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    meet kendra

    Houston singer-songwriter strikes a major chord with move to L.A. and new album

    Johnston Farrow
    Johnston Farrow
    Sep 6, 2021 | 1:15 pm

    Houston-raised singer-songwriter, Kendra Muecke aka Kendra and the Bunnies, won’t let something like a pandemic get in the way of her pursuing a career in music.

    The artist is riding high after two recent releases that showcase her wide range of tastes and influences, the first major forays in making a name for herself in the industry.

    A graduate of Houston's Episcopal High School and daughter of well-known H-town fashionista Beth Muecke, the aspiring musician traveled west to study at Pepperdine University, picking up a bachelor of arts, focusing on acting, writing, and performing. She later attended music production school and set on the Kendra and the Bunnies moniker based on her love of the furry and habitually late Alice in Wonderland character.

    “Right after college, I found myself songwriting and I thought, ‘This is exactly who I am," Muecke tells CultureMap from her phone, stuck in Los Angeles traffic. “Everything I had done was coming together — the actor, the singer, the dancer, the guitarist, the writer. All of that culminated in being a singer-songwriter and presenting myself on stage.”

    One of her first major projects came out earlier this year, the 15-track full length album called Of Consideration, featuring the rock-heavy single "So Hollywood."

    The album, with doses of the Summer of Love floating on a foundation in pop and rock, was recorded at the famed Hyde Street Studios in San Francisco where popular classic rock and psych-rock acts cut their music, including Crosby, Stills, Nash & Young, the Grateful Dead, Jefferson Airplane — as well as modern bands and hip-hop artists such as Green Day, Cake, Train, Kanye West, and Tupac.

    "I’m so passionate about this era of music," Muecke says. "The ’60s and ’70s is so influential for me that to go up to San Francisco to take the picture for the album cover on Haight-Ashbury Street and record in this famous studio was so exceptionally close to my heart. It was a beautiful experience."

    To follow up, Kendra and the Bunnies released an EP in July called, Of Summer, recorded in Nashville with producer Justine Blazer at Ten7Teen Studios that draws heavily on the city’s country influences.

    This time around, she worked with a team of songwriters, a system utilized by many up and coming artists in the Nashville scene. The collection of tracks gave her a chance to explore new sonic territory, a throwback to her Lone Star State upbringing.

    "Pop artists do this all the time – they go through different phases in their career in different genres," Muecke says. "I feel like I’m really opening myself up to the fact that I’m multi-genre. I’m folk-rock and psychedelic and with these four songs, I’m going to be a little bit pop country, touching back on my Texas roots that shine really well in Nashville."

    It's an ambitious start for a fresh name but those moves are paying off in Spotify streams, YouTube views, and three awards nominations at the Nashville-based Josie Music Awards, an industry celebration in which winners based on their talent, skill, material, and professionalism.

    She is nominated in the Artist of the Year (Multi-Genre) category, as well as for Best Song and Music Video of the Year for her single, “Self Love Proclamation.”

    While the pandemic forced her to perform virtually for well over a year, she finally hit the stage with a full band this past month at the famed L.A. rock 'n roll haunt, The Viper Room. And rather than rest on her laurels, Muecke is planning her next batch of songs, this time veering into mainstream pop with an artsy, folk angle.

    Her future plans also include a trip back to her native city with hopes for a hometown live show and the chance to indulge in a few of the things she misses the most about the Bayou City — Whataburger, queso, and blasting some DJ Screw loudly in her car.

    "I want to tap into the community [in Houston] to create a way where friends start to tell others about my band," Muecke says. "They know who I am and they know I want to pursue music, but I want to do a showcase where people see me live and go, 'Oh my gosh, I can't wait until the next time she’s in town."

    As Kendra and the Bunnies, Kendra Muecke released the country-influenced Of Summer EP in July.

    Kendra and the Bunnies
    Courtesy Kendra and the Bunnies
    As Kendra and the Bunnies, Kendra Muecke released the country-influenced Of Summer EP in July.
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    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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