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    best january theater

    Houston's 10 must-see stage shows for January kick off a lively 2020

    Tarra Gaines
    Jan 3, 2020 | 10:45 am

    And we’re off.

    While we still might be remembering those excellent (and weird) live stage moments from 2019, Houston theater companies and presenters have already boxed up the ever-greenery, Santa beards, and Victorian hats of the December holiday shows to make way for a January filled with new Broadway musicals, innovative contemporary plays, and oh, yeah, the grand opening of Stages’ three theater space Gordy Campus.

    So if you’re ringing in 2020 with a resolution to see more live theater, here’s some of the best drama, comedies and musicals to try this month.

    The Color Purple presented by Society for the Performing Arts at Hobby Center (January 3 and 4)
    The Tony-winning revival of the Alice Walker contemporary classic novel turned Oscar winning film comes back to town. The John Doyle-directed revival strips down the show to focus on the jazz, gospel, ragtime, and blues-influenced score as it follows the emotional and spiritual journey of hero Celie — as she loses everything, and through love and perseverance becomes the ultimate survivor.

    Hello, Dolly! presented by Broadway at the Hobby Center (January 7-12)
    American theater’s greatest matchmaker, the irrepressible Dolly Gallagher Levi, heads into town to find love for everyone, including herself. Will she land the curmudgeon millionaire Horace Vandergelder while benignly meddling in everyone else’s love life before the hijinks ends? We’ll bet a chorus of high-kicking waiters on it. Theater lovers just lost Hello, Dolly composer and lyricist Jerry Herman, so a night with Dolly might just be perfect celebratory wake for the musical theater giant.

    Hamlet at Main Street Theater (January 9-19)
    Prague Shakespeare Company Artistic Director Guy Roberts, a special guest on the MST stage for many seasons, takes on the role of director, actor, and adaptor for this unique take on arguably Shakespeare’s greatest tragedy. This one-man, 90-minute Hamlet uses the original text but offers only the events in the play that the justly melancholy Prince experiences himself. Hamlet, solely from Hamlet’s perspective, gives audiences new insights into the psychology and dynamics of one of theater’s most fascinating characters.

    Samuel Beckett’s Ladies Night presented by Mildred’s Umbrella at Rec Room (January 9-18)
    Check out a very different kind of ladies night, as Mildred’s presents this collection of four Beckett short plays rarely performed together but all focused on women: Not I, Rockaby, Come and Go, and Footfalls. Some of Houston’s fave actress — including Carolyn Johnson, Jenna Morris, Whitney Zangarine, Sally Burtenshaw, Arianna Bermudez, Callina Anderson, and Katherine Rinaldi — will be there to get their Beckett on.

    The Realistic Joneses from 4th Wall Theatre at Studio 101 (January 17-February 8)
    The strange plots, awkward and sometimes hilarious dialogue, and resonating emotional cores of Will Eno’s plays have become a favorite of many Houston companies when looking to go beyond the traditional. In one of his more realistic, but still surprising works, married 4th Wall founders Kim Tobin-Lehl and Philip Lehl play one-half of the Jones couples of the title. The production brings in New York television and theater star, Mr. Robot’s Vaishnavi Sharma, plus long-time Houston fav for quirky and nuanced roles Drake Simpson, to play the second set of Joneses, in this show about life, death and nosey neighbors.

    Alley All New at the Alley Theatre (January 16-26)
    The fifth-annual new play festival gives Houston audiences a fascinating, and absolutely free, look into the artistic process and sneak peek into what may well be the next big plays every theater wants to produce. These reading and workshop performances allow some of the most innovative and up and coming contemporary playwrights a chance to see their in progress work come to early life, while letting theater-lovers in on the creation.

    Quixote Nuevo at Alley Theatre (January 17-February 9)
    Artistic director Rob Melrose seems to be going for charming or Texas-centric with several of the selections for his first full season at the Alley. This first show of the new year might hit both qualities, along with some biting comedy. El Paso playwright Octavio Solis’s reimagining of Don Quixote gets a decidedly modern Texas spin. Set in a fictitious Texas border town, this Quixote still pursues the impossible dream and lost love. Directed by Austin based KJ Sanchez, the show stars Sesame Street’s Emilio Delgado.

    The Fantasticks at Stages Theatre (January 24 – March 15)
    Stages makes its historical move to the Gordy Campus, looking to the future with a nod to the past with this production. The company has produced the classic musical two times, in its very first season and then in its inaugural season in the Allen Parkway space. Try to remember such an allegorical and lyrical musical about romance, family relationships, and love that lasts.

    The Green Book at Ensemble Theatre (January 23-February 23)
    Not based on the film of the same name, instead playwright Calvin Alexander Ramsey took his inspiration directly from Victor Hugo Green’s historical travel guide. The play focuses on three travelers staying at a tourist home attend a lecture by Dr. W. E. B. Ensemble notes beyond the drama “the plays investigation of the impact of Civil Rights on contemporary American issues.”

    The Band’s Visit presented by Broadway at the Hobby Center (January 28-February 2)
    In this multiple-Tony-Award-winning musical based on the award-winning film, a ceremonial Egyptian police band takes a wrong turn on tour and ends ups in a small Israel desert town. The lost travelers and locals exchange secrets and truths through music. In a big casting coup, Israeli stage and screen star Sasson Gabay, who played the band’s conductor Tewfiq in the film, reprised his role on Broadway and has stuck around for the touring production.

    Meet the Joneses and the other Joneses in 4th Wall's production on Will Eno's Realistic Joneses.

    The Realistic Joneses
    Photo by Gabrielle Nissen.
    Meet the Joneses and the other Joneses in 4th Wall's production on Will Eno's Realistic Joneses.
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    Arts News

    Houston arts organization spins up a new record label for creative works

    Jef Rouner
    Jan 27, 2026 | 2:30 pm
    Two CD copies of Tyshawn Sorey's Monochromatic Light (Afterlife)
    Photo courtesy of DACAMERA Editions
    DACAMERA's unique musical contribution to Houston now comes in LP form.

    For more than three decades, Houston arts and music non-profit DaCamera has brought innovative and unique jazz and chamber music performances to the city. Now, they are launching their own record label called DaCamera Editions, starting with TyShawn Sorey's Monochromatic Light (Afterlife) releasing on January 30.

    Since 1987, DaCamera has been a nationally-celebrated curator, commissioner, and presenter of modern works that often fly under the mainstream radar. With the establishment of an in-house record label, the music they are known for becomes more widely available to audiences.

    "Following the thrilling experience of commissioning, performing, and recording Monochromatic Light (Afterlife), we saw an opportunity to launch our own label," DaCamera artistic director Sarah Rothenberg said in a statement. "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live, all under the DaCamera umbrella."

    Monochromatic Light (Afterlife) is the perfect album to herald a new Houston record label. The meditative piece was a joint commission from DaCamera and the Rothko Chapel to celebrate the 50th Anniversary of the renowned Houston landmark. Featuring soloists Davóne Tines (bass-baritone), Kim Kashkashian (viola), Sarah Rothenberg (piano/celesta), Steven Schick (percussion), and the Houston Chamber Choir, the 75-minute work was a critical hit when it premiered in 2022. It built on a previous work, Morton Feldman's Rothko Chapel, which debuted at the site in 1972. Sorey composed a bass-baritone part for Tines and expanded the keyboard role by adding piano. As part of the performance, Tines sings lines from the spiritual "I Feel Like a Motherless Child."

    Both The New York Times and The New Yorker named the premiere of Monochromatic Light (Afterlife) as a top 10 classical performance of 2022. It was also a Finalist for the 2023 Pulitzer Prize in Music.

    The album will be released on both CD and digital formats. Pre-orders are available at DaCameraEditions.com.

    Future planned releases include Rothenberg's In Darkness and Light (May 2026), a piano album inspired by the anxiety of COVID and featuring Vijay Iyer’s eloquent personal memorial "For My Father;" and Tyshawn Sorey’s solo piano work For Julius Eastman, a tribute to the minimalist composer and activist whose work has undergone a 21st Century renaissance since his death in relative obscurity in 1990.

    "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live,” Rothenberg said.

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