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    Branching Out

    Hidden gem Houston store offers timeless antiques at affordable prices

    Emily Cotton
    Feb 28, 2025 | 12:11 pm

    Not far off the beaten path, in Houston’s Spring Valley neighborhood, exists an unassuming industrial building with a door marked only by the giant, seemingly anachronistic, olive oil jar that houses an olive tree. Behind this door lies Living Century Home, a store that sells imported decorative goods from Greece, Turkey, Indonesia, and India — all 100-years-old or more.

    Founded in 2023, this fledgling company has already gained “cult status” among designers and architects from all over the Southeast. Even more impressive is that their marketing strategy is merely old-fashioned word-of-mouth. This appointment-only showroom sees two visitors a day on average, which makes sense when each appointment lasts between two and three hours. These time blocks may seem extreme, but once immersed in Living Century’s santal-scented sea of olive jars, small pots, and wooden pieces, it becomes clear how easily a person could lose all sense of time while searching for that perfect piece.


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    A post shared by @livingcentury


    Umit Aktura founded Living Century Home for pragmatic reasons — he and wife Melis found it frustrating to source authentic antique olive jars for their own home. That previous lack of authentic inventory stateside is how Aktura explains their rapid success, even opening a secondary location near the Dallas Design District last year.

    “I’m not someone who can sit behind a computer monitor all day,” Aktura tells CultureMap. The former software engineer and University of Houston alumnus decided to take the leap into home decor importing once the family had successfully sourced items for themselves.

    “We try to source the best products, we have Round Top quality and better,” says Aktura. “We sometimes take two months overseas sourcing the very best.”

    Living Century Home is aware that many garden centers and big box stores offer mass-produced replicas of the types of items in their inventory, but that’s not an issue for them. “That’s not our client,” he explains.

    While many replicas exist of the large, white, olive jars from Greece, the highly textural and patinated jars from other countries are impossible to replicate. The three most popular styles come from Turkey and are known for their distinctive regional traits. These Turkish jars are Avanos, Aydin, and Odemis.

    To assist clients with completing the Living Century look, the company also sells regionally appropriate “Shady Lady,” aka “Black Olive” trees in 6-9’ heights — very full service indeed.

    Every item in inventory is subject to an authentication process and is tagged with color codes and numbered seals — they have provenance. “Everything we have I’ve put my own hands on and personally selected,” Aktura tells CultureMap.

    Olive jars of all sizes, small jugs, bread boards, accent tables and stools carved from a single piece of wood, the list of items is impressive. Beautifully carved cabinets from India sit alongside a small selection of dining tables. The store also stocks rare, lime-washed paper mache “bowls” (just don’t add water!).

    “The best pieces are only here because we love them,” says Aktura. “That’s why we take so much time sourcing.”

    Most items from Living Century Home are purchased for private collections, though recently their antiques can be seen at Houston Greek restaurant Niko Niko’s, the new Yellow Rose by Kendra Scott store in the Heights, and what will be a very public-facing art installation in a soon-to-be-announced restaurant.

    Do not be misled by their appointment-only approach to doing business. With pricing between $45-$2,000, their antiques are very accessible, but hagglers beware: “This isn’t a Round Top festival style ‘buy two, get 50-percent off’ sort of place,” says Aktura with a laugh. “Everything here is special.” Duly noted.


    Living Century Home store

    Photo by Emily Cotton

    Hand-selected imports fill this Spring Valley showroom.

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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

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