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    An Inventive Style

    Beloved Menil Collection scribble artist Cy Twombly dies

    Steven Devadanam
    Jul 5, 2011 | 4:37 pm
    • Cy Twombly, 1928-2011
      Photo by Francois Halard
    • Cy Twombly, "Bay of Naples"
    • Kent Shaw of Writers in the Schools invites campers to consider Cy Twombly's"Untitled," 1970
      Photo by Yvonne Feece
    • Cy Twombly, "Untitled," Cy Twombly Gallery
    • Cy Twombly, "Acchus, Psilax, Mainomenos" series (detail)
      Photo by Michelle Aldredge

    The Renzo Piano-designed Cy Twombly Gallery on the Menil Collection campus may now represent a memorial to the venerated post-war abstract artist, who died at the age of 83 in Rome on Tuesday following a multi-year battle with cancer. According to Eric Mezil, director of southern France's Lambert Foundation, Twombly will be burried in Rome, "the city he has cherished for 50 years."

    For his inventive aesthetic in vast, scribble-based paintings and sculptures, Twombly is largely considered unclassifiable into the canon of 20th-century art movements. Like the ancient epic poems that he admired, Twombly's canvases express a distinct, hidden mythology that ignited the senses of audiences — particularly John and Dominique de Menil.

    As a space for quietly observing a retrospective-scale body of work, the Cy Twombly Gallery is unparalleled.

    Houston's Cy Twombly Gallery was the joint effort of the artist himself, the Menil Collection and the Dia Foundation. The intimate galleries, opened in 1995, reflect the de Menils' homage to the artist's meditative canvases, sculptures and drawings. Light filters into the eight galleries through Piano's intricate roofing system and chosen canvas sailcloths, making the experience of more than 30 Twombly pieces all the more transformative.

    As a space for quietly observing a retrospective-scale body of work, the Cy Twombly Gallery is unparalleled.

    In a statement, Menil director Josef Helfenstein praised Twobly as "a giant of postwar American art."

    "We are proud to house at the Menil a veritable retrospective of this great artist's work. His brilliance and understanding of the human condition is evident in every work on paper, painting and sculpture that he produced. I cannot express how sad I am at the loss of such a great artist, friend and patron of the Menil," Helfenstein said.

    Twombly was born Edwin Parker Twombly in 1928 in Lexington, Va. Nicknamed by his father as "Cy," Twombly became interested in the Dada and Surrealist art of Kurt Schwitters and Alberto Giacometti while attending the School of the Museum of Fine Arts, Boston in 1948. After stints at Washington and Lee University and New York's Art Students' League, he transferred to North Carolina's Black Mountain College in the 1950s, where he studied under Franz Kline and Robert Motherwell. Twombly enjoyed his first solo exhibition in 1951 at New York's Samuel Kootz Gallery.

    Following travels with Robert Rauschenberg to South America, Spain and Italy, Twombly founded a studio in the town of Gaeta, Italy at the end of the '50s. He abandoned representational subjects, favoring explorations of lines and smudges. In his later "romantic symbolism" period, he increasingly referenced the Mediterranean landscape, classical fables and the poets Stéphane Mallarmé, Ezra Pound and Rumi. His accolades include invitations to exhibit at the Venice Biennale in 1964, 1989 and 2001 and retrospectives at the Whitney Museum of American Art, Kunsthaus Zurich, the Musée National d'Art Moderne, Paris and the Tate Modern.

    A 1994 retrospective organized by New York's Museum of Modern Art traveled to Houston. In 2005, the Menil exhibition, Cy Twombly: Fifty Years of Works on Paper, traveled to MoMA.

    In the oft-vexing realm of contemporary abstraction, Twombly's touch simply communicates the human compulsion to create. "It's more like I'm having an experience than making a picture," he once said.

    NPR's Melissa Block interviews Menil Collection's Josef Helfenstein about the amazing Cy Twombly:

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    news/arts

    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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