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    meet kendra

    Houston singer-songwriter strikes a major chord with move to L.A. and new album

    Johnston Farrow
    Johnston Farrow
    Sep 6, 2021 | 1:15 pm

    Houston-raised singer-songwriter, Kendra Muecke aka Kendra and the Bunnies, won’t let something like a pandemic get in the way of her pursuing a career in music.

    The artist is riding high after two recent releases that showcase her wide range of tastes and influences, the first major forays in making a name for herself in the industry.

    A graduate of Houston's Episcopal High School and daughter of well-known H-town fashionista Beth Muecke, the aspiring musician traveled west to study at Pepperdine University, picking up a bachelor of arts, focusing on acting, writing, and performing. She later attended music production school and set on the Kendra and the Bunnies moniker based on her love of the furry and habitually late Alice in Wonderland character.

    “Right after college, I found myself songwriting and I thought, ‘This is exactly who I am," Muecke tells CultureMap from her phone, stuck in Los Angeles traffic. “Everything I had done was coming together — the actor, the singer, the dancer, the guitarist, the writer. All of that culminated in being a singer-songwriter and presenting myself on stage.”

    One of her first major projects came out earlier this year, the 15-track full length album called Of Consideration, featuring the rock-heavy single "So Hollywood."

    The album, with doses of the Summer of Love floating on a foundation in pop and rock, was recorded at the famed Hyde Street Studios in San Francisco where popular classic rock and psych-rock acts cut their music, including Crosby, Stills, Nash & Young, the Grateful Dead, Jefferson Airplane — as well as modern bands and hip-hop artists such as Green Day, Cake, Train, Kanye West, and Tupac.

    "I’m so passionate about this era of music," Muecke says. "The ’60s and ’70s is so influential for me that to go up to San Francisco to take the picture for the album cover on Haight-Ashbury Street and record in this famous studio was so exceptionally close to my heart. It was a beautiful experience."

    To follow up, Kendra and the Bunnies released an EP in July called, Of Summer, recorded in Nashville with producer Justine Blazer at Ten7Teen Studios that draws heavily on the city’s country influences.

    This time around, she worked with a team of songwriters, a system utilized by many up and coming artists in the Nashville scene. The collection of tracks gave her a chance to explore new sonic territory, a throwback to her Lone Star State upbringing.

    "Pop artists do this all the time – they go through different phases in their career in different genres," Muecke says. "I feel like I’m really opening myself up to the fact that I’m multi-genre. I’m folk-rock and psychedelic and with these four songs, I’m going to be a little bit pop country, touching back on my Texas roots that shine really well in Nashville."

    It's an ambitious start for a fresh name but those moves are paying off in Spotify streams, YouTube views, and three awards nominations at the Nashville-based Josie Music Awards, an industry celebration in which winners based on their talent, skill, material, and professionalism.

    She is nominated in the Artist of the Year (Multi-Genre) category, as well as for Best Song and Music Video of the Year for her single, “Self Love Proclamation.”

    While the pandemic forced her to perform virtually for well over a year, she finally hit the stage with a full band this past month at the famed L.A. rock 'n roll haunt, The Viper Room. And rather than rest on her laurels, Muecke is planning her next batch of songs, this time veering into mainstream pop with an artsy, folk angle.

    Her future plans also include a trip back to her native city with hopes for a hometown live show and the chance to indulge in a few of the things she misses the most about the Bayou City — Whataburger, queso, and blasting some DJ Screw loudly in her car.

    "I want to tap into the community [in Houston] to create a way where friends start to tell others about my band," Muecke says. "They know who I am and they know I want to pursue music, but I want to do a showcase where people see me live and go, 'Oh my gosh, I can't wait until the next time she’s in town."

    As Kendra and the Bunnies, Kendra Muecke released the country-influenced Of Summer EP in July.

    Kendra and the Bunnies
    Courtesy Kendra and the Bunnies
    As Kendra and the Bunnies, Kendra Muecke released the country-influenced Of Summer EP in July.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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