Five Questions

The Bachelor Pad Weatherman reveals all: Jonathan Novack spills on his tell-all,his comedy career and Ali

Jonathan Novack in his Bachelor Pad pose.
Photo by Kevin Foley/ABC
Jonathan Novack back in his real weatherman days.
Say it with Novack's latest T-shirt!

Jimmy Kimmel and everyone else may refer to him as "The Weatherman" but we still think of Jonathan Novack as our hometown heartthrob.

He may not have won Ali's heart on The Bachelorette, but he's returning to TV Monday in a hybrid reality competition and dating show called The Bachelor Pad (airing on ABC at 7 p.m.). Novack gave an exclusive interview to CultureMap about Houston, his future, and his thoughts on Ali and Roberto.

CultureMap: This must have been a crazy summer for you. What are you up to now that The Bachelor Pad is wrapped?

Jonathan Novack: I've been out to L.A., where I had some meetings, shot the 'Men Tell All' episode, found a place to live in West Hollywood and did some stand-up at the HaHa Comedy Club.

I also just had a show last week at the Houston Improv with Slade Ham, who was headlining. I did about 10-11 minutes — it was awesome, went really great. Next week, Aug. 12-15, I'm performing at The Laff Spot opening for Jimmie Walker.

Since the show, I started blogging, tweeting, I've been delving into social networking, selling T-shirts that say 'I heart the weatherman' to benefit the ASPCA, trying to figure out some charity-type things I can do, seeing what I can get involved with out in L.A. I've been in Houston for three years and it's hard to leave. I feel rooted here, I'm bummed. I've got a lot of friends here, it's been a really good time in my life.

CM: Have you always wanted to break into the entertainment business?

JN: I've been in the news business on-air for nine years, and I've always wanted to do entertainment-type stuff, whether it was an Antique Roadshow segment on Channel 2 or hosting the local version of The Biggest Loser. I feel like now is the time to see if I can bridge over to entertainment.

If I'm in Houston the challenges are much more difficult. People know me now, I've got my agent, a publicist, and if I want to go I've got to do it now. I'm sticking with TV though, auditioning for hosting gigs and things like that.

CM: What did you think about The Bachelorette finale? Do you think Ali made the right choice with Roberto?

JN: I said it from the beginning, from when I got sent home, people would ask me who I thought Ali would be with or should be with and I said Roberto. He was the most stand-up guy in the house, and they seemed to have a connection. I'm glad it worked out for Ali — I couldn't be happier for them.

CM: Is it different to watch yourself on these shows? Was there anything they didn't air that you would have liked to show?

JN: It's tough to watch, when I see it on TV, to be honest. It's interesting. It's totally different than seeing myself if I'm doing a weather cast. For starters I have no control. Since I've started in the news business I've always been the one to put a story together, and with this I have to kinda sit back and see what gets aired.

As far as what didn't make it to TV, there was a thing that happened between Jesse B. and Craig M. I don't think people realized Craig M. was trying to get into a fight with him and for that reason people thought it was just me and him, but the only reason I said anything to Ali was because the guy was seriously off his rocker and trying to start stuff with everyone. I don't know if they had the time to show a lot of that, though.

CM: How did you come to be on the show?

JN: I was nominated for the show a year and a half ago and they called me up. I never watched it, I didn't know who was on it, but I did a little investigating. I knew Ali and Gia, and was hoping one of them would be Bachelorette, but you don't know who it's going to be, so you go into it as an experience, and maybe it'll work out with whoever they pick, but you have to just say, "Hey, this is a life experience and lets see what happens."

Check out a Pad peek and get more of the shirtless Novack:

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Movie Review

Action-packed Kraven the Hunter showcases gritty Marvel antihero

Photo by Jay Maidment

Aaron Taylor-Johnson in Kraven the Hunter.

One of the oddest things about the blockbuster era we live in is that while Disney owns the rights to the majority of Marvel comic book characters, Sony Pictures owns the rights to Spider-Man and any affiliated characters. Since they’re sharing Spider-Man himself with Disney, Sony has been trying to capitalize on those rights by making stand-alone films using niche characters that only comic book fanatics would know.

Having exhausted Venom and whiffed on attempts with Morbius and Madame Web, they’re trying again with Kraven the Hunter. Also known as Sergei Kravinoff, Kraven (Aaron Taylor-Johnson) is a self-styled vigilante who, as the film tells it, travels the world exacting vengeance on the truly bad people of the world. He’s the son of Nikolai (Russell Crowe), a hard-edged Russian oligarch, and brother to Dmitri (Fred Hechinger), who is relatively weak compared to the rest of his family.

The origin story has Kraven gaining his animal-like powers - including super-strength, speed, and jumping abilities - as a teenager from a mysterious serum given to him by a girl named Calypso (played as an adult by Ariana DeBose) after he was mauled by a lion. The two maintain a tenuous partnership as adults, with Calypso helping him hunt down other villains like Aleksei Sytsevich (Alessandro Nivola) and The Foreigner (Christopher Abbott).

Directed by J.C. Chandor and written by Richard Wenk, Art Marcum, and Matt Holloway, the film looks and feels enormously lazy, something made merely to hold on to potentially valuable intellectual property. Other than the tense family dynamic between the Kravinovs, little makes sense in the story. Kraven has an indecipherable moral code that has him going after poachers - because he’s part lion? - in addition to other high-powered criminals, with no clear goal except to … get back at his father?

The laziness extends to the action scenes, which feature Kraven being mostly impervious to any damage, whether it’s hand-to-hand combat, knives, or guns. The CGI-heavy scenes don’t even allow moviegoers to enjoy an R-rated bloody free-for-all, as all of the blood splatter is computer-generated, too. Since apparently one Spider-Man villain is not enough, three others make appearances with abilities that are under-explained and CGI that is poorly done.

That’s not even counting Calypso, another Spider-Man villain whose purpose in this film is nebulous at best. Her early connection with Kraven is so coincidental as to be laughable, and her continued reasons for helping him as an adult strain credulity as well. The only saving grace of her presence is that the filmmakers don’t try to shoehorn romance into the plot; perhaps they’re saving that for the (inevitable?) sequel.

Taylor-Johnson has had one of the most prolific-yet-anonymous careers in modern Hollywood, with appearances in big films like The Fall Guy, Bullet Train, and Tenet that have made very little impact. Even as the star here, he fails to hold your attention, with the story and visuals doing him no favors. DeBose has followed up her Oscar win for West Side Story with schlock like I.S.S., Argylle, and this, which doesn’t bode well for her career. At least Crowe gets to chew the scenery.

With a contractual inability to mention the name “Spider-Man,” movies like Kraven the Hunter exist in a weird area that forces filmmakers to make up stories for characters to which most people have no attachment. And just like Sony’s previous efforts, it is a very poor way to spend two hours in a movie theater; avoid at all costs.

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Kraven the Hunter opens in theaters on December 13.

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