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    Mondo Cinema

    Texas revolutionaries, blocked writers and Robert Loggia are main attractions at WorldFest

    Joe Leydon
    Apr 11, 2014 | 10:00 am

    Truth may be stranger than fiction, but it isn’t necessarily as funny. Which is part of the reason why Texas native Mario Kyprianou took a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick, his debut feature as an indie writer-director, which will have an encore presentation this weekend during the final days of the 2014 WorldFest/Houston International Film Festival.

    The movie – which will screen at 7 p.m. Saturday at the AMC Studio 30 – is loosely based on the real-life misadventures of Rick McLaren, the Texas secessionist who, along with other armed members of a Republic of Texas cabal, sustained a week-long standoff with police and Texas Rangers while holding hostages inside their Fort Davis redoubt.

    “I think if Texas really seceded,” Kyprianu says, “we’d be in trouble, because the rest of America has nuclear weapons. So I don’t think we could really pull it off."

    In the world reimagined by Kyprianou, McLaren is rechristened Rick Launer, played – broadly yet sympathetically – by Dave Abed, and arguably more successful in pursuing his goal of Texas independence.

    “I just fell in love with these characters,” Kyprianu says. “So I wanted to find the happiest ending for them.”

    Not that Kyprianu started out with any intention to celebrate McLaren (who, in the real world, remains behind bars). Truth to tell, he wanted to tell a tall tale inspired partly by Don Quixote, and partly by the revolutionary freedom fighters of his parents’ native Cyprus.

    It’s just that, during his formative years in Dallas, “Secession was a topic of conversation that always came up as I was growing up.” Years later, after he graduated from the UCLA school of screenwriting, “I told some friends about an idea I had for a group that wanted to fight to make Texas their own country. And that’s when they told me that, hey, something like that really did happen back in 1997.”

    Intrigued, Kyprianu traveled to Fort Davis on a fact-finding mission. “When I first got to the area,” he says, “people hated me. Because, frankly, they were ready to be done with Rick. They didn’t want to hear about him ever again. But [Joe Rowe], one of the hostages, was the coolest guy in the world. He invited me over to his house, so I was over there a couple of days interviewing him. And then it kind of took off from there.”

    Kyprianu later tracked down McLaren’s lawyer in Dallas. “And he gave me all these videos that had been used as evidence. He had tapes of stuff that this TV news crew had done when they went up to Fort Davis and interviewed the militia for days. It was a great way to get inside the characters, and get some idea of the texture and the feel of their conspiracy theories.

    “I also became pen pals with Rick McLaren from prison. That is, until he started trying to get me to run some errands and meet different people for him. Then I kind of backed off, and started writing.”

    Kyprianu admits to a certain degree of grudging admiration for McLaren, whom he views as “an idealist,” not unlike Don Quixote, with sufficient charismatic appeal to convince loyalists “to go along for the ride.” That doesn’t mean, however, that he supports McLaren’s goals.

    “I think if Texas really seceded,” Kyprianu says, “we’d be in trouble, because the rest of America has nuclear weapons. So I don’t think we could really pull it off.

    “Of course, we might be hiding our own nuclear weapons on someone’s ranch right now. So who knows?

    Here are some other options for audiences during the final weekend of WorldFest 2014. (Unless otherwise noted, each will be offered at the AMC Studio 30.)

    The M Word

    Indefatigable indie filmmaker Henry Jaglom (Queen of the Lot, Hollywood Dreams) is represented once again at WorldFest/Houston, this time with an ensemble dramedy that, as its title might imply, deals with menopause. In a broader sense, however, it also deals with other life-changing events at a local TV station where an economic downturn may lead to personnel changes. The cast includes Tanya Frederick, Michael Imperioli, Frances Fisher, Corey Feldman, Mary Roberts, Gregory Harrison and longtime Jaglom collaborator Zack Norman. (7 p.m. Friday)

    A Conversation with Robert Loggia

    The esteemed character actor, winner of this year’s WorldFest/Houston Lifetime Achievement Award, sits down for a Q&A with yours truly for a freewheeling chat about career highlights. (His, not mine.) Don’t be surprised if titles such as Big, Scarface, Independence Day and Jagged Edge pop up during the conversation. Hey, who knows? I might even try to slip in a question about one of my all-time favorite TV shows, T.H.E. Cat. (10 a.m. Saturday at Crown Plaza Hotel, Reliant Park.)

    Are You a Pilgrim?

    Every year, thousands of hearty souls test their endurance and express their faith on the Camino de Santiago de Compostela pilgrimage, an 800-kilometer trek to the burial site of Apostle St. James in Compostela, Spain. (Gosh, and I complain when my wife wakes me up early to attend Easter Sunday mass.) Gian D. Ceccato, a 71-year-old industrial engineer, made this documentary about his own experiences while on the long-distance journey of self-discovery. (5 p.m. Saturday)

    Fade In

    It’s tempting to surmise that this smartly funny short written and directed by former Houstonian Gail Gilchriest – a screenwriter (My Dog Skip) and TV staff writer/co-producer (TNT’s Dallas) – is just a teeny bit autobiographical. The 10-minute amusement – which will kick off a WorldFest matinee program of comic shorts – details the procrastination of a blocked writer (Julie White, Shia LaBeouf’s mom in the Transformer movies) who’s supposed to be working on a past-due script, but can’t help finding other things to do. Think of it a dramatization of Dorothy Parker’s revealing witticism: “I hate writing. I love having written.” (1 p.m. Sunday)

    A Time in Quichi

    The latest from acclaimed Taiwanese filmmaker Chang Tso-chi strikes echoes of Hou Hsiao Hsien’s classic A Summer at Grandpa’s (winner of a special jury award at the 1985 Houston Film Festival) with its coming-of-age story about a neglected 10-year-old boy whose soon-to-divorce parents ship him off to spend an extended holiday in the countryside with his widowed grandfather. Far away from the big city, without access to the Internet or video games, Guan Xiaobao (Yang Liang-yu) must make new friends to make life bearable in his unfamiliar surroundings. (5 p.m. Sunday)

    Texas native Mario Kyprianou takes a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick..

    The Republic of Rick movie still
    TheRepublicofRick.com
    Texas native Mario Kyprianou takes a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick..
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    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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