natural leader, even when in the presence of the more well-known 50 Cent. But the best of all is O’Shea Jackson, Jr., who proves that he’s capable of much more than just playing his dad in Straight Outta Compton.

    You probably won’t remember Den of Thieves once the calendar turns to February, but it more than fits the bill for solid entertainment on a cold winter’s day.

    O'Shea Jackson, Jr. in Den of Thieves.

    O'Shea Jackson, Jr. in Den of Thieves
    Photo courtesy of STX Entertainment
    O'Shea Jackson, Jr. in Den of Thieves.
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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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