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    Movie Time

    Bradley Cooper does Texas right in American Sniper: Nothing easy about this movie, war lessons

    Alex Bentley
    Jan 18, 2015 | 7:34 am
    Bradley Cooper does Texas right in American Sniper: Nothing easy about this movie, war lessons
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    Last we heard from director Clint Eastwood, he was fumbling his way through the adaptation of the jukebox musical Jersey Boys. So naturally he would quickly follow that up with American Sniper, a modern warfare movie tackling the story of Chris Kyle, who was considered the deadliest sniper in U.S. history.

    Kyle (Bradley Cooper) was a Texas native whose dreams of being a cowboy took a back seat when he saw attacks on the U.S. around the world, including on 9/11. Recruited to be a Navy SEAL, he ended up serving four tours of duty in Iraq, coming to be known far and wide on both sides of the war for his proficiency with a long-range rifle.

    Using a Texas drawl and a clinched jaw, Bradley Cooper makes Kyle into a man’s man who also understands his limitations.

    Eastwood and screenwriter Jason Hall worked from Kyle’s own book; they had only just begun when Kyle was shot and killed at a North Texas gun range in February 2013. They attempt to give a full sense of the man, devoting significant portions to Kyle’s home life — or perhaps lack thereof — with his wife, Taya (Sienna Miller). They show Kyle to be a man who’s torn between his sense of duty to his country and his obligation to his family at home.

    Eastwood, who did a great job with the World War II double feature Flags of Our Fathers and Letters from Iwo Jima, takes on a different animal with this film. Even now, what the military had to face during the war with Iraq started under President George W. Bush is difficult to understand completely, so working up enmity toward the opposition in a film is equally challenging.

    That doesn’t stop Eastwood from trying, as he makes much of an enemy sniper who was just as fearsome as Kyle. That foe, multiple moral quandaries and other decisions most of us would never want to face are what Kyle had to deal with during his time in Iraq, and for the most part Eastwood and Hall do a solid job in making them as dramatic as possible.

    Still, the film could have used a bit more subtlety. The combat scenes often hark back to old-style war films where the killing of the enemy, rather than strategy, is the only thing that mattered. And Kyle’s time at home in between tours feels rushed, so the audience never fully comes to grips with what he is feeling.

    Cooper plays Kyle with a sensitivity that belies his bulked-up appearance. Using a Texas drawl and a clinched jaw, he makes Kyle into a man’s man who also understands his limitations. Miller is a chameleon who also hid in plain sight in Foxcatcher. She is a great complement to Cooper, turning a possibly one-note role into something much richer.

    Unlike films like The Hurt Locker or Zero Dark Thirty, there are few big lessons to learn from American Sniper. But as a tribute to a soldier whom many others credit with saving their lives, it more than fits the bill.

    Bradley Cooper plays Chris Kyle in American Sniper.

    Bradley Cooper in American Sniper
    Photo courtesy of Warner Bros. Pictures
    Bradley Cooper plays Chris Kyle in American Sniper.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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