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    The CultureMap Interview

    Glee star jets into Houston for the Symphony's Centennial Ball, dishes on his wedding & lucky boots

    Joel Luks
    May 16, 2014 | 12:04 pm

    There was a time when the name of Glee character Will Schuester was more familiar to the public than the actor who portrayed him. Perhaps for some that's still the case. But you really can't blame anyone for that.

    Whether it's because viewers strongly relate to having one educator who helped shape their identities or because they wished they had such a positive role model in their lives, Mr. Schue is an archetype who inspires fans to follow their dreams.

    But the man who plays Mr. Schue is more than a symbol. Actor, dancer, musician and singer-songwriter Matthew Morrison is slated to headline the Houston Symphony's "Centennial Ball," scheduled for Saturday at Jones Hall. The fundraiser, chaired by Cora Sue and Harry Mach and Joella and Steven Mach, is a white-tie event that celebrates the curtain call of the orchestra's 100th anniversary season.

    Ahead of the glitzy musicale, CultureMap chatted with Morrison over the phone to learn more about his journey in show biz.

    CultureMap: We love Mr. Schue because he reminds us of that one high school teacher who really believed in us. Curious, did you have a role model like Mr. Schue growing up?

    Matthew Morrison: I actually did. My teacher, his name was Mr. Doran, was my ninth grade English teacher. He's an enthusiastic guy — I don't know if he taught me how to use a comma — but you couldn't help being captivated by him. He owned the room, had an infectious attitude and you could tell he loved teaching, and that's why he made you love being a student in his class. He made you feel like you wanted to be there because he obviously wanted to be there.

    I went to his classroom one day after I got Glee and said to him, "I am basing a lot of my character on you, and I would like to take something from your classroom to bring into my choir room." It's in probably almost every episode of Glee when you see the choir room. It's a porcelain wiener dog, a plant holder or something, that we switch around and put in different places. It's my homage to Mr. Doran.

    CM: What's the most important value he imparted in you?

    I think what I learned most from Cory was the power of dedication. He was so dedicated to getting better every single day.

    MM: To enjoy live. That was in him. His thing was carpe diem, and that's something that was instilled in me.

    CM: I'd like to think that everyone with whom we cross paths influences us in someway. Cory Monteith's death was tragic, a loss that affected everyone. What did you learn from Cory?

    MM: When we started Glee, Cory was our biggest project. He was the person who we didn't know would work because he hadn't sung before professionally. He was kind of the question mark.

    I think what I learned most from Cory was the power of dedication. He was so dedicated to getting better every single day. Throughout the years, I, as someone who was with him everyday, saw that growth. As a viewer you saw that, too, in his character, in his performance. I was really proud of him.

    He would have been a lifelong friend for me. He was probably the person whom I was most close to in the show. It was a tragic loss — for everyone.

    CM: Do you have a favorite Glee episode or one you watch the most?

    MM: I think I watch the pilot episode more than others probably because it was the first one out. You see a script, and we thought it was a good script, but we didn't know what it was going to evolve into. After a couple of screenings, we would get together at someone's house and watch it. We would take a dinner break and watch it again. We couldn't believe how it turned out. It was so amazing and beautiful. It really set the tone for the rest of the series.

    CM: How did you land the part of Mr. Schue in the first place?

    MM: I was doing South Pacific on Broadway at the time, and I just put myself on tape. The producer saw it, they auditioned me in New York and I guess they really liked me. They flew me out to Los Angeles and I got the part. Luckily, South Pacific was good enough to let me out for a month to shoot the pilot. And that's how it happened.

    I try to emulate the classic look of Frank Sinatra, Gene Kelly and Sammy Davis.

    CM: I hear there was lucky footwear involved. Is that true?

    MM: Ryan Murphy (Glee co-creator) is really into fashion. He was admiring my boots, a pair of beat up old motorcycle boots that he just absolutely loved. When I came into the audition, it wasn't about me. It was about the boots. We had a 15 minute conversation before I even got to audition.

    CM: For your shows, you seem to pull off the classic look of the 1960s. Where do you shop?

    MM: I do classic American standards. So I try to emulate the classic look of Frank Sinatra, Gene Kelly and Sammy Davis. Those are the people that I look to for style, but I put my own twist on it and modernize it with a bow tie or a little accessory that changes a whole outfit.

    For my shows, I love Brooks Brothers. They've been around for a long time; they were around in that period. It's a classic American company. Especially in the past two years, because they did the Great Gatsby movie, they have many great pieces.

    CM: From your albums and singles, what's the song that has the most personal meaning for you?

    MM: There's a song called "My Name." It's a very personal song that I wrote with this English guy named Eg White. The song represents what I was going through at the time. It was a time when I would walk down the street and people would yell, "Mr. Schue, Mr. Schue!" That's how people identified me. No one really knew my name.

    CM: Are wedding plans still on for next year? Where are you and Renee Puente getting married?

    MM: They sure are. We've had a great time doing it, too. You hear all these horror stories about wedding planning, but we have this great wedding planer, his name is Kevin Covey. He's done a lot of weddings nationally and he's someone who's made life really easy for us. It's going to be a very small wedding in Hawaii.

    I wanted to take a departure from Mr. Schuester. He's a dark character, a guy who's been running away from life.

    CM: I hear you're about to start filming a new movie?

    MM: That is true! It's called After the Reality. It's a script that I came across and I wanted to do it. I decided to executive produce it as well as star in it. It's a great indie flick. I've put a lot of work into reworking scenes.

    For my role, I wanted to take a departure from Mr. Schuester. He's a dark character, a guy who's been running away from life. He and his sister, who's played by a great actress, Sarah Chalke, they are dealing with the death of their father so they have to come back home and rekindle things with their family. It's a great movie with a lot of twists and turns. We've assembled a great cast so expect a lot of fun cameos in it.

    CM: What do you have planned for your Houston Symphony performance?

    MM: I will be finishing up a long day on Friday with the movie and flying just in time for Saturday. I am excited also because Steven Reineke is conducting. He's someone with whom I just worked a couple of weeks ago for my Carnegie Hall debut. He's a fantastic conductor. He's already familiar with a lot of my songs, but I am going to throw in a few new songs that I haven't done before as well.

    CM: Have you been to Houston before?

    MM: My dad and I took a road trip years ago from New York to California. We drove through Houston but didn't stop there. Unfortunately I have to fly in and fly out.

    CM: If you can, get in some barbecue while you are here.

    MM: I will do that. Sounds like a great plan.

    ___

    Matthew Morrison will star in the Houston Symphony's Centennial Ball, set for 6 p.m. Saturday at Jones Hall. Individual tickets start at $3,000 and be purchased by calling 713-238-1485 or by emailing specialevents@houstonsymphony.org. Doors to Jones Hall open at 6 p.m.; the performance begins at 7 p.m., with no late seating. An after party starts at 10:30 p.m.

    Actor, dancer, musician and singer-songwriter Matthew Morrison is better known as Will Schuester from Glee.

    Matthew Morrison
    Courtesy of the artist
    Actor, dancer, musician and singer-songwriter Matthew Morrison is better known as Will Schuester from Glee.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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