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    A Damn Good Time

    Country hunk Jake Owen swigs a fan's beer, talks "big ass" and gives away his guitar in wild Rodeo night

    Jayme Lamm
    Mar 13, 2014 | 1:41 am

    Crooner Jake Owen rocked Reliant Stadium Wednesday night and every upcoming Houston Rodeo act should take notes. The key to battling Reliant's subpar acoustics was no secret to Owen — just have fun, and kick up dirt and take a swig of a fan's beer along the way.

    Foregoing the traditional Ford F-150 product placement synonymous with the Rodeo's concert start, Owen simply walked out onto the dirt in his Canadian Tuxedo and didn't stop performing the entire hour.

    Taking a sip of a girl's Michelob Ultra mid song, posing for and snapping umpteen selfies, handing his guitar over to a fan, breaking into the Fresh Prince of Bel-Air rap, Owen gave fans exactly what they wanted. A damn good time.

    Halfway through his 16-song set, Owen commented, "This is a big ass place," marveling at everyone in attendance. Having even more fun with the three letter word, Owen brought fans attention to the closed captioning board noting it was funny to see his words being typed as he spoke, but once again said, "I said it was a big ass place — write that!" Fans eyes were glued to the board, which immediately read:

    "I said this is a big place — sorry, I can't."

    Owen gave fans exactly what they wanted. A damn good time.

    Everyone got a chuckle, including Owen himself, who didn't skip a beat the entire night.

    The long-haired Diesel wearing cowboy talked about his upcoming headlining tour with local fellas Eli Young Band, but took a minute to thanks fans for their thoughts and prayers along the way — just last year on the same Rodeo stage, Owen put on a great performance for the fans while his father was battling cancer at the Mayo Clinic. Perhaps all his excitement and smiles stemmed from the fact he was able to announce that his father was now cancer free as he dedicated a song to his fans going through the same heartaches and sending his prayers to them.

    It was a touching moment that only a true performer could pull off. The stage even halted its regular rotation to let the moment marinate.

    Owen may have sang about a "Ghost Town," but Reliant was anything but thanks to the huge crowd of 59,299 in attendance Wednesday night.

    Just before singing his hit song "Barefoot Blue Jean Night," Owen commented on his choice of cowboy boots for the dirt-filled arena. "I only wore boots because I didn't want to step in cow shit," he said with a smile before mesmerizing the crowd yet again with his voice and energy.

    Set List:

    Days of Gold

    Anywhere with You

    Beachin

    Ghost Town

    1972

    YeeHaw

    Alone with You

    Pass A Beer

    Single Medley: Tell Me, Startin' with Me, Something About a Woman, Don't Think I Can't Love You

    Acoustic Set

    The One That Got Away

    Barefoot Blue Jean Night

    8 Second Ride

    Jake Owen made sure everyone had a damn good time at the Houston Rodeo.

    Jake Owen jam
    Photo by Michelle Watson CultureMapSnap
    Jake Owen made sure everyone had a damn good time at the Houston Rodeo.
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    Lainey Wilson Review

    Lainey Wilson brings rock ‘n roll swagger to sold-out RodeoHouston concert

    Craig Hlavaty
    Mar 20, 2026 | 12:01 am
    Lainey Wilson RodeoHouston
    Photo courtesy of the Houston Livestock Show & Rodeo
    Lainey Wilson delivered a standout performance

    Despite being one of the weirdest and most talked-about rodeo seasons in recent memory — marked by county government sideshows and barenaked carnival crowds — 2026 has been a great year for female artists at RodeoHouston, all things considered.

    Houston’s own Lizzo (69,362), Kelly Clarkson (70,007), Megan Moroney (69,125), and now Lainey Wilson (70,130) have drawn huge numbers compared to some of the male acts. Wilson’s debut RodeoHouston appearance in 2024 was a verified sold-out Saturday matinee, attracting 74,940 fans.

    Slightly surprising, Christian artist Forrest Frank has been the biggest draw so far in 2026 with 70,707 fans packing in for his Sunday matinee on March 8. Russell Dickerson, who rode into Times Square to introduce RodeoHouston to the world, pulled in 53,063 folks off the street for his debut. Stalwart Chris Stapleton’s all-too-brief show on March 12 pulled in a reliable 70,077.

    Creed and Clarkson are tied at 70,007, which bodes well for even more millennial nostalgia acts waiting in the wings.

    Will anyone next year beat the 75,600 Jonas Brothers fans that invaded NRG Stadium in 2024? Don’t worry, we’ll have our RodeoHouston 2027 wishlist online in the next few days.

    Coming into the last Thursday of the season, Wilson’s face could be seen everywhere at NRG Center, from huge banners above the Ford activation near the carnival, inside the Cavender’s booth touting her Wrangler western wear collaborations, not to mention her pitchwoman work for Whataburger and Tractor Supply.

    Wilson is also the subject of a new Netflix documentary, Lainey Wilson: Keepin’ Country Cool, which premiered at SXSW this past week. It chronicles the making of the Whirlwind album and features scenes from the road and the recording studio as the last few years of her life unfolded. Produced by Houston native Kent Kubena, Lainey fanatics will have to wait until it officially premieres on the streamer on April 22.

    The 33-year-old’s hippie-billy evolution from 2021’s Sayin’ What I’m Thinkin, 2022’s breakout Bell Bottom Country, and into 2024’s Whirlwind has seen her stretch her distinctive voice into bombastic new territories, into some late ‘80s Lita Ford vibes. When’s the power ballad duet with Dave Grohl happening?

    Wilson kicked off Thursday night with the punchy brand-new single “Can’t Sit Still,’ which just dropped on streaming services last Friday, riding onto the dirt in the back of a Ford truck, naturally. Nerdy music writer note: the song lifts a little bit of lyrical flavor from Taking Back Sunday’s “Liar (It Takes One To Know One).” Who knew 2000s screamo was still giving us gifts?

    The AC-D-She stomp of “Wildflowers and Wild Horses” got a big-budget stadium makeover. "4X4XU," which sounded like it was straight from a classic ‘80s Spotify playlist, was the first major singalong of the evening. In another lifetime, she would be the world's greatest frontwoman of a Guns N’ Roses tribute band. There’s a revival of harder-edge ‘90s female rock in the wind lately, so its probably not a coincidence that Wilson might be drinking from that well for the new album. On “Dreamcatcher,” her band went into full Rock & Roll Hall of Fame All-Star Jam mode.

    Recent #1 hit "Somewhere Over Laredo” (“caught me a red eye flight outta Houston” got a huge roar) saw Wilson taking flight on one of the starred stage’s pointed lifts. During “Atta Girl,” Wilson pulled a lucky little girl named Presley out of the chute seats to be crowned her “cowgirl of the night” to a wall of cheers, gifting her one of her signature Charlie 1 Horse cowboy hats. It’s become a tradition at Wilson shows.

    As closer "Heart Like a Truck" hit maximum altitude and Wilson hit the highest highs, her horse for the night was led out to the stairs next to the stage for Wilson’s now-customary victory lap around the stage and ride off into the bowels of NRG, leather fringe and all.

    Setlist

    Can’t Sit Still
    Wildflowers and Wild Horses
    4X4XU
    Smell Like Smoke
    Dreamcatcher
    Watermelon Moonshine
    Hang Tight Honey
    Somewhere Over Laredo
    Atta Girl
    Good Horses
    Things A Man Oughta Know
    Heart Like A Truck

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