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    Frederica Von Stade is back

    Putting a ring on it: Houston Grand Opera reveals its new season and there's extra drama

    Joel Luks
    Jan 16, 2013 | 6:00 pm

    In this world you're either growing or you're dying — so get in motion and grow. Words to live by from Lou Holtz, a famous American football coach, author and motivational speaker.

    His adage, evident in the master plan of Houston Grand Opera's 2013-14 season, holds true when it comes to the ideal strategy for presenting arts organizations. The Grammy-, Emmy- and Tony-winning company will offer many firsts in the new season, which was just announced Wednesday.

    Among them are world and American premieres, commissions and new productions alongside standard repertoire. Together they represent a 45 percent increase in the number of performances staged at Wortham Theater Center and out in the community.

    Artistic and music director Patrick Summers and managing director Perryn Leech tracked a 35 percent rise in subscription sales from 2007, an achievement that offers a financially stable foundation from which to expand its programs, services and scope.

    "The growth in demand for tickets is in alignment of Houston's growth, strong economy and HGO's consistently high level of performances and varied repertoire choices," Summers tells CultureMap. "One of the best kept secrets in the East Coast centric opera world is that Houston possesses one of the great and diverse opera audiences."

    Here's what opera fans can expect: A mixture of drama (it's opera after all), innovation and charming entertainment.

    Fulfilling the promise HGO made a couple of years ago, the prelude opera of Richard Wagner's Der Ring des Nibelungen, Das Rheingold (April 11-26, 2014) sets in motion a four-year venture that follows the Norse tale of fate, destiny, celestial heroes and villains. A production of La Fura dels Baus, whose notoriety stems from the opening spectacle of Barcelona's 1992 Olympic Games, the production promises to present acrobats fashioning vignettes flowing with imaginative visual content.

    Scottish bass-baritone Iain Paterson makes his HGO debut as Wotan, HGO Studio alum, mezzo-soprano Jamie Barton complements him as Fricka with Slovak tenor Stefan Margita as Loge.

    "One of the best kept secrets in the East Coast centric opera world is that Houston possesses one of the great and diverse opera audiences."

    Will there be live elephants? That's the big tongue-in-check question posed when a revival Verdi's Aida (Oct. 18-Nov 9) is staged.

    The production, which features sets and costumes by fashion designer Zandra Rhodes, collaborates with Dominic Walsh Dance Theater to bring to life the grand dance sequences. Opera giants like Dolora Zajick as Amneris and the pride of the Ukraine National Opera, Liudmyla Monastyrska, as Aida sing along more familiar faces of HGO, including baritone Scott Hendricks and conductor Antonino Fogliani.

    Rigoletto (Jan. 24-Feb. 1, 2014) continues the season's Verdian obsession. Rigoletto was performed in 2009 with Albina Shagimuratova, who stole the show, and though rumors infer that she may have been at one point recast as Gilda, the coloratura role remains to be fulfilled. Confirmed are bass-baritone Ryan McKinny as the title character and tenor Stephen Costello as the Duke of Mantua.

    On the lighter side, and aligned with a trend at HGO to mount one or two pop-ish works in the genre, Johann Strauss' Die Fledermaus (Oct. 25-Nov. 10) will be staged in Art Deco-style as envisioned by Australian director Lindy Hume. This charming operetta's cast includes Studio alum Liam Bonner, soprano Wendy Bryn Harmer and the zestful mezzo Susan Graham in drag, singing a trouser role as Prince Orlofsky. A dose of celebrity is added with four-time Grammy Award-winner Anthony Dean Griffey as Alfred.

    Along those gaily flamboyant tunes, fashion icon Isaac Mizrahi designs Stephen Sondheim's A Little Night Music (March 7-23, 2014). Soprano Elizabeth Futral, Studio alum Chad Shelton and mezzo Joyce Castle join in the musical theater fun.

    On a serious note, the North American premiere of Polish-Jewish exiled composer Mieczyslaw Weinberg's The Passenger (Jan. 18-Feb. 2, 2014), a setting based on a novel by Auschwitz survivor Zofia Posmysz, journeys with a former SS officer, Linda, aboard an ocean liner. There, she identifies a concentration camp prisoner. The opera dates back to 1968, though its fully-staged premiere did not occur until 2010 at the Bregenz Festival. South African mezzo Michelle Breedt and Canadian tenor Joseph Kaiser are featured in this poignant, emotional story.

    The world premiere of Ricky Ian Gordon's A Coffin in Egypt (March 14-22, 2014) marks the inaugural commission in a series of operas, and continues HGO's focus on being a catalyst for the creation of new, fresh, contemporary works that speak to audiences today. Frederica Von Stade, whose apparent retirement from the operatic stage didn't last very long, comes back to take on the lead role.

    "This new opera has deep Texas roots," Summers writes in a statement. "It is based on a play of the same name by the renowned Texas writer Horton Foote. Ricky Ian Gordon is a very theatrically driven composer with a style that is perfectly suited to opera."

    The main stage season closes with another new production of an old time favorite. Bizet's Carmen (April 25-May 10, 2014), directed by American director/choreographer Rob Ashford, an on-trend young Broadway director, is set to be a show stopper with talent like Puerto Rican soprano Ana María Martínez, another Studio alum, as the sassy gipsy, tenor Brandon Jovanovich as the love stricken Don José, and bass-baritone Ryan McKinny as Escamillo.

    HGO's community engagement arm, HGOco, carries on the métier of the Song of Houston's East + West initiative with two additional world premieres. The Vietnamese Lunar New Year will be observed with Bound (January 2014) by librettist Bao-Long Chu and composer Huang Ruo. To coincide with the Indian festival of Holi, Jack Perla, whose Courtside premiered in 2011 as part of the same venture, alongside wordsmith Chitra Banerjee Divakaruni, make this the company's 53rd world premiere since 1973.

    ___

    Tickets go on sale 9 p.m. Thursday. Information on Houston Grand Opera subscription and single ticket sales can be found online or by calling 713-228-OPERA (6737).

    Scottish baritone Iain Paterson

    Houston Grand Opera, Iain Paterson, January 2013
    Photo by © Clive Barda
    Scottish baritone Iain Paterson
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    Best November Theater

    Tony winners and holiday favorites lead Houston's 11 best shows this month

    Tarra Gaines
    Nov 3, 2025 | 12:15 pm
    A Beautiful Noise tour
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presets A Beautiful Noise: The Neil Diamond Musical.

    Houston theater gets set to ring in the holidays with some traditional favorites and roaring new works. But for those holiday Scrooges in the house, performing arts companies also unwrap some intriguing and theatrical dance, new and intimate visions for classic drama, and one heavenly world premiere. Plus, Broadway at the Hobby Center makes some noise presenting two smash productions this month.

    A Beautiful Noise: The Neil Diamond Musical presented by Broadway at the Hobby Center (November 4-9)
    When Broadway at the Hobby Center first announced its 25-26 season, this production seemed poised to be the sleeper hit of the year. And a recently-added and rare Thursday matinee proves Houston theater lovers will “Come Running” for this look at the life and songs of Neil Diamond. In the tradition of jukebox musicals like Jersey Boys and Tina, this latest Broadway biography puts the Grammy winner and Rock and Roll Hall of Fame inductee at center stage.

    Created in collaboration with Diamond himself, the show chronicles his beginnings as a poor kid from Brooklyn to became a chart-busting, American showman with 120 million albums sold. Featuring some of the biggest songs of Diamond’s catalogue, including “Sweet Caroline,” “Love on the Rocks,” and “Kentucky Woman,” Beautiful Noise draws connections between the songs’ powerful lyrics and important moments in Diamond’s life.

    Dada Gert from Open Dance Project (November 7-22)
    Houston’s source for truly immersive dance continues to celebrate its 20th anniversary by bringing back some of its most innovative works. Debuting in Houston back in 2018, the multidisciplinary Dada Gert transported audiences back into Weimar-era Berlin and into to the life and dances of pioneering Jewish dancer/performance artist/film star, Valeska Gert. The original production wowed critics, contemporary dance lovers, and those simply immersive-curious.

    The show invites audiences to wander through cabaret and street scenes amid set pieces, video projections, and the dancers themselves who depict some of the Gert-created personas and characters. Resembling some of the big immersive performance art companies in New York or London, ODP encourages audiences to explore the story as closely as they want within a space that surrounds them with dramatic dance and stunning sets.

    Angels in America at Rec Room (November 8-December 20)
    One of the smallest theater spaces in town has always done things a little bit differently, like organizing its seasons by the calendar year. It wraps up its 2025 season with what might be the most ambitious production of this fall, Tony Kushner’s masterpiece of late 20th century American theater, Angels in America. Rec Room will produce both part one, Millennium Approaches, and two, Perestroika, on alternating evenings in repertory.

    Winning pretty much every award possible, including a Pulitzer and multiple Tonys, Angels depicts the AIDS crisis on both a personal and cosmic scale, while also holding up a celestial mirror to America at the end of the 20th century. Look for a few special dates that pack both shows into one day and include dinner.

    Take the Soul Train to Christmas at Ensemble Theatre (November 14-December 21)
    Ensemble always presents heartfelt holiday musicals. This one takes audiences on board a Soul Train for a joyous, family celebration. The show tells the story of three students assigned some winter break homework, a research paper chronicling how African Americans have celebrated Christmas throughout history. Luckily their granddad possesses time traveling powers and summons the magical Soul Train for a field trip into the past. The show features the sounds of African drumming, Harlem Renaissance jazz, the beats of the Civil Rights Movement, disco party jams, hip-hop, and traditional holiday tunes.

    Of the message of the musical, director and choreographer, Aisha Ussery, says, “Christmas is a time when we look for hope despite our circumstances. This piece is a whimsical and joyous journey through various eras wherein African Americans make magic from mud.”

    A Christmas Carol at Alley Theatre (November 16-December 28)
    The Alley premiered this charming production of the classic story, as adapted by Alley artistic director Rob Melrose, in 2022, and it’s already a Houston holiday theater tradition. Melrose went back to the original Charles Dickens novella for inspiration, making a Carol from the heart. David Rainey is back as Scrooge with the rest of the resident acting company and Alley regulars playing all the time-traveling ghosts and human characters.

    The Alley creative team weaves its own holiday magic alongside the actors in this production to create a music-filled Victorian wonderland with floating houses, intricate and sometimes spooky costumes, beautiful puppetry, and wondrous stage illusions. We might even forecast a bit of magical light theatrical snow for every performance.

    The Outsiders presented by Broadway at the Hobby Center (November 18-23)
    Winner of the 2024 Tony Award for Best Musical, this show is based on the classic young adult novel by S. E. Hinton, as well as Francis Ford Coppola’s 1983 film adaptation. Set in 1960s Oklahoma, The Outsiders tells the story of orphan Ponyboy Curtis, his brothers, his best friend Johnny Cade, and their Greaser family of ‘outsiders.’ Always in battle with the upper-class Socs, the Greasers live in a world of violence where “nothing gold can stay” but they dream of a better life filled with love and acceptance. In the end, hope might live in the act of storytelling. People who saw the show in New York are still talking about the choreography and theatrical effects of the “rumble scene” — expect it to be just as extraordinary on the road as it was on Broadway.

    Narnia the Musical at A.D. Players (November 19-December 23)
    A.D. Players celebrates the holidays with this magical musical based on C.S. Lewis’s most cherished novel, The Lion, the Witch, and the Wardrobe. Narnia tells the story of the four siblings — Peter, Susan, Edmund, and Lucy — who stumble upon a mysterious wardrobe that leads them into the enchanted land of Narnia. But all is not well in this wintery world. The evil White Witch has cast a spell, trapping Narnia in eternal snow and ice. With the help of talking animals, brave warriors, and the mighty lion Aslan, the children must find the courage to fight for Narnia’s freedom. This one will definitely be a show for the whole family.

    Birdy presented by Performing Arts Houston (November 21-22)
    Taiwan’s Hung Dance has garnered international acclaim for its lyrical precision and spiritual intensity that melds the meditative flow of Tai Chi and the expressive force of contemporary dance. Currently on their first U.S. tour, choreographer and company founder Lai Hung-chung explores themes of wild creativity forged by constraints and a burning desire to fly free. PAH says that the dance is set to an evocative blend of electronic and Chinese classical music and becomes a dialogue between tradition and modernity, where stillness and motion, struggle and hope, move as one.

    Beautiful Princess Disorder from Catastrophic Theatre (November 21-December 13)
    While Catastrophic Theatre might be one of the more experimental theater companies in town, it does have some steadfast traditions beloved by Cat fans. Every November or December, Houstonians head on down to the MATCH for whatever weirdly wonderful or avant garde show the company will gift us as holiday counter-programming with not an elf, sugarplum, or cute Victorian street urchin in sight. This year, they're performing a world premiere work by emerging playwright Kathy Ng.

    The show follows Triangle Person, a being with a human body and triangle head, on TP’s many adventures living in Heaven’s parking lot hanging out with Mother Teresa. While that premise only adds more mystery to the premiere, the title’s acronym, BPD, might give some psychological hints. Ng has described the work as an invitation to a party in her mind, and this is one wild, non-holiday blowout we don’t want to miss.

    Our Town at 4th Wall Theatre (November 21-December 20)
    While not necessarily a holiday play, Thornton Wilder’s masterpiece makes for a contemplative drama about some of those ideas and ideals we hold so dearly this time of the year, like family, love, and memory. With minimal props and an all-knowing stage manager as narrator, this great American play tells the story of small town life in the early 20th century.

    The Stage Manager introduces us to Grover’s Corners and the Webb and Gibbs families. The audiences watches their children grow up, marry, and have children of their own. In Our Town, the seemly simplest of relationships and stories hold wonder of lives well-lived, whether long or cut short. 4th Wall’s intimate space will likely add even more universal connections between audiences and these players, especially with a strong cast of Houston favorites, including company co-founder Philip Lehl as the Stage Manager.

    Georgiana and Kitty: Christmas at Pemberley at Main Street Theater (November 22-December 21)
    After a break last year, MST journeys back in time to Regency England and the beloved world of Jane Austin’s Pride and Prejudice. Lauren Gunderson and Margot Melcon’s trio of Christmas sequels to the classic novel — told with a persuasive 21st century sense and sensibility — have become a new holiday tradition among regional theaters across the country.

    This time Mr. Darcy’s talented pianist sister, Georgiana, and her best friend, the younger, spunky, and usually forgotten Bennet sister, Kitty, have their chance in to become heroes of their own stories. When unexpected guests arrive for the annual Christmas celebration at the Pemberley estate, new love and new music might be in the air. While staying close to the themes of family, love, and sisterhood of the earlier plays in the trilogy, Georgiana and Kitty, expands the story beyond Pemberley, exploring what women can achieve with bravery and determination even admit societal restrictions and some well meaning brotherly disproval.

    A Beautiful Noise tour
    Photo by Jeremy Daniel

    Broadway at the Hobby Center presets A Beautiful Noise: The Neil Diamond Musical.

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