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    still trill after 25

    Houston's hip-hop icon Bun B reflects on the 25th anniversary of UGK's legendary album

    Craig Lindsey
    Jul 29, 2021 | 12:13 pm
    Bun B black shirt black hat
    Bun B looks back on Ridin' Dirty, UGK's historic and influential album.
    Photo courtesy of Bun B

    Twenty-five years ago this Friday, July 30, the duo of Bun B and Pimp C — better known as UGK (Underground Kingz) — released their third album Ridin' Dirty.

    Despite not having any singles or music videos for listeners to sample, it became their best-selling album, moving 70,000 copies in its first week and 850,000 copies sold to date. It has also become one of the most influential hip-hop albums to come out of Texas.

    "If a hundred people approach me," Bun B tells CultureMap, "ninety-five of them will immediately go to Ridin' Dirty."

    However, Bun B says he would've loved to have some singles and videos out there. "We simply didn't get any support from [Jive Records]," he laments. "UGK wanted what everybody else wanted. We wanted big videos, big marketing campaigns, tour buses and all of that. But our record company never believed in us enough to do that kind of stuff... We didn't want to not have videos for Ridin' Dirty. Pimp actually wanted a video for every song on Ridin' Dirty."

    Though Jive didn't give Bun and his late collaborator Pimp C (who died in 2007 from an accidental overdose of codeine and promethazine — aka "purple drank") the major publicity push they wanted, they still dropped an album full of vivid, inventive wordplay and funky beats.

    With Pimp handling most of the production, Bun says his partner made sure that his style of hip-hop funk (where the guitars were performed by Leo Nocentelli, of the funk group The Meters) wasn't an imitation of the G-funk other West Coast cats were doing.

    "Pimp C was actually trying to avoid any of that West Coast/Dr. Dre/G-funk influence, because everybody started putting heavy synths in their record and trying to imitate that sound," Bun B says. "Pimp was trying to be as far away from that as possible."

    If Pimp worked on the beats being distinctive, Bun worked on the lyricism being immaculate. His bars were so tight and timeless, Jay-Z would later jack one for his classic "99 Problems." (Of course, Jay-Z would get the pair to collab on the Timbaland-produced "Big Pimpin'.")

    "The reasons why the rhymes still work today is because we consciously would talk about not dating music, right?" says Bun B. "So, if you wanna talk about a Benz, you could talk about the class of the Benz, but try not to say the year of the Benz, right? So if you stick to those kinds of general themes in life — money, sex, power, love, betrayal — all of these kinds of themes that have always existed, then albums will stand the test of time."

    While Bun doesn't have a big anniversary celebration planned for Dirty, he is interviewing the people involved with the album on his radio show The 2 Trill Show, which can be heard weekly on SiriusXM's Rock the Bells Radio.

    Of course, you can still listen to the album, which — as the kids say — still slaps.

    musiccelebrities
    news/entertainment

    Let's Dance

    Houstonians can dance all day and night at 2 EDM festivals in June

    Craig Lindsey
    May 14, 2026 | 4:05 pm
    Meow Wolf Houston DJ stage
    Photo by Aaron Wharton
    DJs will take the stage at Meow Wolf for an all-night festival.

    We don’t know what it is about Saturday, June 20, but it’ll be a day when local EDM fans will have the time of their lives.

    Meow Wolf Houston’s Radio Tave will host a full-building electronic music takeover. The interactive art/funhouse will debut Monstercat Danceportation, an immersive, late-night music festival bringing together internationally-recognized electronic artists with Houston’s rising local scene. Attendees can move through the exhibition and discover performances woven throughout the space, from high-energy DJ sets broadcasting from the exhibition station’s radio booth to bass-heavy moments echoing through hidden worlds and large-scale headline performances inside the venue's Theta Theater.

    Born from the successful Danceportation series at Meow Wolf Denver, which has sold out multiple editions since launching in 2022, Danceportation arrives in collaboration with the Vancouver-based Monstercat, one of electronic music’s most influential indie labels. The lineup includes Trivecta, SMOAKLAND, Nostalgix, SPORTMODE, DLOW, GRIN, BÜRDTE b2b COACH HART, DEGEN, and SWADED SOUNDS.

    “This is the first event of its kind we’ve ever created at Meow Wolf Houston,” said operations manager Miranda Allmon. “Danceportation transforms every corner of Radio Tave into an active music environment. Each space inside the exhibition takes on its own energy throughout the night.”

    On the same day, AHC Productions will present Space City Wubfest, billed as “Houston’s first-ever bass music festival,” over at Raven Tower. According to the website (where you can find a coloring contest where the winner receives two VIP tickets), the 12-hour event will be “a four-stage takeover featuring two main bass stages, a riddim stage inside the tower (with the promise to deliver "filth and high-energy madness), and a rooftop stage bringing house and techno vibes under the sky.”

    In fitting festival fashion, Wubfest will also include a vendor village, food trucks, face painters, massage tables, and tie-dye bars. Live flow performances will take place throughout the day, along with a flow arts workshop where attendees can learn, spin, and level up their skills.

    You can spend the day hanging at Wubfest, which starts at 11 am, and later head over to Meow Wolf, which will open its doors at 10 pm. Both events will be 21+ only. Wubfest tickets are here, and Danceportation tickets are over here.

    edmmeow wolfraven towerhoustonconcertsfestivalsmusic festival
    news/entertainment

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