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    Downtown showcase

    Giant crowd and original moments make Kenny Chesney's Big Dance concert finalespecial

    Michael D. Clark
    Apr 4, 2011 | 8:51 am
    • Photo by © Michelle Watson/CatchlightGroup.com
    • Photo by © Michelle Watson/CatchlightGroup.com
    • Photo by © Michelle Watson/CatchlightGroup.com
    • Photo by © Michelle Watson/CatchlightGroup.com
    • Photo by © Michelle Watson/CatchlightGroup.com
    • Photo by © Michelle Watson/CatchlightGroup.com

    Three days ago I wrote that, in addition to the fans of the Final Four teams, the big winners of this weekend's The Big Dance concert series were live music fans. After watching downtown transformed by the estimated 35,000 who took in country all-star Kenny Chesney's performance at Discovery Green Sunday night, I'd like to expand that winner's bracket.

    The entire city of Houston has come out looking like champs.

    Following two amazing days of concerts highlighted by ska-rockers Sublime with Rome and alt-rock royalty Kings of Leon, Chesney finished off the series with a 90-minute performance that was loose, lively, and imbued with a spring break party spirit. Fans of Kentucky and Virginia Commonwealth who remained in town after Final Four losses on Saturday regained their high spirits while fans of Connecticut and Butler were starting to up the energy for Monday's championship game.

    And all around them were Houstonians basking in the glow of a new downtown Houston in which top-notch entertainment in a family-friendly metropolitan common green space can exist on a spring Sunday night.

    Chesney took to a stage built on property that, a decade ago, was a string of parking lots near a wasteland for the homeless and a meeting place for drug dealers. On Sunday he played to a concert crowd of families that freely walked with baby strollers and kids playing Pop-A-Shot. Couples ate fried chicken lollipops from Max's Wine Dive booth and drinks flowed for blocks.

    Underneath the watchful eye of the downtown Hilton and gleaming new office and residential towers, Chesney hosted a party that stretched for the length of a football in front of him and he didn't waste the opportunity. Opening with his most recent single, "Live A Little," from his most recent album, Hemingway's Whiskey, the beach-combing cowboy ran through a set of 16 songs going back 15 years into his career, along with a few surprises.

    After a year off from touring Chesney looks well rested and a ready to entertain. Traditional two-steps like "Living In Fast Forward" were mixed with south of the border party anthems like "Summertime" and "Beer In Mexico."

    Like many new country artists Chesney likes to flirt with the line between country and something resembling rock. "Big Star" has an electric guitar intro worthy of Kid Rock while "I Go Back" borrows the rhyming of "Chevy" and "Levee" that Don McLean made iconic 40 years ago in "American Pie."

    And when he turns on the pooka shell beach bum charm on party favorites like, "No Shoes, No Shirt, No Problems," visions of Jimmy Buffet are hard not to conjure.

    But Chesney's performance featured just as many orignal moments, including an off-the-cuff duet of David Allan Coe's, "You Never Even Call Me By My Name," with guest Uncle Kracker that clearly wasn't rehearsed and more endearing as a result.

    He left the crowd with nostalgic football anthem "Boys of Fall," but on this night it was spring and March Madness that fueled a downtown Houston celebration that, not so long ago, would have been hard to imagine.

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    Lainey Wilson Review

    Lainey Wilson brings rock ‘n roll swagger to sold-out RodeoHouston concert

    Craig Hlavaty
    Mar 20, 2026 | 12:01 am
    Lainey Wilson RodeoHouston
    Photo courtesy of the Houston Livestock Show & Rodeo
    Lainey Wilson delivered a standout performance

    Despite being one of the weirdest and most talked-about rodeo seasons in recent memory — marked by county government sideshows and barenaked carnival crowds — 2026 has been a great year for female artists at RodeoHouston, all things considered.

    Houston’s own Lizzo (69,362), Kelly Clarkson (70,007), Megan Moroney (69,125), and now Lainey Wilson (70,130) have drawn huge numbers compared to some of the male acts. Wilson’s debut RodeoHouston appearance in 2024 was a verified sold-out Saturday matinee, attracting 74,940 fans.

    Slightly surprising, Christian artist Forrest Frank has been the biggest draw so far in 2026 with 70,707 fans packing in for his Sunday matinee on March 8. Russell Dickerson, who rode into Times Square to introduce RodeoHouston to the world, pulled in 53,063 folks off the street for his debut. Stalwart Chris Stapleton’s all-too-brief show on March 12 pulled in a reliable 70,077.

    Creed and Clarkson are tied at 70,007, which bodes well for even more millennial nostalgia acts waiting in the wings.

    Will anyone next year beat the 75,600 Jonas Brothers fans that invaded NRG Stadium in 2024? Don’t worry, we’ll have our RodeoHouston 2027 wishlist online in the next few days.

    Coming into the last Thursday of the season, Wilson’s face could be seen everywhere at NRG Center, from huge banners above the Ford activation near the carnival, inside the Cavender’s booth touting her Wrangler western wear collaborations, not to mention her pitchwoman work for Whataburger and Tractor Supply.

    Wilson is also the subject of a new Netflix documentary, Lainey Wilson: Keepin’ Country Cool, which premiered at SXSW this past week. It chronicles the making of the Whirlwind album and features scenes from the road and the recording studio as the last few years of her life unfolded. Produced by Houston native Kent Kubena, Lainey fanatics will have to wait until it officially premieres on the streamer on April 22.

    The 33-year-old’s hippie-billy evolution from 2021’s Sayin’ What I’m Thinkin, 2022’s breakout Bell Bottom Country, and into 2024’s Whirlwind has seen her stretch her distinctive voice into bombastic new territories, into some late ‘80s Lita Ford vibes. When’s the power ballad duet with Dave Grohl happening?

    Wilson kicked off Thursday night with the punchy brand-new single “Can’t Sit Still,’ which just dropped on streaming services last Friday, riding onto the dirt in the back of a Ford truck, naturally. Nerdy music writer note: the song lifts a little bit of lyrical flavor from Taking Back Sunday’s “Liar (It Takes One To Know One).” Who knew 2000s screamo was still giving us gifts?

    The AC-D-She stomp of “Wildflowers and Wild Horses” got a big-budget stadium makeover. "4X4XU," which sounded like it was straight from a classic ‘80s Spotify playlist, was the first major singalong of the evening. In another lifetime, she would be the world's greatest frontwoman of a Guns N’ Roses tribute band. There’s a revival of harder-edge ‘90s female rock in the wind lately, so its probably not a coincidence that Wilson might be drinking from that well for the new album. On “Dreamcatcher,” her band went into full Rock & Roll Hall of Fame All-Star Jam mode.

    Recent #1 hit "Somewhere Over Laredo” (“caught me a red eye flight outta Houston” got a huge roar) saw Wilson taking flight on one of the starred stage’s pointed lifts. During “Atta Girl,” Wilson pulled a lucky little girl named Presley out of the chute seats to be crowned her “cowgirl of the night” to a wall of cheers, gifting her one of her signature Charlie 1 Horse cowboy hats. It’s become a tradition at Wilson shows.

    As closer "Heart Like a Truck" hit maximum altitude and Wilson hit the highest highs, her horse for the night was led out to the stairs next to the stage for Wilson’s now-customary victory lap around the stage and ride off into the bowels of NRG, leather fringe and all.

    Setlist

    Can’t Sit Still
    Wildflowers and Wild Horses
    4X4XU
    Smell Like Smoke
    Dreamcatcher
    Watermelon Moonshine
    Hang Tight Honey
    Somewhere Over Laredo
    Atta Girl
    Good Horses
    Things A Man Oughta Know
    Heart Like A Truck

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