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    Live Music Now

    These are the top 7 concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 25, 2020 | 10:50 am

    While shows by local artists might not be the biggest of the week, they are important to note because a healthy local scene always means good things for the city of Houston as a whole.

    Michelle Miears performs under the name Miears, producing Kate Bush and Chvrches inspired synth-pop with beautiful atmospherics. After paying her dues in the synth band BLSHS, she'll be releasing her excellent solo debut, Hanging On, at Axlerad (1517 Alabama St.) this Friday, February 28, at 7 pm alongside fellow sound artists Ancient Cat Society and Tee Vee, proving that the Bayou City synth scene is going strong right now. The best part, the show is free.

    CultureMap's other best, biggest, and most notable shows of the week include:

    Joseph at House of Blues
    Oregon sister trio Joseph has steadily gained a following with their folksy pop sound, akin to Sweden's First Aid Kit. They signed with Dave Matthews' ATO label and reached the charts with their 2016 debut, I'm Alone, No You're Not. They're back on the road behind the well received 2019 album, Good Luck, Kid, incorporating more pop and rock stylings, veering closer to another sister act, Haim.

    Joseph is at House of Blues, located at 1204 Caroline St., on Tuesday, February 25. Deep Sea Diver opens. Tickets start at $25 plus fees. Doors open at 7 pm

    The Motels at House of Blues
    Ah, the '80s, the gift that keeps on giving — at least in the music sense. Sirius XFM Totally '80s is sponsoring this blast from the past with The Motels, the California new wave act that scored two top 10 hits with "Only the Lonely," and "Suddenly Last Summer," helped along by a small music cable network called MTV.

    They'll be joined by "I Want Candy" stars, Bow Wow Wow, a one-hit wonder and a name out of lead singer Annabella Lwin, who was only 16 when the song rose the charts in 1982. When In Rome (the second iteration without original singers Clive Farrington and Andrew Mann) of the still-great "The Promise" fame rounds out the line-up.

    The Motels headline House of Blues, located at 1204 Caroline St., on Thursday, February 27. Deep Sea Diver opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    PUP at White Oak Music Hall
    What's with all the Canadian bands touring as of late? Perhaps they are sick and tired of the winter back home and are spending time down south akin to music playing snowbirds? Whatever the case, the plethora of Great White North talent in Houston is a boon for music fans.

    Add PUP to the list, the hugely buzzy and superbly high energy Toronto punk act that seems to get bigger and bigger with each release. Their third is Morbid Stuff, produced by Dave Schiffman who produced albums by Vampire Weekend, Weezer, and The Mars Volta after being touted as the next big thing by the New York Times, Pitchfork, and SPIN. No big deal.

    PUP performs at White Oak Music Hall, located at 2915 N. Main St., on Friday, February 28. Screaming Females and Drew Thomson Foundation open. Tickets start at $20 plus fees. Doors open at 8 pm.

    CultureMap show of the week: Sloan at White Oak Music Hall
    At one time, record labels were so keen on finding the next Nirvana that it took them to the city in Canada's ocean playground, Halifax, Nova Scotia. There they found a quartet of songwriters named Sloan, whose first album, Smeared, led to a bidding war, eventually landing them on the Seattle game-changing act's label, Geffen Records.

    But, their second album, Twice Removed, a Canadian classic of Beatles-influenced songs didn't fit the grunge label, immediately lead to them being dropped. It was the best thing that happened to them as they were free to write the music they wanted to make.

    Sloan has turned that into a 30-year career and their output has been nothing less than excellent, running the gamut of indie, alt-rock, radio friendly singles, and straight-ahead '70s rock. The legends from north of the border will play much of the latter when they run through the entirety of their superior 1998 album, Navy Blues, featuring the first-class singles, "Money City Maniacs," "She Says What She Means," and "Keep On Thinkin'" followed by a set of their hits, including "If It Feels Good Do It," "The Good In Everyone," and "Underwhelmed."

    CultureMap show of the week: Sloan performs at White Oak Music Hall, located at 2915 N. Main St, on Saturday, February 29. Tickets are $20 plus fees. Doors open at 8 pm.

    Reverend Horton Heat at House of Blues
    Talk about a killer Texas band lineup. Not only do you have headliner and the best psychobilly act ever in Reverend Horton Heat, but throw in accomplished guitar player and rootsy singer-songwriter Alejandro Escovedo and Tex-Mex San Antonio punk band Piñata Protest for a relatively cheap 20 bucks, and that's value, my friends. While these acts play Houston on the regular, it's a great chance to hear a wide range of what makes Lone Star State music great.

    Reverend Horton Heat lights up House of Blues, located at 1204 Caroline St., on Saturday, February 29. Alejandro Escovedo, Pinata Protest opens. Tickets start at $20 plus fees. Doors open at 7 pm.

    Back to Back to Black Amy Winehouse Tribute at Bayou Theater
    Tribute concerts don't get a lot of play in this column space, but seeing as Amy Winehouse hasn't been with us for some time now, we'll make an exception. Especially when it features talented performer Remember Jones, the R&B and soul singer whose latest album, Tranquilizer, was produced by Andrija Tokic, who's worked with acts such as Alabama Shakes.

    Jones will play the immortal U.K. diva's 2006 Grammy Award winning album Back to Black with help of a 12-piece orchestra and band in addition to a set of originals. That — and a $10 cover charge — is definitely worth the drive down to UH-Clear Lake.

    Remember Jones performs Back to Back to Black, A Tribute to Amy Winehouse, at Bayou Theater, located at 2700 Bay Area Blvd., on Friday, February 28. Tickets start at $10 plus fees. Show starts at 7:30 pm.

    CultureMap recommends: Tennis at White Oak Music Hall
    Few bands are as unique as Denver based Tennis, the husband-and-wife duo Patrick Riley and Alaina Moore, who filter '70s AOR Carpenters pastiche through a modern indie-rock lens. They've run in similar circles as The Black Keys, Mumford and Sons, and Spoon and they don't sound anything like those bands but are just as good, producing atmospheric and lilting songs with a keen storytelling sense.

    Their 2017 album, Yours Conditionally, was their best yet, but this year's Swimmer, changes up their sound slightly, keeping it fresh but still distinctly Tennis.

    Tennis performs at White Oak Music Hall, located at 2915 N. Main St., on Monday, March 1. Tickets are $18 plus fees. Molly Burch opens. Doors open at 7 pm.

    Joseph plays House of Blues on Tuesday, February 25.

    Joseph band
    Courtesy ATO Records
    Joseph plays House of Blues on Tuesday, February 25.
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    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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