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    Hipster Christian Housewife

    Wrestling with organized religion: Should Christianity be a solo pursuit?

    Cameron Dezen Hammon
    Jun 23, 2013 | 11:45 am

    I seem to always be trying to fit in to something, somewhere.

    Shortly after I had my daughter I tried, quite unsuccessfully, to fit into my pre-pregnancy jeans—the big ones. No luck.

    Once my daughter started school I tried fitting in with other mom’s—in Pre K they were artists and organic farmers who made their own clothes.

    In other words, I didn’t fit in.

    Now that my daughter is in grade school the mom’s I meet are all different—which makes fitting in sort of a non-issue. Unless of course, I join the PTA, which I will not likely do. Mostly because I’m sure I just wouldn’t fit in.

    Lately I’ve wondered why I didn’t leave this desire to “fit in” behind, in the cafeteria in seventh grade when I definitively decided teasing my bangs was a line I just wouldn’t cross.

    I thought I’d given up “fitting in” once and for all.

    When I first became a Christian I unwittingly rekindled my love affair with “fitting in” when I joined the church.

    The first church

    The first church I joined was easy for me to fit into. It was comprised of a bunch of ragtag twenty-something artists in NYC, of which I could’ve been the poster child. It wasn’t until I moved south, to Texas, to the buckle of the Bible Belt that I became conscience of a struggle to fit in.

    In my attempt to fit in, I seem to have squeezed myself into something I am now outgrowing.

    In a recent session with my Spiritual Director (see my last post for more on that), we talked about religion being something I put on, like a dress. It was a dress I fit easily into at the time of my ‘conversion,’ but which, lately, has been feeling a little snug. Like, two-sizes-too-small snug.

    I became a Christian in my mid-twenties, and in the years, months and even weeks leading up to my baptism, I was flirting with disaster.

    It was the sex, drugs and rock and roll version of disaster, and I thought Christianity would shoehorn me out of a destructive lifestyle. I put it on like a dress; it covered my past transgressions and gave me purpose and identity. But there was more to my decision to become a Christian.

    I had begun to develop an awareness of God’s presence and activity in my life.

    This awareness grew in power and frequency the deeper I dug into my community of Christian artists, and the deeper I dug into learning who the God of the Bible really was.

    But more than 10 years later, I’m realizing that this dress I put on, the religious aspects of Christianity, is not necessarily what Christianity is about. In my attempt to fit in, I seem to have squeezed myself into something I am now outgrowing.

    Pressure and power

    Being “not religious” is a banner slogan of the brand of Christianity I signed up with. Most Evangelicals believe that Jesus did not come to earth to start a new religion.

    Instead, they believe he challenged the complicated rituals and practices that were the hallmark of religion during his time. We celebrate that Jesus brought freedom from church politics, that he challenged religious authority and opened a way for any person, not just priests and church officials, to communicate directly with God.

    But in reality, the American evangelical church has grown into the spitting image of what it claims to be the opposite of.

    But in reality, the American evangelical church has grown into the spitting image of what it claims to be the opposite of. We put unbelievable pressure on, and power in the hands of pastors, worship leaders and church officials.

    Rather than trust that we, the congregation can, as individuals, hear from the Spirit of God, and communicate with God directly, we turn that responsibility over to our leaders and often fail to speak up when we think that some insight they claim to have from God, might rather be coming from some place less celestial.

    This pressure on pastors and leaders mirrors that of the pressure on CEOs and CFOs of large corporations, and sadly, those jobs often look quite similar in a large, American evangelical church. But a church is not a business, and this marriage of religion and business results in something far more malevolent than either element alone.

    This model of Christianity—with the all important, business minded leadership at the helm— is the “religion” I put on like a dress, that dress I know I have no business trying to squeeze into anymore.

    Ok, you might say, so you don’t want to be “Evangelical.” Ok, fine.

    But you’re still a Christian? Yes.

    And you’re not Roman Catholic, not Russian, Eastern or Greek Orthodox? Nope.

    Not Episcopal, or Presbyterian or Baptist? Exactly. I think all those denominations have wonderful and not so wonderful things about them. I just wouldn’t call myself a part of any of them.

    What about “non denominational?” Nope. That’s usually a disguise for something else.

    So if you don’t fit into any of those denominations, but consider yourself a Christian, what kind of Christian are you?

    For now, I will leave that question unanswered. For me, I’m comfortable not having an answer.

    Don’t get me wrong. I don’t think Christianity is a solo pursuit. Community is an important value that is clearly modeled in both Judaism and Christianity. The Trinity—the Father, Son, Holy Spirit—is a model of community itself. But the importance placed on fitting in to a community that is so integral to Evangelical Christianity has shortchanged the importance of the solitary pursuit of God, and as a result discounted the vital importance of the individual experience of God alone.

    In the gospel according to Matthew, in Chapter 6, we find this gem of advice: Go into your inner room and shut the door and pray to your Father in heaven who is unseen. Then your Father who sees what is done in secret will reward you.

    We skim over “secret” and ignore the sense of singularity advocated for here, and instead focus on Sunday morning, Sunday night, Wednesday night—those hours set aside for “community” or—a term I am not fond of—for “corporate” worship and prayer. Are these hours the only ones that define a person’s faith?

    Since my experience in the garden at the Villa De Matel, and some time I’ve spent reading this wonderful book on the subject of contemplative prayer, I’ve been reminded again that my experience of God is not limited to what I experience in church. I am perfectly capable of communicating, communing, even worshipping God all by myself.

    I have a sense that if I return to that alone place I found at the Villa De Matel, to that quiet room or empty garden, I will find God there. But first, I must do the difficult and sometimes lonely work of quieting the distracting voices in my life, even the religious ones. I must have the courage to stop trying to fit into a dress that simply doesn’t fit. And right now, my faith depends on it.

    unspecified
    news/city-life

    a bright flame

    Houston's game-changing free arts academy breaks ground in the East End

    Holly Beretto
    Oct 15, 2026 | 9:00 am
    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior
    Rendering courtesy of OMA
    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    Houston’s newest school for arts and music broke ground last week in the city’s historic East End. The Frank Liu Jr. Academy for Music and Arts (FLAMA), a tuition-free charter school, will welcome students in pre-K through 8th grade next August.

    Members of the Liu family, the school’s founding board members, elected officials, and East End community partners gathered at Buffalo Bayou Partnership’s historic Turkey Bend development for the official groundbreaking ceremony on October 8, which kicked off with a performance by the Kinder High School for the Performing and Visual Arts’ Mariachi group.

    The new school is on a portion of the former Folgers Coffee Plant, located at 235 N. Norwood St. OMA, an international architectural firm known for its approach to urbanism, cultural projects, and adaptive reuse, is transforming the 1930s plant into a state-of-the-art educational facility.

    “We’re excited to celebrate this milestone for FLAMA and look forward to seeing the transformation of the historic Folgers plant into a new home for music and arts education,” said Jason Long, one of the firm’s partners. “Like fine-tuning an instrument, our design recalibrates the existing industrial structure into an open, connected, and expressive environment for learning. FLAMA will be a new learning environment that builds on the character of the existing building while giving it new life for the community.”

    Unfolding across three stories, the school draws inspiration from Montessori education principles, which prioritize openness, independence, and collective learning through shared “neighborhoods.”

    It all begins when students, families and guests enter through a private courtyard. The welcoming space will change the building’s original industrial facade into a brightly colored, kid-friendly spot, complete with yellow and green blocks spelling out the school’s name. The original windows will be restored to preserve the building’s historic character and upgraded to meet contemporary energy standards. Similarly, all of the school’s classrooms are located around the building’s perimeter, providing an abundance of natural light.

    Inside, FLAMA’s three stories are divided so that younger students will find their classrooms at the school’s base, and they will move upward through the school as they progress through grade levels. The ground level has a common area for younger kids that could host drum circles, movement classes or “breakout play.”

    Children in first and second grade have their own, larger open space, with an eye-catching staircase, that's inspired by the curve of a French horn. The space lends itself to everything from small gatherings to performances by the school’s early musicians.

    As students progress through grades three and higher, they’ll find FLAMA’s upper floors created to meet their growing artistic and intellectual needs. One example is the open library, a shared spot for students in third through fifth grades. It has flexible furniture that can transform the space into a place for group study and project work, as well as one that can host after-school activities. Directly above this library is a second common room for middle schoolers where students in sixth, seventh, and eighth grades can study.

    These two libraries are connected by an F-shaped floor opening that references both the F-hole of a string instrument and the forte symbol. Musicians know this curly f as a note indicating them to play a passage with strength. That could easily be a metaphor for the school itself, which will combine high-quality education with rigorous academics. This visual cue emphasizes FLAMA’s desire for music and art instruction to amplify learning across reading, writing, math, and science.

    “This will be a place where children can discover their talents, families can find opportunities close to home, and music and art can open the doors to a stronger education,” said Congresswoman Sylvia Garcia, who attended the groundbreaking. “I know how much it matters when someone brings opportunity within the reach of a child.”

    Dr. R. Scott Allen, FLAMA’s founding superintendent and former principal of Kinder HSPVA, spoke about the school’s vision to pair a rigorous, engaging academic opportunity with deep immersion in music and visual arts.

    Congressman Christian Menefee, State Senator Carol Alvarado, and Houston City Councilmember Mario Castillo also delivered remarks at the ceremony, speaking about the school’s power to not only transform Houston’s Second, Third, and Fifth Ward communities, but also bring incredible education opportunities to students. Former Mayor Annise Parker, former State Board of Education Member Staci Childs, State Representative Christina Morales, and Houston City Councilmembers Joaquin Martinez and Sallie Alcorn also attended the event.

    “In this city, known for our undeniable contributions to music and arts, the gap has never been ability or talent; it has always been opportunity, and opportunity can be built,” said Kirby Liu, who spoke at the groundbreaking, memorializing his late brother’s vision of arts education for the youngest Houstonians. “When it comes to opportunity being foreclosed on our children, we will try like hell to bust those damned doors down.”

    The Frank Liu Jr. Foundation has pledged $20 million in financial support during FLAMA’s first years of operation.

    Applications are now open for kindergarten and first-grade students for the 2027-2028 school year.

    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior

    Rendering courtesy of OMA

    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    flamafrank liu jr academy for music and artseast endperforming-artseducationanderson
    news/city-life

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