Five Questions

The Bachelor Pad Weatherman reveals all: Jonathan Novack spills on his tell-all,his comedy career and Ali

Jonathan Novack in his Bachelor Pad pose.
Photo by Kevin Foley/ABC
Jonathan Novack back in his real weatherman days.
Say it with Novack's latest T-shirt!

Jimmy Kimmel and everyone else may refer to him as "The Weatherman" but we still think of Jonathan Novack as our hometown heartthrob.

He may not have won Ali's heart on The Bachelorette, but he's returning to TV Monday in a hybrid reality competition and dating show called The Bachelor Pad (airing on ABC at 7 p.m.). Novack gave an exclusive interview to CultureMap about Houston, his future, and his thoughts on Ali and Roberto.

CultureMap: This must have been a crazy summer for you. What are you up to now that The Bachelor Pad is wrapped?

Jonathan Novack: I've been out to L.A., where I had some meetings, shot the 'Men Tell All' episode, found a place to live in West Hollywood and did some stand-up at the HaHa Comedy Club.

I also just had a show last week at the Houston Improv with Slade Ham, who was headlining. I did about 10-11 minutes — it was awesome, went really great. Next week, Aug. 12-15, I'm performing at The Laff Spot opening for Jimmie Walker.

Since the show, I started blogging, tweeting, I've been delving into social networking, selling T-shirts that say 'I heart the weatherman' to benefit the ASPCA, trying to figure out some charity-type things I can do, seeing what I can get involved with out in L.A. I've been in Houston for three years and it's hard to leave. I feel rooted here, I'm bummed. I've got a lot of friends here, it's been a really good time in my life.

CM: Have you always wanted to break into the entertainment business?

JN: I've been in the news business on-air for nine years, and I've always wanted to do entertainment-type stuff, whether it was an Antique Roadshow segment on Channel 2 or hosting the local version of The Biggest Loser. I feel like now is the time to see if I can bridge over to entertainment.

If I'm in Houston the challenges are much more difficult. People know me now, I've got my agent, a publicist, and if I want to go I've got to do it now. I'm sticking with TV though, auditioning for hosting gigs and things like that.

CM: What did you think about The Bachelorette finale? Do you think Ali made the right choice with Roberto?

JN: I said it from the beginning, from when I got sent home, people would ask me who I thought Ali would be with or should be with and I said Roberto. He was the most stand-up guy in the house, and they seemed to have a connection. I'm glad it worked out for Ali — I couldn't be happier for them.

CM: Is it different to watch yourself on these shows? Was there anything they didn't air that you would have liked to show?

JN: It's tough to watch, when I see it on TV, to be honest. It's interesting. It's totally different than seeing myself if I'm doing a weather cast. For starters I have no control. Since I've started in the news business I've always been the one to put a story together, and with this I have to kinda sit back and see what gets aired.

As far as what didn't make it to TV, there was a thing that happened between Jesse B. and Craig M. I don't think people realized Craig M. was trying to get into a fight with him and for that reason people thought it was just me and him, but the only reason I said anything to Ali was because the guy was seriously off his rocker and trying to start stuff with everyone. I don't know if they had the time to show a lot of that, though.

CM: How did you come to be on the show?

JN: I was nominated for the show a year and a half ago and they called me up. I never watched it, I didn't know who was on it, but I did a little investigating. I knew Ali and Gia, and was hoping one of them would be Bachelorette, but you don't know who it's going to be, so you go into it as an experience, and maybe it'll work out with whoever they pick, but you have to just say, "Hey, this is a life experience and lets see what happens."

Check out a Pad peek and get more of the shirtless Novack:

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Movie Review

Meta-comedy remake Anaconda coils itself into an unfunny mess

Photo by Matt Grace

Jack Black and Paul Rudd in Anaconda.

In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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Anaconda is now playing in theaters.

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