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    Ready, aim, canopy!

    When skydiving becomes competitive: Swooping through Houston's hot air

    Fayza A. Elmostehi
    Sep 3, 2010 | 5:34 pm
    • There's a reason Stuart Schoenfeld is a force to be reckoned with.
      Photo by Ori Kuper
    • Jessica Edgeington, one of the three women competing in the national event,moves with precision through the gates to the shoreline.
      Photo by Ori Kuper
    • Jonathan Tagle comes off the pond, hoping to stick his landing on the shoreline.
      Photo by Ori Kuper
    • The members of Slip Stream ready their packs for the next round of competition.
      Photo by Fayza A. Elmostehi
    • Is he a superhero? Nah. He's a swooperhero.
      Photo by Fayza A. Elmostehi
    • Billy Sharman comes in for a swoop.
      Photo by Ori Kuper
    • Stuart Schoenfeld watches and waits for the next opportunity to show whichswooper is boss.
      Photo by Ori Kuper
    • Stuart Schoenfeld brings it on in.
      Photo by Ori Kuper
    • Thomas Hughes demonstrates his form.
      Photo by Ori Kuper
    • The swooping pond is ready for the open class' accuracy event, featuring thecompetition's top swoopers.
      Photo by Fayza A. Elmostehi
    • Proud to be a canopy pilot.
      Photo by Fayza A. Elmostehi

    When you hear the word "swoop," you probably think of soaring avians in flight. Or plunging décolletage. Or wisps of hair coquettishly shielding a young woman's sultry gaze.

    After spending some time at the U.S. Parachute Association (USPA)'s National Canopy Piloting Championships, you'll think of human beings, too.

    Yes, that's a mouthful. So you'll pardon the jumpers for referring to their sport as simply "swooping."

    Till sunset Friday and all-day Saturday, the sprawling Skydive Spaceland in Rosharon, Tex. — featuring the largest manmade swooping pond in the country — will show you exactly what "swooping" entails.

    "Swooping is the most spectator friendly of the skydiving disciplines," says Skydive Spaceland owner Eric Boyd. For the second year in a row, Boyd's sprawling venue plays host to the eye-popping events comprising the National Canopy Piloting Championships — Zone Accuracy, Distance, and Speed.

    "What?" you ask. "There's more to jumping from a plane than just making it to the ground safely?"

    Absolutely. And if you really want to enjoy the weekend's festivities, arm yourself with our first-hand experiences. No one will be the wiser on your novice swooping knowledge.

    Ditch the shoes, and go heavy on your inner child.

    If you feel like you dove straight into the middle of a Roxy Quicksilver catalog when you pull up to the swooping pond, don't be alarmed. The nationally-known jumpers, their groupies, and everyone in between are sunkissed, taut, and spirited.

    While perhaps a bit intimidating for us air-conditioning dwellers, USPA Director of Sport Promotion, Nancy Koreen — herself a freefall fanatic, with over 5,500 jumps under her harness — assured us the swooping community is welcoming and tight-knit.

    We experienced some of this good-hearted goodwill first-hand, as we discovered the danger of looking up at the spectacles in the sky while walking.

    A word to the wise: You'll want to make sure your neck is in full working order. Because what starts up? Must swoop down.

    Really want to show your willingness to embrace the daredevil nature of the event? Don't even bother donning shoes. Total gasp, we know! But our recent rains have soaked the Spaceland, making for a mudfest of epic proportions. So you can either gingerly tiptoe your way through while silently cursing your choice of Lucky Jeans and Manolos, or you can toss your pedicure to the wind and do what the jumpers are doing — straight barefooting it.

    Swoop, there it went.

    In order to really understand swooping, you must watch a swooper from sky to shoreline. Kick around a few basic mechanics in your gray matter.

    "There are three events," Koreen says. "Accuracy, where you must make it through a series of gates with precision. Distance, where you pass through the gate and get as far as you can past the gate. And speed, where you quickly fly from one end to the other. All events happen over the swooping pond."

    The jumper approaches the swooping pond from some 5,000 feet in the sky, twisting, turning, and posturing to set his or her course for the water. The slalom-like course in the pond, where the gates referenced by Koreen are located, is the climax of the swoop.

    Two classes of competitors — the open class, featuring the top competitors, and the advanced class, just a step below — compete in three rounds of each specific event (remember our friends, accuracy, distance, and speed?), for a total of nine rounds.

    Easy enough, right? You're practically an expert by now.

    Crazy? Perhaps. An abnormal appetite for air? No doubt.

    There's something that's been nagging you throughout this article, hasn't there? We can see it in your eyes.

    You can't even look out the window of a third-story building without feeling a nauseating turn in your belly, let alone even consider hightailing it out of a perfectly good aircraft on your own accord.

    So who are these people and are they, well, you know, all there?

    Stuart Schoenfeld, a swooper on the internationally-ranked Slip Stream Airsports team, seemed pretty normal to us.

    Making his professional debut in 2005, he's logged over 3,400 jumps in the course of his love affair with skydiving. So how does Schoenfeld explain what others may perceive as lunacy?

    "I did the freefall thing, and I loved it." Schoenfeld says with an impish grin.

    His relationship with the sport grew more and more intense. "It's like a race car. With no holds barred."

    A regular Clark Kent with a day job as a Toyota sales associate, Schoenfeld probably has the career cred to back up that analogy.

    This is your cue to wipe the envy from your brow before anyone but us notices.

    They're only human.

    If you think these swoopers are superhuman, think again. These are flesh and blood men (and a few women — three in the national championships, to be exact) with a parachute full of guts.

    But jumping out of airplanes still affects them no matter how many times they've deplaned.

    Schoenfeld lives and trains primarily in Denver. If you didn't quickly pick out the differences between the two states, a swooper never fails to notice.

    "You feel the lower altitude and thicker air in Houston," he says. "It's harder to move as fast."

    But when you're good, you're good, right? Not always.

    Schoenfeld laughs about two near-catastrophic incidents. "On one jump, I almost blacked out, because I was spinning so fast. Another time, I hit a tree while swooping."

    Yikes. So it begs the question: Doesn't a jumper ever get, you know, scared?

    "When it's good, you're scared," teammate Bryan Buechler quips.

    We believe it.

    They're not birds. They're not planes. They're not superheroes. But the swooping surely is sweet, and the skies are saturated with 50 of canopy piloting's finest this weekend.

    Bring the family, a bevy of lawn chairs, and an affinity for the atmosphere. Because if we didn't tell you the sky's the limit for this national championship, we'd be full of hot air.

    unspecified
    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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