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    Sundance Faves

    Sundance shines: Four fave flicks from America's top film festival that you can watch at home

    Jane Howze
    Dec 26, 2015 | 9:30 am

    Christmas night begins one of the highest-grossing weeks of the year for movie theaters, but you won’t find me at the cineplex. I spend the week between Christmas and New Year’s at home catching some of the hidden gems that premiered at the 2015 Sundance Film Festival last January and are just now making their way to video on demand.

    Although the festival didn’t produce any box office bonanzas like the 2014 Sundance hits Boyhood or Whiplash, here are two documentaries and two dramas that shouldn't be missed and will tide avid filmgoers over until my reports on the 2016 Sundance Film Festival next month.

    The Hunting Ground

    The Hunting Ground, one of the year’s most talked about documentaries, provides a shocking and brutal exposé of the epidemic of rapes at institutes of higher learning, which often discount, ignore, “blame-the victim,” or cover up the alleged crimes. The stories are interwoven with shocking statistics — one out of five women will be raped or sexually attacked during her college years.

    The Hunting Ground pulls no punches. Along with institutions such as Harvard, Notre Dame and the University of North Carolina, it takes on both the fraternity system and money-infested college sports programs, both of which the filmmakers believe foster a culture of rape.

    This powerful, sobering documentary received standing ovations and rave reviews from the Sundance crowd. It premiered on CNN last month to high ratings and criticism from universities and conservative groups. But it has illuminated a topic that is rarely talked about, and several colleges have now changed the way they deal with campus sexual assaults as a result.

    CNN will rebroadcast The Hunting Ground on Sunday December 27 at 10 pm. It has been named as one of 15 documentaries still in the running for the 2015 Academy Awards.

    Prophet’s Prey

    Going Clear: Scientology and the Prison of Belief was the topic of big buzz at Sundance, largely due to the titillation factor of church members Tom Cruise and John Travolta. But Prophet’s Prey was a much creepier and unsettling film in part because of its leader, Warren Jeffs, whose otherwordly hypnotic voice narrates part of the film. Jeffs, the polygamous leader of the Fundamentalist Church of Latter Day Saints (FLDS) sexually abused and married dozens of young girls (90 wives at last count), some of whom were mere preteens.

    Jeffs was on the run for three years before being apprehended in Texas and sentenced to life in prison. Part of his conviction was based on a taped recording of him raping a 12-year-old on their “wedding night,” which is included in the film. The film also features parents whose daughter was kidnapped within 24 hours after she returned to them. She has disappeared and the family believes they will probably never see her again.

    Prophet’s Prey is especially heartbreaking because there is no petition to sign or cause to contribute to remedy the situation. All the viewer can do is feel hopeless. At the press conference following the film’s premiere, author Jon Krakauer, who wrote the book upon which the documentary is based, noted that Jeffs still controls his 10,000 followers from prison, which is even more unsettling than the film itself.

    Available on Showtime on Demand

    Me and Earl and the Dying Girl

    Winner of the 2015 Sundance Grand Jury Prize and the Audience Award, Me and Earl and the Dying Girl is the story of a dorky high school senior (Thomas Mann), whose mom forces him to spend time with a classmate (Olivia Cooke) who was just diagnosed with leukemia. Sounds terrible and depressing? Not really. Sure, you will need a handkerchief, but the laughs and the sheer magic of the film will outnumber the tears.

    Despite positive reviews, Me and Earl and the Dying Girl did not have the audience appeal of the similarly themed The Fault of our Stars, but in my opinion it is the more creative and original film.

    Available on VOD

    I’ll See You in My Dreams

    I’ll See You In My Dreams is the story of Carol, a 70-year-old widow (played by the talented Blythe Danner), who must decide how to keep going once her beloved dog dies — the first of several events to disrupt her predictable routine. The film is a wonderfully funny, touching and sad testament about relationships, pushing boundaries, aging and the choices one makes as a result of loss.

    In January, I wrote “this is one of those films I just want to shout from the roof tops about how poignant and good it is. And I want Danner to get the recognition she so richly deserves — if she is just peaking at age 71, a lot of the social security set are going to be inspired.”

    While early Oscar talk for Danner has died down—no doubt due to so little publicity for the movie—it still gets my vote for my favorite Sundance film of 2015.

    Available on VOD

    CNN will rebroadcast The Hunting Ground on Sunday at 10 pm

    Scene from The Hunting Ground
    Photo courtesy of Radius-TWC
    CNN will rebroadcast The Hunting Ground on Sunday at 10 pm
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    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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