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    Tattered Jeans

    Steve Minatra sees the gems among the junk: A true craftsman shares his secrets

    Katie Oxford
    Dec 24, 2011 | 10:15 am
    • Meet Steve Minatra.
      Photo by Katie Oxford
    • Minatra at home, with light fixtures he made with “junk”
      Photo by Katie Oxford
    • Light fixture Minitra made from broomsticks
      Photo by Katie Oxford
    • CD lamps
      Photo by Katie Oxford
    • Protest signs Minatra made for friends participating in Occupy Houston
      Photo by Katie Oxford
    • “Then I realized I could make signs for the other side, too.”
      Photo by Katie Oxford
    • A standing light fixture made by Minatra
      Photo by Katie Oxford
    • Check out his desk lamp!
      Photo by Katie Oxford
    • Storage room for Minatra's next works
      Photo by Katie Oxford
    • Bright ideas from Minatra
      Photo by Katie Oxford

    Steve Minatra makes things. He is the guy behind the scenes — literally.

    He has done everything, from helping to make set designs for film spots and window displays for Hermès, to creating a Ludwig look-a-like from Harry Potter the movie. He built the owl with high-density foam, and he has high-density brainpower, too.
    Minatra describes what he does as, “doing handiwork type stuff.” Some handiwork! He can create light fixtures and more using “junk,” he says. The end result looks anything but and is as brilliant in design as it is functional. His Montrose home illustrates this point perfectly.
    When I recently visited him there, Minatra laughingly described the interior, “like stepping into my mind.” Indeed it is. He has an artist’s eye, an engineer’s understanding and he uses both when making something. In my mind, this is magic.
    Minatra's home is a building that he found 14 years ago while on a photo shoot. The structure was built in the '50s as an extension of someone’s home. Later, it became a neighborhood grocery story, then several beer joints. The story goes that at least two people, in separate instances, have been shot there. Supposedly in the large, open room where we were sitting.
    When I asked him what drew him to Houston, Minatra immediately listed five things: “In the first place, my heart was always here,” he said. “Houston is entrepreneurial. It has a lot of physical and psychological space. It combines the best parts of Southern and Western, and … it’s not expensive.”
    Born in Nashville in 1951, Minatra grew up in Memphis until he was old enough to run away from home at age 18. He came to Houston for a period and lived in different places afterwards, but liked Houston the best. “While I was living in NYC,” Minatra says, “I would wonder, ‘what are they doing in Houston?’ every day. I moved to Brooklyn where I could see the sky, but it didn’t make it better, it made it worse.”
    So, in 1988, he returned to Houston and was hired by Dave Berman to work on TV commercials. “All the useless skills I had acquired through life,” Minatra explained, “suddenly connected.” He has been here ever since practicing those skills, none of which his clients — some of them interior designers — would describe as useless.
    When I asked him what drew him to Houston, Minatra immediately listed five things: “In the first place, my heart was always here,” he said. “Houston is entrepreneurial. It has a lot of physical and psychological space. It combines the best parts of Southern and Western, and … it’s not expensive.”
    Whatever Minatra makes, you can be sure it is original. Using great shades of green, he painted protest signs for friends participating in Occupy Houston. He shares their views. “Then,” Minatra says smiling, “I realized I could make signs for the other side.” In colors of red, white and blue, he uses satire to convey the message, “I’VE GOT MINE.” Underneath the signage, he painted a pink pig.
    Minatra's Christmas cards are original, too. They are my favorite every year.
    No family photo in his cards. Nor do they include a typed letter telling you who, what, when, where and why of the last year. They are colorful, honest and handwritten in words that hold not an ounce of fat and would bring Santa himself into belly achin’ laughter.
    Last Christmas, I took a fistful of Minatra’s cards to a small party of close friends and read them aloud. Everyone howled. Then, we read them again and howled louder. Here’s one he wrote in 2002 using thick red ink:
    The seasonal labor is over. The homes of the rich and the luxurious stores are decorated. Now I can decorate my house, visit my Folks in Memphis, and rest up ‘til January 2nd when everyone will want all that crap out-a-there!
    Mucho love and Merry etc., Steve
    About a year ago, after eyeing Minatra’s owl creation, I asked him how he would describe what he does. Silence. “Okay then,” I pressed, “Would you send me a bio or something?” He sent the latter, one sentence long. Vintage Steve:
    "Steve Minatra realized at a young age that the best way to get people to do what you want is not be too particular about what you want them to do."
    Minatra has done everything, from helping to make set designs for film spots and window displays for Hermès, to creating a Ludwig look-a-like from Harry Potter the movie.
    Enclosed were a few of his business cards. On one side was a photograph reminiscent of the movie The Illusionist. On the reverse side were the following words, with a miniature graphic behind each: transport, assemble, install, furniture, exhibits, interiors.
    As reflected in most everything he makes, Minatra is a minimalist. Interestingly, he studied to be a musician, receiving a degree in music from the University of St. Thomas in 1974. He can play the guitar, violin and piano.
    Altogether, it makes perfect sense. In a way, Minatra’s a wizard. Perhaps he said it best when he talked about the junk. “You know how you save things that you don’t know what you’re going to do with but they’re just too good to throw away?” he asked. "Sometimes, it takes years, but you begin to see the relationship between different pieces of junk. You see the way that stuff fits together.” In Minatra's world, things fit beautifully.
    Like when he pulls broomsticks (wooden are hard to find) out of someone’s garbage and voila, makes a light fixture. So it goes with everything he makes. He sees stuff where others don't. “I could always see space,” he claims.
    Pure magic.

    unspecified
    news/home-design

    Marburger Farm updated

    Round Top's 43-acre antique show unveils renovations for spring 2026

    Emily Cotton
    Mar 20, 2026 | 2:00 pm
    Marburger Farm Round Top
    Courtesy of Marburger Farm
    Visit Marburger Farm March 24-28.

    The ancient Greek philosopher Heraclitus believed that the only constant in life is change. Since 1997, the Marburger Farm Antique Show, which typically closes out both the spring and fall editions of the Round Top Antiques & Design Show, has largely remained unchanged. As enthusiastic Marburger tailgaters listen for that opening triangle to ring, everyone has their well-established and particular beeline-paths prepared in advance. But this year, change is a’comin’.

    When the fall show closed last October, Marburger began a huge renovation project that included the full restoration of its historic buildings, including the original Marburger Farmhouse, Legler House, Coufal House, Zieger House, Silver Dollar Saloon, Gulf Warehouse, Dance Hall, Bingo Hall, Blacksmith Shop, and the General Store. Notably, the restoration has made it possible to add heating and air conditioning to these structures.

    New additions debuting this spring include The Canteen, which is a large food pavilion overlooking the previously-underutilized pond; The Parlor, a design showcase space; a live music stage; enhanced pathways; and a communal green space designed for gathering and celebration. Over the summer, the addition of two large climate-controlled sheds and updated seating and lounge areas throughout the grounds will complete the project.


    View this post on Instagram
    A post shared by Marburger Farm Antique Show (@marburgerfarm)


    “This is a much more intentional undertaking to really breathe life into those buildings,” Marburger CEO John Sughrue tells CultureMap. “It’s going to be very obvious — when on the property — what we’ve done. The vision for what we’re doing was establishing a greater sense of place, and a greater sense of community.”

    While fans may worry that these improvements may impact the charming and rustic aesthetic that shoppers have come to expect at Marburger, the overall experience should remain the same. Once randomly strewn across the 43-acre property, the historic structures have been gathered together around a newly-hardscaped central square. New green spaces are intended to evoke a sense of nostalgia, the layout inspired by the Texas Courthouse Square. At one end, the western-facing pavilion will overlook the pond and rolling hills, and adjacent to that, the familiar 90,000-square-feet of tented shopping remain unchanged.

    “One thing that is apparent about Marburger is that people have a real sense of connection with it, a sense of history, and take a personal interest in it,” says Sughrue. “You’ll see that in the level of craftsmanship, the placemaking, and how we have, in essence, redeveloped the existing historical buildings.”

    One of the things Sughrue is enthusiastic about is the ability to participate in the winter show, as well as inviting exhibitors who left for climate-controlled venues to return home to Marburger. Improved facilities for their local and beloved food and beverage vendors make for expanded offerings and shorter lines — a notion sure to please even the most staunch Marburger purists.

    “We are trying very much to maintain the Texas heritage of Marburger,” Sughrue says. “I consider us guardians or stewards of the brand. I consider Marburger a brand like Blue Bell Ice Cream or the State Fair of Texas. There is something very much rooted in the land, very much rooted in how generations now have engaged with Marburger and in Round Top. We are trying to hold tight to being a heritage brand, while positioning for the future — that’s what we’re trying to do.”

    Sughrue is all too aware of some of the sentiments that were shared five years ago when Marburger was purchased by “these Dallas guys” [real estate development firm Brook Partners]. In the last four years, they have listened to vendors and guests alike to learn how they can improve the show experience for their core audience: top exhibitors, designers, architects, and vendors. While he finds the relatively-recent glitterati element in Round Top to be amusing, it’s not something he’s interested in attracting or catering to specifically. So, everyone can let out a sigh of relief on that concern.

    “These are designers who come into Round Top, and to Marburger in particular, and they are very important to our success. We attract some of the best exhibitors in the country, if not the world,” explains Sughrue. “Day one they meet with designers who have flown in from all over the country. Our focus is being a resource to those designers and architects — that’s what’s driving our business. We are not a lifestyle offering, and we are not trying to be all things to all people.”

    At the end of the day, Sughrue’s overall goal is connecting the best exhibitors to the best buyers. “Everything else that happens in Round Top is just noise.” He loves the generational aspect of Marburger, oftentimes noticing three generations shopping together in the tents.

    “Y’all make a tough crowd, I’ll tell you that,” Sughrue says with a laugh. “I think we are going to get more of it right than wrong, and what we get wrong — we are going to listen very hard to people — we are going to make that right. I promise you that. Marburger captivates me. It just devours all of my time and attention, but how lucky am I?! All these issues surround purpose-driven lives, and we get to work on Marburger to bring a community of people together to celebrate design, antiques, Texas. It’s like the American Dream is alive and well on the Round Top fields during Marburger. It’s just an incredible collection of people.”

    Visit the refreshed Marburger Farms from Tuesday, March 24 to Saturday, March 28. Purchase tickets at marburgerfarm.com.

    Marburger Farm Round Top

    Courtesy of Marburger Farm

    Visit Marburger Farm March 24-28.

    marburger farmround topshopping
    news/home-design
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