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    The jacket comes off

    The real problem with Wonder Woman's new look: It's not the pants, it's just so... 1992

    Brandi Lalanne
    Jul 4, 2010 | 8:18 am
    • Wonder Woman today: Cool enough to wear leather pants, but definitely not coolenough to roll the jacket sleeves down.
    • In the 1960s, a single vertical stripe was always slimming.
    • In the 1970s, we chose to ignore that Wonder Woman had breasts by throwing awhite sheet on her.
    • The new look is actually a throw back to the 1990s version. Same jacket, butless biker bikini top.

    There's been a lot of chatter in the comic world this week, and it almost all revolves around Wonder Woman.

    The most iconic female in print hit a landmark with issue No. 600. While that in itself is a huge accomplishment for a comic character — male or female — her new look has dominated the news.

    The Princess has shorter hair, a set of gloves, a leather jacket with sleeves rolled up (so 1990s), pants, and practical boots that imprint a scripted ‘W’ on the forehead of any thug she roundhouse kicks in the face.

    Oh, and a sweet choker necklace you got there, Diana.

    Many comic fans believe the change has actually dated the warrior rather than modernize her, and the seemingly random update has others puzzled. Why would anyone mess with a classic?

    A statement by artist Jim Lee talked about the difficulty of giving Wonder Woman new duds. In the same vein, J. Michael Straczynski, the new series' writer, says that Wonder Woman is entering a new age, and they wanted the look to reflect that.

    Maybe Jim and J. Michael are secretly onboard with DC’s new underground movement that puts everyone in pants?

    Wonder Woman is idealized (and idolized) for a reason. She's a strong character people can admire. She's someone you want to have on your side. She's one of the good guys. Let’s try not to mess that up.

    After my initial knee-jerk reaction, I reminded myself that changes in comics happen all of the time. Wonder Woman’s costume has changed before and it will change again. In fact, she wore pants in the 1960s. In the 1970s, her story was rewritten. She wore an all-white power pantsuit and did not have any powers.

    While a lot of comic readers are in a bit of a huff, I hope that the new look isn’t permanent. Major costume changes to classic characters hardly ever stick. Who even remembers the biker shorts that Wonder Woman wore in the early 1990s (hey, that jacket looks oddly familiar)?

    But if you still need comforting, Jim Lee threw this little piece of information onto Twitter: "Just FYI--eleemtns of her costume, like her jacket do come off in her journey. There is a method to the madness ..."

    Well played, Jim.

    I’ve settled down since reading landmark issue No. 600. The art is gorgeous, the storyline is intriguing, and that special pin-up gallery is fabulous. A comic fan's dream come true.

    When it's all said and done, Wonder Woman is still Wonder Woman. Whether she is wearing star-spangled bikini bottoms or not.

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    Movie Review

    Fun final act isn't enough to make Clayface DC's next great movie

    Alex Bentley
    Oct 23, 2026 | 11:30 am
    Tom Rhys Harries and Naomi Ackie in Clayface
    Photo by Parisa Taghizadeh
    Tom Rhys Harries and Naomi Ackie are patient and doctor in Clayface.

    The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

    Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

    Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

    Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

    Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

    It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

    This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

    It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

    ---

    Clayface opens in theaters on October 23.

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