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    Mondo Cinema

    Lake Bell finds the funny in voice-over movie: In a World... makes even Eva Longoria entertaining

    Joe Leydon
    Aug 23, 2013 | 3:02 pm

    In a world where talented but underemployed people often become multitaskers to control their own destiny . . . Lake Bell has given herself a world-class showcase, and created something hugely entertaining in the bargain, by writing, directing and starring in… In a World…

    Even if you recall her scene-stealing turns in What Happens in Vegas and It’s Complicated . . . even if you’ve been amused by her antics in the cable series Children’s Hospital . . . you won’t be prepared for her pitch-perfect performance in this wise and witty dramedy.

    She triumphs over adversity . . . defies conventionality . . . strikes a blow for non-sexist rationality . . .

    Like many of the better screen comedies, In a World… is at heart a coming-of-age story about a character who gradually, sometimes painfully, emerges out of arrested adolescence.

    And if you’ve ever wondered about the folks who spout such hyperbolic come-ons for a living on every other movie trailer you’ve ever seen . . . well, you’ll have even more reason to sing Lake Bell’s praises for In a World… (showing at Sundance Cinemas in Houston).

    Bell smartly cast herself — and wrote some very funny dialogue for herself — as Carol Solomon, a struggling thirtysomething voice-over artist, who’s still living at home with her father, Sam (Fred Melamed), a living legend in the world of voice-over artistry, and feeling more than a little uncomfortable and intimidated while in his imposing shadow.

    Dad is the worst sort of overbearing egotist — that is, the kind who assumes he is irresistibly charming even while he’s at his most selfish — but grant him this: He indirectly shakes Carol out of her day-to-day drudgery of complacency and underachievement when he tells her it’s time to move out of his place. To be sure, he does this for typically self-serving reasons — he wants Carol out of the way so his much younger girlfriend (Alexandra Holden) can move in — but the eviction serves not only as a means to propel the plot, but also as additional incentive for Carol to push even harder to establish herself in a field traditionally dominated by men like her father.

    And, not incidentally, like Gustav Werner (Ken Marino), Sam’s evident heir apparent in the world of voice-overing, a preening cad whose charms make him unfortunately irresistible, briefly, to Carol.

    Movie Characters Galore

    Like many (if not most) of the better screen comedies these days, In a World… is at heart a coming-of-age story about a character who gradually, sometimes painfully, emerges out of arrested adolescence. But even though Carol is a captivating and fascinating lead character, and even though Bell the actor plays her with immensely appealing charm and an impressive arsenal of comedic skills, Bell the writer-director is too savvy and generous a filmmaker to make Carol the sole focus in In a World…

    Among the well-cast and vividly drawn satellites in Carol’s orbit: Dani (Michaela Watkins), Carol’s sister, who’s just discontent enough with her predictable life to consider an assignation with a guest at the hotel where she works; Moe (Rob Corddry), Dani’s supportive but unexciting husband, whose reaction to his wife’s contemplation of infidelity provides one of the movie’s most potent emotional impacts; Louis (Demetri Martin), a sound engineer who’s sweet on Carol, but too nice a guy to immediately make his intentions known; and Eva Longoria, who’s a tremendously good sport about playing . . . well, herself.

    In a World… persuasively depicts various specifics of the world where Sam is a god, Gustav is an ascending star, and Carol would settle for being gainfully employed. (In addition to detailing voice-over work for trailers, the film also includes glimpses at similar voice-overing for commercials and video games, and vocal coaching for actors who should really think twice about attempting accents.) The quirks and competitiveness of this world seem as real — and as engaging — as the idiosyncrasies and aspirations of the characters who populate it.

    In other words: Chalk up In a World… as a triumph on both sides of the cameras for Lake Bell.

    In a world where indie filmmakers still take the personal approach to the publicizing their pictures.. Lake Bell visited Houston a few weeks ago to promote In a World… She introduced a preview screening at the Sundance Cinemas, then stuck around for a Q&A hosted by a fellow who, as you will see in this video, probably will never land his own voiceover gig, in this or any other world.

    Alexandra Holden, Lake Bell and Fred Melamed in a scene from In a World.

    Alexandra Holden, Lake Bell, Fred Melamed In a World
    ReleaseDonkey.com
    Alexandra Holden, Lake Bell and Fred Melamed in a scene from In a World.
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    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

    ---

    Whalefall is now playing in theaters.

    austin abramsbook to filmscuba divingsurvivaltheaterswhalefallmovie review
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