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    RodeoHouston 2022

    Cody Johnson kicks off RodeoHouston 2022's triumphant return in sold-out opening night

    Johnston Farrow
    Feb 28, 2022 | 11:35 pm
    A tip of the hat to the small-town Texas star.
    A tip of the hat to the small-town Texas star.
    Photo courtesy of Houston Livestock Show and Rodeo

    The signs of joy and excitement were everywhere on the concourse and in the stands at NRG Stadium on Monday, February 28.

    Smiles as wide as Bud Light aluminum cans are tall, RodeoHouston made its triumphant return with an eye-popping 70,554 fans in attendance to take in the opening night of the 2022 season, the 90th anniversary of the annual event. From the ticket takers, to the elevator attendants, to the vendors and seat ushers, it felt pretty darn good to be back enjoying large scale gatherings. After nearly two years, we were all ready to celebrate live music again.

    The evening entertainment duties fell to East Texas native Cody Johnson, riding high with his first No. 1 country hit, "'Til You Can't" under his outsized, gold-plated belt buckle. Comparatively speaking, RodeoHouston 2022 closer George Strait has 60 No. 1 hits. But the measuring stick of chart-toppers didn't matter this night, the sheer jubilation of simply being back at the rodeo meant that Johnson could do no wrong over the course of his rapturously received 13-song set.

    Few country stars can claim to have lived the cowboy life they so often sing about. But Johnson, raised in Sebastapol, Texas (pop. 120), spent time on the rodeo circuit as a young bull rider before deciding to put his energy into music. To put an even bigger exclamation point on his past credentials, Johnson's daughter Clara Mae competed in the mutton bustin' event only minutes before his set.

    Coming out to melody of rodeo-themed country tunes, including Glen Campbell's "Rhinestone Cowboy," Garth Brooks' "Rodeo," and his own "Welcome to the Rodeo," Johnson played into the excitement, giving a fierce arm wave and a Texas-sized whoop. Dressed sharply in a crisp blue shirt, blue jeans and black cowboy hat, he opened with "Dear Rodeo," showing off his classic crooner pipes, pausing briefly to give a shout: "Are you ready to have a party in Houston, Texas?"

    The upbeat stomp of "Honky Tonk Hardwood Floors" from his latest album, the 2021 release Human: The Double Album, gave way to "Dance Her Home" from 2014's Cowboy Like Me. Johnson was sure to use the star-shaped stage to his advantage, the points rising 20 feet in the air towards the rafters several times throughout the show. "Do you still listen to George Jones?" he asked, referring to a line in the hit single, the crowd applauding in the affirmative.

    Before "Diamond in My Pocket" from 2011's A Different Day, Johnson let the crowd in on a major career achievement. "I want you to know you are part of a historical night," Johnson said. "In 90 years, there are only three artists with the opportunity to sell out the rodeo on opening night. George Strait, Garth Brooks and thanks to you, myself here tonight."

    But a crooner is only as good as his ballads, so he got romantic to celebrate his wife's Brandi's birthday. Removing his hat, he belted out "Nothing On You," from 2019's Ain't Nothing to It, leading a massive singalong as thousands held their cell phone flashlights aloft. "We want the rest of the United States to know that country music is alive and well!," he exclaimed.

    Following another heartstring-tugger with "Stronger" from his latest album, Johnson delivered one of the best highlights of the night in "Me and My Kind" from Cowboy Like Me, with its catchy "'Cause she's over buckles, over spurs" refrain.

    "I told myself I'm going to record an album for every fan that paid $5 for a koozie or paid for a ticket," Johnson told the crowd about heading to Tennessee to record. "We set foot down in Nashville and said we're going to deliver country music the way it's supposed to be delivered." Rapturous applause ensued, classic country fans showing their approval for the good ol' days. That opened the door to his first double platinum song on country radio, "On My Way to You" from Ain't Nothing to It.

    True to his rural Texas roots, he took the time to recognize first responders and military, making a point to pay appreciation to those who selflessly put their bodies on the line for others. It was made more poignant by the tireless struggle and heartache many faced over the last two years.

    Next up, a fiery version of Ain't Nothin' to It cut "Long Haired Country Boy," an ode to free spirits that would rather take a toke and drink a beer before listening to anyone about how to live. That gave way to a showcase for his extremely tight five-piece band with impressive solos from each player, including a wicked steel guitar freak out from Harrison Yount of Boerne, Texas, before awesomely wrapping up with a few bars from "Tom Sawyer" by Canadian prog-rock legends Rush.

    Sitting down on a stool, Johnson recalled going through emergency surgery last December to fix a neck injury sustained during his bull and horse riding days. He faced the very real possibility of losing the use of his right arm, requiring extensive work to his spinal cord and a weeks-long recovery.

    "When I say I'm happy to be here tonight, I mean that I'm very happy to be here tonight with you in Houston," Johnson said, visibly emotional while he thanked Jesus Christ and his wife Brandi for delivering him through dark times. Sitting upon a star point elevated in the air, he performed a somber but inspired "Human."

    That brought on the finale, the aforementioned No. 1 song "'Til You Can't." He acknowledged its chart placement with a grin, enthused to be playing the song on such a big stage. Johnson gave his best vocals of the evening, his band harmonizing perfectly throughout, the message of living for today resonating with those at NRG Stadium.

    True to form, the former professional cowboy rode off from the stage on horseback, stopping to wave his hat as the attendance numbers were announced. A fist pump added emphasis to the adoring 70,000-plus fans who were grateful to see him in fine form.

    Johnson kept the crowd hyped throughout the night, inviting audience participation, showcasing his talent as a top-tier professional songwriter and performer. No doubt, paying his dues on the Texas honky-tonk circuit helped him hone his live music chops, taking his full-throated twang and stage presence to the next level.

    In front of a sold-out crowd, he and his band made an argument they deserve to be mentioned in the same company as the biggest country acts working today.

    Make a bet: expect to see Cody Johnson at RodeoHouston many more years to come.

    Setlist
    "Dear Rodeo"
    "Honky Tonk Hardwood Floors"
    "Dance Her Home"
    "Diamond"
    "Build A Fire"
    "With You I Am"
    "Nothing On You"
    "Stronger"
    "My and My Kind"
    "On My Way to You"
    -First responder recognition-
    "Long Haired Country Boy"
    -Solos-
    "Human"
    "'Til You Can't"

    Johnson matched the energy of the opening night crowd.

    Cody Johnson rodeo houston 2022 opening night
    Photo courtesy of Houston Livestock Show and Rodeo
    Johnson matched the energy of the opening night crowd.
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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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