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    Tattered Jeans

    Halloween haunted houses have come a long way, but there's still delight in fright

    Katie Oxford
    Halloween
    Oct 28, 2014 | 10:19 am

    A while back, a friend told me about this museum that he’d visited — the National Museum of Funeral History. Huh? I wondered. I googled www.nmfh.org and to my surprise, found all kinds of exhibits.

    The 30,500-square-foot museum, located on Houston's Northside, features the country’s largest collection of funeral service artifacts. From documents like copies of George Washington and President Woodrow Wilson’s funeral bills to women’s dresses known as 19th Century Mourning Period to hearses from the early 1800’s on up. Rows.
    One thing’s for sure. Haunted houses have undergone cosmetic surgery since I was a kid. Major.
    During the month of October and beyond there are special exhibitions like Dracula’s Cemetery, the Halloween Classic Car Show and Dia de los Muertos (Day of the Dead on Nov. 1 and 2).
    The one that made me get in my car though and head there was the 3rd Annual Haunted House.
    Hours later, after touring the haunted house and the museum, my head was swimming with images. President Lincoln’s Exhibition; a 1972 Japanese Ceremonial Hearse (wow); embalming tools (cremation was the right call for me), to ultimately, the haunted house and remembering the ones of my childhood.
    One thing’s for sure. Haunted houses have undergone cosmetic surgery since I was a kid. Major.
    For starters, electricity is required. Juice for lighting, audio and things that move.
    Minus a battery flashlight, our childhood haunted houses took place in the dark — in more ways than one. No soundtrack. No visuals. None that you could see, that is.
    We created them using household items and beyond that, our imagination. Something Hitchcock knew fueled suspense. Like watching water go from simmering to boil.
    There’s a tree in there that made me jump out of my clothes.
    To enter ours, usually the garage, you had to be blindfolded. Then, you were taken by the hand and led on a tour. Strictly touch and feel. Your guide, pointing the flashlight, walked you real slow like down a counter top spread with homemade stuff, mostly, straight from Mama’s kitchen. Always — and this was key — you were told what you were about to touch just before you touched it, maximizing the creep factor when you did.
    Blindfolded, who would know that eyeballs were really grapes at room temperature? Or, that sheets of toilet paper drenched in water, then squeezed out and kneaded like dough were not someone’s fingers hacked off? I’ve never stuck my hand into real intestines before but pasta al dente sure felt real enough to me. Through touch and imagination, we went places way beyond our garage.
    Mind you, I’ve nothing against modern day haunted houses. Technology or no technology, the end result is still the same. There’s delight in fright.
    The haunted house at the National Museum of Funeral History is a trip to Spook Ville for sure. The house is recommended for children ages 12 and up, but, even so beware you adults. There’s a tree in there that made me jump out of my clothes.
    ------------------
    The 3rd Annual Haunted House at the National Museum of Funeral History is open through Nov. 3. Admission is $5 adults; $3 children 11 and under. Check the website for details.

    Third Annual Haunted House at the National Museum of Funeral History. (This is not a real person!)

    2 - Katie Oxford Halloween October 2014 3rd Annual Haunted House at the National Museum of Funeral History. (This is not a real person!
    Photo by Katie Oxford
    Third Annual Haunted House at the National Museum of Funeral History. (This is not a real person!)
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    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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