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    Mondo Cinema

    Texas revolutionaries, blocked writers and Robert Loggia are main attractions at WorldFest

    Joe Leydon
    Apr 11, 2014 | 10:00 am

    Truth may be stranger than fiction, but it isn’t necessarily as funny. Which is part of the reason why Texas native Mario Kyprianou took a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick, his debut feature as an indie writer-director, which will have an encore presentation this weekend during the final days of the 2014 WorldFest/Houston International Film Festival.

    The movie – which will screen at 7 p.m. Saturday at the AMC Studio 30 – is loosely based on the real-life misadventures of Rick McLaren, the Texas secessionist who, along with other armed members of a Republic of Texas cabal, sustained a week-long standoff with police and Texas Rangers while holding hostages inside their Fort Davis redoubt.

    “I think if Texas really seceded,” Kyprianu says, “we’d be in trouble, because the rest of America has nuclear weapons. So I don’t think we could really pull it off."

    In the world reimagined by Kyprianou, McLaren is rechristened Rick Launer, played – broadly yet sympathetically – by Dave Abed, and arguably more successful in pursuing his goal of Texas independence.

    “I just fell in love with these characters,” Kyprianu says. “So I wanted to find the happiest ending for them.”

    Not that Kyprianu started out with any intention to celebrate McLaren (who, in the real world, remains behind bars). Truth to tell, he wanted to tell a tall tale inspired partly by Don Quixote, and partly by the revolutionary freedom fighters of his parents’ native Cyprus.

    It’s just that, during his formative years in Dallas, “Secession was a topic of conversation that always came up as I was growing up.” Years later, after he graduated from the UCLA school of screenwriting, “I told some friends about an idea I had for a group that wanted to fight to make Texas their own country. And that’s when they told me that, hey, something like that really did happen back in 1997.”

    Intrigued, Kyprianu traveled to Fort Davis on a fact-finding mission. “When I first got to the area,” he says, “people hated me. Because, frankly, they were ready to be done with Rick. They didn’t want to hear about him ever again. But [Joe Rowe], one of the hostages, was the coolest guy in the world. He invited me over to his house, so I was over there a couple of days interviewing him. And then it kind of took off from there.”

    Kyprianu later tracked down McLaren’s lawyer in Dallas. “And he gave me all these videos that had been used as evidence. He had tapes of stuff that this TV news crew had done when they went up to Fort Davis and interviewed the militia for days. It was a great way to get inside the characters, and get some idea of the texture and the feel of their conspiracy theories.

    “I also became pen pals with Rick McLaren from prison. That is, until he started trying to get me to run some errands and meet different people for him. Then I kind of backed off, and started writing.”

    Kyprianu admits to a certain degree of grudging admiration for McLaren, whom he views as “an idealist,” not unlike Don Quixote, with sufficient charismatic appeal to convince loyalists “to go along for the ride.” That doesn’t mean, however, that he supports McLaren’s goals.

    “I think if Texas really seceded,” Kyprianu says, “we’d be in trouble, because the rest of America has nuclear weapons. So I don’t think we could really pull it off.

    “Of course, we might be hiding our own nuclear weapons on someone’s ranch right now. So who knows?

    Here are some other options for audiences during the final weekend of WorldFest 2014. (Unless otherwise noted, each will be offered at the AMC Studio 30.)

    The M Word

    Indefatigable indie filmmaker Henry Jaglom (Queen of the Lot, Hollywood Dreams) is represented once again at WorldFest/Houston, this time with an ensemble dramedy that, as its title might imply, deals with menopause. In a broader sense, however, it also deals with other life-changing events at a local TV station where an economic downturn may lead to personnel changes. The cast includes Tanya Frederick, Michael Imperioli, Frances Fisher, Corey Feldman, Mary Roberts, Gregory Harrison and longtime Jaglom collaborator Zack Norman. (7 p.m. Friday)

    A Conversation with Robert Loggia

    The esteemed character actor, winner of this year’s WorldFest/Houston Lifetime Achievement Award, sits down for a Q&A with yours truly for a freewheeling chat about career highlights. (His, not mine.) Don’t be surprised if titles such as Big, Scarface, Independence Day and Jagged Edge pop up during the conversation. Hey, who knows? I might even try to slip in a question about one of my all-time favorite TV shows, T.H.E. Cat. (10 a.m. Saturday at Crown Plaza Hotel, Reliant Park.)

    Are You a Pilgrim?

    Every year, thousands of hearty souls test their endurance and express their faith on the Camino de Santiago de Compostela pilgrimage, an 800-kilometer trek to the burial site of Apostle St. James in Compostela, Spain. (Gosh, and I complain when my wife wakes me up early to attend Easter Sunday mass.) Gian D. Ceccato, a 71-year-old industrial engineer, made this documentary about his own experiences while on the long-distance journey of self-discovery. (5 p.m. Saturday)

    Fade In

    It’s tempting to surmise that this smartly funny short written and directed by former Houstonian Gail Gilchriest – a screenwriter (My Dog Skip) and TV staff writer/co-producer (TNT’s Dallas) – is just a teeny bit autobiographical. The 10-minute amusement – which will kick off a WorldFest matinee program of comic shorts – details the procrastination of a blocked writer (Julie White, Shia LaBeouf’s mom in the Transformer movies) who’s supposed to be working on a past-due script, but can’t help finding other things to do. Think of it a dramatization of Dorothy Parker’s revealing witticism: “I hate writing. I love having written.” (1 p.m. Sunday)

    A Time in Quichi

    The latest from acclaimed Taiwanese filmmaker Chang Tso-chi strikes echoes of Hou Hsiao Hsien’s classic A Summer at Grandpa’s (winner of a special jury award at the 1985 Houston Film Festival) with its coming-of-age story about a neglected 10-year-old boy whose soon-to-divorce parents ship him off to spend an extended holiday in the countryside with his widowed grandfather. Far away from the big city, without access to the Internet or video games, Guan Xiaobao (Yang Liang-yu) must make new friends to make life bearable in his unfamiliar surroundings. (5 p.m. Sunday)

    Texas native Mario Kyprianou takes a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick..

    The Republic of Rick movie still
    TheRepublicofRick.com
    Texas native Mario Kyprianou takes a comedic approach to dramatizing a bizarre chapter of Lone Star State history in The Republic of Rick..
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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