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    a lone starlet

    From Texas to Broadway: a local star shines in her Color Purple homecoming

    Tarra Gaines
    Jan 8, 2018 | 8:35 am

    Never underestimate the power of a good ol Texas high school musical theater production. Adrianna Hicks, the star of the national touring The Color Purple revival, certainly doesn’t because growing up in McKinney, Texas, a school rendition of Guys and Dolls changed the course of her life.

    In The Color Purple musical, Hicks plays Celie, the abused but ultimate survivor female hero first brought to life in Alice Walker’s Pulitzer prize-winning novel. Whoopi Goldberg earned her first Oscar nomination in the Steven Spielberg directed film adaptation. The story was then turned into a musical, a Broadway hit back in 2005, but the 2015, John Doyle directed revival quickly became a critical darling, earning the Tony Award for best musical revival.

    As the national tour of the show heads to Houston, CultureMap caught up with Hicks by phone to learn more about this new version and how she feels coming back to her home state she left more than a decade ago on a journey to Broadway.

    Musical Calling
    As a girl, church choirs gave Hicks a passionate love of music and later she learned to play the flute and joined the school band.

    “I’m very thankful because it helped me to learn to read music, how to join with other instruments and to appreciate the art of classical music,” she explained of her early music experiences, yet only during her sophomore year at McKinney High did she have her theatrical epiphany.

    “Even today I have those images in my mind,” she described of that Guys and Dolls production, the first live musical she remembers seeing. And that show became her revelation that there existed a performing art where music, dance and acting melded into one form. At that moment, she knew: “This is what I want to do.”

    Hicks soon got herself up on that high school stage, playing the butler in Joseph and the Amazing Technicolor Dreamcoat.

    “I had my mini-solo that lasted a couple of bars, a couple of lines. That was it, but I’ll never forget being so nervous,” she confessed, going on to recount her next part, the Sour Kangaroo in Seussical, which she laughingly describes as her first meaty, “character role," and Alice in Big River. Shestill remembers the joy in having a beautiful solo number.

    In a rather wondrous coincidence, or perhaps performing arts destiny, her senior year also introduced Hicks to the show she now stars in, as the Thespian program at McKinney took seniors to New York for spring break. The final show they saw during the trip: The Color Purple, with the kids even participating in a talkback with some of the actors.

    Broadway Home
    Fast forward a decade to 2015 when Hicks had moved to New York and won a swing role in Broadway revival, playing an understudy for seven of the nine female parts in the show, including Celie, an experience that gave Hicks an intimate understanding of each of those characters’ perspectives.

    That year, a new group of Texas high school students with a love of musical theater came to Broadway for the same spring break program and this time it was Hicks who sat in front of them, giving them guidance and encouragement.

    “It was incredible. I told them: guys I was in your position ten years ago. It’s the show that just keeps on giving,” she said of that very special moment of her musical world coming full circle.

    The New Celie
    Even as she brings inspiration to the next generation of theater kids, she draws insight from the many extraordinary actresses to have played Celie. Still, Hicks believes each performer has added their own uniqueness to the role, and she can do no less.

    “There’s no way I can fill any of these women’s shoes. I’m so honored and humbled that they’ve called me to continue the journey of this character,” she said. “All I have to bring is myself and that’s exactly what they had. I look at that in the sense that all these women could only be true to the essence of who they were and that brought out a different element of Celie. We’re all intricately created beings.”

    This stripped-down production in particular calls on Hicks to bring much of herself. The show goes back to the emotional core of the story, relying on the words, music and performances to reveal the intricacies of the characters. This Color Purple has no elaborate sets, and gives the actors only minimal costume changes and makeup; meanwhile, Hicks must play Celie’s growth and change from an adolescent to middle aged woman.

    “It’s a challenge because in our production you can’t hide behind anything, the set, makeup, costume changes,” she describes, going on to praise director Doyle for helping them trust their bodies to do the work.

    A Journey Full Circle
    All that work earned her a home on Broadway, but now as the star of the touring production, she comes home to Texas.

    Though she must keep to a tight performance schedule through Houston, Dallas and San Antonio, she plans to visit friends and family, especially her mother. She also wants to go back to her high school, where her musical theater journey began, and visit with some of her old teachers.

    “That would be wonderful because they were the ones who helped me get to this point.”

    ---

    The Color Purple runs at the Hobby Center Tuesday, January 9, through Sunday, January 14, 2018.

    Adrianna Hicks and N'Jameh Camara (Nettie) portray their characters' lives over 30 years during the performance.

    Adrianna Hicks (Celie) and N'Jameh Camara (Nettie) and the North American tour cast of The Color Purple
      
    Photo by Matthew Murphy
    Adrianna Hicks and N'Jameh Camara (Nettie) portray their characters' lives over 30 years during the performance.
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    international acclaim

    Houston's iconic Rothko Chapel receives new grant to restore Beryl damage

    Jef Rouner
    May 12, 2025 | 10:30 am
    Rothko Chapel exterior
    Courtesy of the Rothko Chapel
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    Houston's beloved Rothko Chapel is one step closer to recovery after Hurricane Beryl in 2024. A substantial new grant from Bank of America will fund the restoration of Mark Rothko pieces damaged by the storm.

    “This grant comes at a pivotal moment – not only for the Rothko Chapel, but in the broader context of our changing climate and growing vulnerability to extreme weather events,” said David Leslie, executive director of the Chapel. “The conservation process will require extensive time, specialized materials, and expert technical support to stabilize and restore these works, ensuring they can once again inspire visitors within this sacred space. Bank of America’s support underscores the urgent need to preserve culturally significant artworks like these, especially as we face new environmental challenges that threaten our artistic legacy.”

    The Bank of America Art Conservation Project has been used to fund the preservation and restoration of culturally significant artworks since 2010. In 2021, the project also funded the restoration of an 13th Century Incan textile housed at Houston's Menil Collection. This year's other recipients include the National Portrait Gallery in Washington, D.C., the Museo Nacional de San Carlos in Mexico City, Sir John Soane's Museum in London, and the Sydney Opera House.

    Since 1971, Rothko Chapel has been one of the best meditative spaces in Houston. Commissioned by John and Dominique de Menil in 1964, Rothko designed the space and painted its famous black panels. Rothko himself did not live to see the completion, dying by suicide in New York in 1970. Now, the chapel stands as a non-denominational spiritual center, hosting concerts, mindfulness clinics, and other events designed to promote mental healing in visitors.

    When Hurricane Beryl hit Houston on July 8, high winds and torrential hammered the chapel's roof. Water leakage damaged the walls and one of Rothko's black triptychs on the east side of the building. It took seven months of work before the chapel was reopened to the public in December, but the damaged art was still housed off site for restoration. Bank of America's grant should hopefully speed up the process of returning the iconic pieces back to public view.

    “It is devastating to see the domino effects of an event like Hurricane Beryl, jeopardizing the storied institutions and culturally significant works that provide so much context into the Houston identity,” said Hong Ogle, President, Bank of America Houston. “I am very proud that Bank of America’s Art Conservation Project allows us to support the arts in a unique and impactful way and preserve the works that mean the most to our community.”

    In addition to the restoration, Rothko Chapel recently broke ground on a $42 million campus expansion. Two new buildings to the north with house administrative services and an archive, and a meditation garden dedicated to Kathleen and Chuck Mullenweg. A new program center will follow after.

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