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    Houston Cinema Arts Festival 2016

    Miss Ella's world: Legendary restaurant matriarch is celebrated in inspirational documentary

    Eric Sandler
    Nov 11, 2016 | 10:08 am

    One of America’s most iconic restaurateurs is finally letting people have a peek inside her world. Published in September, Miss Ella of Commander’s Palace tells the story of Ella Brennan, the matriarch of the family that owns legendary restaurants Commander’s Palace (New Orleans) and its local sibling Brennan’s of Houston.

    On Saturday, the Houston Cinema Arts Festival will screen the book’s companion documentary, Ella Brennan: Commanding the Table, along with remarks by Brennan’s daughter Ti Martin and director Leslie Iwerks. To celebrate, Brennan's is offering a package of a three-course brunch and a ticket to the screening for $46.

    “It should have happened a long time ago,” Martin tells CultureMap. “My mom, Ella, wanted nothing to do with any of it. Every time I brought it up she just made a face and was not nice to me. I finally convinced her that her grandchildren and the rest of the young people coming up in the business had no idea of any of this history, and we were going to lose it. That got her, finally.”

    Martin says that, even though she finally convinced her mother to write a memoir, she didn’t think Brennan would want to participate in a documentary. Iwerks’ Oscar-nominated resume and sustained charm offensive made it happen. In addition to interviews with members of the Brennan family, including Brennan’s of Houston proprietor Alex Brennan-Martin, the movie provides testimonials from culinary luminaries like Daniel Bouloud, Tim and Nina Zagat, and Jeremiah Tower.

    Both the memoir and the film contain a number of stories from Brennan's career, during which she helped turn New Orleans from what Martin calls “a city of 500 restaurants and five recipes” into one of America’s most esteemed culinary destination.

    “I tried to do it in different ways, because (mom said) 'nobody cares about my life, my history, I don’t care about my life,'” Martin says. “But people did want to know how Ella got to be Ella. It is her life. It goes quick at the beginning and then gets to the rest of it, but it gives you a sense of how she became her. It was not predictable, frankly.”

    One of the more surprising details involves Brennan’s role in fostering the careers of some of America’s first celebrity chefs, Paul Prudhomme and Emeril Lagasse. Prior to Brennan promoting them, “you didn’t know who the chef was,” Martin says. “She thought people should know who’s in the kitchen and learn more about them. She really pushed that, and you see what happened.”

    In the movie, Lagasse tells the story of how Brennan reacted when she got tired of listening to him yell at the cooks in the kitchen.

    “She’s sitting on a stool in the kitchen before we had the kitchen table,” Martin says. “She always had pads. She picked up the pad and wrote on the back of it. She held it up for him to see it — and everyone else could see — ‘you’re too smart to be so damn stupid’ and held it up. She kinda looked at him and he looked at her and that was the end of that. He tells that story, and he’s laughing.”

    But even in an era of celebrity chefs, Martin says Brennan kept hospitality at the heart of her restaurant’s dining experience. A customer’s experience should “never take a back seat to the food,” Martin says. Maybe that’s why Brennan’s has never had a tasting menu.

    Martin says people who have already seen the film have told her how inspirational they find it. Brennan overcame a number of obstacles — including being fired — to achieve her goals. Even at 91, she’s still a regular presence at Commander’s Palace. Her attitude may be the book’s most important lesson.

    “You can work extremely hard and not miss a minute of fun,” Martin says. “If you make it part of your life, you can really do that.”

    Ella Brennan: Commanding the Table will be shown Saturday (November 12) at 1 pm at the Museum of Fine Arts, Houston.

    Legendary restaurateur Ella Brennan.

    Ella Brennan Commander's Palace
    Courtesy photo
    Legendary restaurateur Ella Brennan.
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    something for everyone

    New brewery pours into Houston with craft beer, cocktails, and homebrew

    Ralph Palmer
    Apr 10, 2026 | 12:29 pm
    Farmboy Brewing Company
    Photo by Ralph Palmer
    Farmboy Brewing Company is now open on N. Shepherd.

    The tides of craft breweries in Houston and across the country have shifted dramatically over the past five years, marked by closures and a clear softening of the once unstoppable boom, with names like True Anomaly, Elder Son, and Buffalo Bayou Brewing serving as recent reminders of how quickly the landscape can change. What is emerging in its place is a new phase that is far less rigid about labels and more focused on flexibility and meeting customers where they actually are.

    For Landon Weiershausen, that evolution is not guesswork. It's the entire business plan.

    After more than a decade running Farmboy Brew Shop and working across nearly every space of the beer supply chain, (hops to kegs to fruit) Weiershausen has stepped back into ownership with a new brewery. Farmboy Brewing Company (4816 N Shepherd Dr.) blends a taproom, full cocktail bar, and homebrew retail shop into a single, community-driven space. The location will be familiar to many craft beer fans, as it previously housed both North Shepherd Brewing and Astral Brewing.

    “It’s about giving people what they actually want when they walk in the door,” Weiershausen tells CultureMap.

    Weiershausen’s roots in Houston’s beer world stretch back to 2014, when he opened Farmboy Brew Shop, a go-to spot for local Oak Forest/Garden Oaks homebrewers looking for ingredients, gear, and advice. With the launch of Farmboy Brewing, that business still exists, but it’s now integrated into the new brewery.

    The move creates something unique in the world of Houston beer — a space where hobbyists, beer nerds, and casual drinkers can intersect. In the 9,000-square-foot space, customers can shop for grains and yeast then walk a few steps over and grab a pint or a cocktail.

    “The majority of people coming in for homebrew are also interested in drinking,” Weiershausen says. “Now they don’t have to choose.”

    Instead of fighting changes in the beverage industry, Weiershausen is leaning into diversification. His brewery operates with a mixed beverage license, allowing for a full cocktail program alongside beer, wine, non-alcoholic options, and THC-infused drinks. That last category, while politically contentious in Texas, represents what he sees as an undeniable shift in consumer behavior. Currently, Weiershausen is stocking a few verities of THC-infused offerings from Eureka Heights Brew Co.

    “There’s a huge market for it,” he says. “Whether people like it or not, customers are choosing those products over traditional alcoholic beverages."

    Rather than drawing lines between beer drinkers and everyone else, the goal is to make the space work for large groups that have diverse drink preferences.

    “If someone doesn’t drink beer, or doesn’t drink alcohol at all, we still want them to have options.”

    Despite the brewery name on the door, Weiershausen isn’t rushing his own beer to market. Instead, the tap list currently leans on guest kegs from local and regional breweries such as Great Heights, Spindletap, Saint Arnold, and Lone Pint. This decision is a deliberate move that buys time while new brewing equipment is installed and optimized. It’s a patient approach that prioritizes long-term quality over a fast rollout and reflects lessons learned from years inside the industry. In the meantime, the guest taps double as a nod to relationships that Weiershausen has built over many years.

    “A lot of these are people who took care of me over the years,” he says. “This is a way to return the favor.”

    Once the brewing program is rolled out in the next few weeks, expect the first batch of offering to include a West Coast IPA, Hazy IPA, Light Lager, and an American Wheat. The program itself will also be led by head brewer Steven Treleaven, formerly of Conroe’s B-52 Brewing.

    Weiershausen’s vision prioritizes education. The homebrew shop has always served as an entry point for teaching its customers more about beer, but the expanded space opens the door to something he describes as an “education escalator.” Plans include monthly workshops covering everything from brewing basics to off-flavor detection (a critical skill for anyone serious about improving their homebrew).

    Like most breweries, the space will feature familiar weekly staples including trivia nights, but Weiershausen is also looking to mix in less predictable programming. Think dance classes, themed events, and rotating concepts that go beyond the usual bingo-and-beer formula.

    On the food side, Weiershausen has chosen not to build an in-house kitchen. Instead, the brewery will host food trucks, including the return of fan-favorite El Alabrije, known for its Oaxacan-inspired menu.

    At its core, the concept reflects something bigger than one brewery. It’s a response to a changing market, a shifting customer base, and a city that’s never fit neatly into one category anyway. For Weiershausen, the path forward isn’t about choosing between beer, cocktails, or anything else. It’s about building a place where all of it works together.

    “We’re just trying to create something for the community,” he says. “Whatever that means for them.”

    ----

    Ralph Palmer is a co-owner of the Deckle and Hyde barbecue pop-up and a longtime craft beer enthusiast. Follow him on Instagram at eyefearnobeer.

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