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    Mondo Cinema

    Texas revolutionaries, blocked writers and Robert Loggia are main attractions at WorldFest

    Joe Leydon
    Apr 11, 2014 | 10:00 am

    Truth may be stranger than fiction, but it isn’t necessarily as funny. Which is part of the reason why Texas native Mario Kyprianou took a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick, his debut feature as an indie writer-director, which will have an encore presentation this weekend during the final days of the 2014 WorldFest/Houston International Film Festival.

    The movie – which will screen at 7 p.m. Saturday at the AMC Studio 30 – is loosely based on the real-life misadventures of Rick McLaren, the Texas secessionist who, along with other armed members of a Republic of Texas cabal, sustained a week-long standoff with police and Texas Rangers while holding hostages inside their Fort Davis redoubt.

    “I think if Texas really seceded,” Kyprianu says, “we’d be in trouble, because the rest of America has nuclear weapons. So I don’t think we could really pull it off."

    In the world reimagined by Kyprianou, McLaren is rechristened Rick Launer, played – broadly yet sympathetically – by Dave Abed, and arguably more successful in pursuing his goal of Texas independence.

    “I just fell in love with these characters,” Kyprianu says. “So I wanted to find the happiest ending for them.”

    Not that Kyprianu started out with any intention to celebrate McLaren (who, in the real world, remains behind bars). Truth to tell, he wanted to tell a tall tale inspired partly by Don Quixote, and partly by the revolutionary freedom fighters of his parents’ native Cyprus.

    It’s just that, during his formative years in Dallas, “Secession was a topic of conversation that always came up as I was growing up.” Years later, after he graduated from the UCLA school of screenwriting, “I told some friends about an idea I had for a group that wanted to fight to make Texas their own country. And that’s when they told me that, hey, something like that really did happen back in 1997.”

    Intrigued, Kyprianu traveled to Fort Davis on a fact-finding mission. “When I first got to the area,” he says, “people hated me. Because, frankly, they were ready to be done with Rick. They didn’t want to hear about him ever again. But [Joe Rowe], one of the hostages, was the coolest guy in the world. He invited me over to his house, so I was over there a couple of days interviewing him. And then it kind of took off from there.”

    Kyprianu later tracked down McLaren’s lawyer in Dallas. “And he gave me all these videos that had been used as evidence. He had tapes of stuff that this TV news crew had done when they went up to Fort Davis and interviewed the militia for days. It was a great way to get inside the characters, and get some idea of the texture and the feel of their conspiracy theories.

    “I also became pen pals with Rick McLaren from prison. That is, until he started trying to get me to run some errands and meet different people for him. Then I kind of backed off, and started writing.”

    Kyprianu admits to a certain degree of grudging admiration for McLaren, whom he views as “an idealist,” not unlike Don Quixote, with sufficient charismatic appeal to convince loyalists “to go along for the ride.” That doesn’t mean, however, that he supports McLaren’s goals.

    “I think if Texas really seceded,” Kyprianu says, “we’d be in trouble, because the rest of America has nuclear weapons. So I don’t think we could really pull it off.

    “Of course, we might be hiding our own nuclear weapons on someone’s ranch right now. So who knows?

    Here are some other options for audiences during the final weekend of WorldFest 2014. (Unless otherwise noted, each will be offered at the AMC Studio 30.)

    The M Word

    Indefatigable indie filmmaker Henry Jaglom (Queen of the Lot, Hollywood Dreams) is represented once again at WorldFest/Houston, this time with an ensemble dramedy that, as its title might imply, deals with menopause. In a broader sense, however, it also deals with other life-changing events at a local TV station where an economic downturn may lead to personnel changes. The cast includes Tanya Frederick, Michael Imperioli, Frances Fisher, Corey Feldman, Mary Roberts, Gregory Harrison and longtime Jaglom collaborator Zack Norman. (7 p.m. Friday)

    A Conversation with Robert Loggia

    The esteemed character actor, winner of this year’s WorldFest/Houston Lifetime Achievement Award, sits down for a Q&A with yours truly for a freewheeling chat about career highlights. (His, not mine.) Don’t be surprised if titles such as Big, Scarface, Independence Day and Jagged Edge pop up during the conversation. Hey, who knows? I might even try to slip in a question about one of my all-time favorite TV shows, T.H.E. Cat. (10 a.m. Saturday at Crown Plaza Hotel, Reliant Park.)

    Are You a Pilgrim?

    Every year, thousands of hearty souls test their endurance and express their faith on the Camino de Santiago de Compostela pilgrimage, an 800-kilometer trek to the burial site of Apostle St. James in Compostela, Spain. (Gosh, and I complain when my wife wakes me up early to attend Easter Sunday mass.) Gian D. Ceccato, a 71-year-old industrial engineer, made this documentary about his own experiences while on the long-distance journey of self-discovery. (5 p.m. Saturday)

    Fade In

    It’s tempting to surmise that this smartly funny short written and directed by former Houstonian Gail Gilchriest – a screenwriter (My Dog Skip) and TV staff writer/co-producer (TNT’s Dallas) – is just a teeny bit autobiographical. The 10-minute amusement – which will kick off a WorldFest matinee program of comic shorts – details the procrastination of a blocked writer (Julie White, Shia LaBeouf’s mom in the Transformer movies) who’s supposed to be working on a past-due script, but can’t help finding other things to do. Think of it a dramatization of Dorothy Parker’s revealing witticism: “I hate writing. I love having written.” (1 p.m. Sunday)

    A Time in Quichi

    The latest from acclaimed Taiwanese filmmaker Chang Tso-chi strikes echoes of Hou Hsiao Hsien’s classic A Summer at Grandpa’s (winner of a special jury award at the 1985 Houston Film Festival) with its coming-of-age story about a neglected 10-year-old boy whose soon-to-divorce parents ship him off to spend an extended holiday in the countryside with his widowed grandfather. Far away from the big city, without access to the Internet or video games, Guan Xiaobao (Yang Liang-yu) must make new friends to make life bearable in his unfamiliar surroundings. (5 p.m. Sunday)

    Texas native Mario Kyprianou takes a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick..

    The Republic of Rick movie still
    TheRepublicofRick.com
    Texas native Mario Kyprianou takes a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick..
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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