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    Tattered Jeans

    Halloween haunted houses have come a long way, but there's still delight in fright

    Katie Oxford
    Halloween
    Oct 28, 2014 | 10:19 am

    A while back, a friend told me about this museum that he’d visited — the National Museum of Funeral History. Huh? I wondered. I googled www.nmfh.org and to my surprise, found all kinds of exhibits.

    The 30,500-square-foot museum, located on Houston's Northside, features the country’s largest collection of funeral service artifacts. From documents like copies of George Washington and President Woodrow Wilson’s funeral bills to women’s dresses known as 19th Century Mourning Period to hearses from the early 1800’s on up. Rows.
    One thing’s for sure. Haunted houses have undergone cosmetic surgery since I was a kid. Major.
    During the month of October and beyond there are special exhibitions like Dracula’s Cemetery, the Halloween Classic Car Show and Dia de los Muertos (Day of the Dead on Nov. 1 and 2).
    The one that made me get in my car though and head there was the 3rd Annual Haunted House.
    Hours later, after touring the haunted house and the museum, my head was swimming with images. President Lincoln’s Exhibition; a 1972 Japanese Ceremonial Hearse (wow); embalming tools (cremation was the right call for me), to ultimately, the haunted house and remembering the ones of my childhood.
    One thing’s for sure. Haunted houses have undergone cosmetic surgery since I was a kid. Major.
    For starters, electricity is required. Juice for lighting, audio and things that move.
    Minus a battery flashlight, our childhood haunted houses took place in the dark — in more ways than one. No soundtrack. No visuals. None that you could see, that is.
    We created them using household items and beyond that, our imagination. Something Hitchcock knew fueled suspense. Like watching water go from simmering to boil.
    There’s a tree in there that made me jump out of my clothes.
    To enter ours, usually the garage, you had to be blindfolded. Then, you were taken by the hand and led on a tour. Strictly touch and feel. Your guide, pointing the flashlight, walked you real slow like down a counter top spread with homemade stuff, mostly, straight from Mama’s kitchen. Always — and this was key — you were told what you were about to touch just before you touched it, maximizing the creep factor when you did.
    Blindfolded, who would know that eyeballs were really grapes at room temperature? Or, that sheets of toilet paper drenched in water, then squeezed out and kneaded like dough were not someone’s fingers hacked off? I’ve never stuck my hand into real intestines before but pasta al dente sure felt real enough to me. Through touch and imagination, we went places way beyond our garage.
    Mind you, I’ve nothing against modern day haunted houses. Technology or no technology, the end result is still the same. There’s delight in fright.
    The haunted house at the National Museum of Funeral History is a trip to Spook Ville for sure. The house is recommended for children ages 12 and up, but, even so beware you adults. There’s a tree in there that made me jump out of my clothes.
    ------------------
    The 3rd Annual Haunted House at the National Museum of Funeral History is open through Nov. 3. Admission is $5 adults; $3 children 11 and under. Check the website for details.

    Third Annual Haunted House at the National Museum of Funeral History. (This is not a real person!)

    2 - Katie Oxford Halloween October 2014 3rd Annual Haunted House at the National Museum of Funeral History. (This is not a real person!
    Photo by Katie Oxford
    Third Annual Haunted House at the National Museum of Funeral History. (This is not a real person!)
    unspecified
    news/entertainment

    50 years of TRF

    First Renaissance Festival since owner's death draws strong attendance

    Jef Rouner
    Dec 10, 2025 | 12:45 pm
    Texas Renaissance Festival
    Photo by Steven David Photography
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    Those who were worried about the Texas Renaissance Festival (TRF) not performing well the first year after a court mandated its sale and the death of its founder can rest easy. The final gate totals show that the 2025 season was just as well attended as previous ones.

    “The 51st annual Texas Renaissance Festival was another successful season thanks to our wonderful guests and dedicated team members,” TRF marketing director Tyler Moyer said. “Our team worked tirelessly to bring the magic of the Renaissance to life every weekend, and we’re grateful that our patrons love us more and more with every passing year. We’re so thankful to everyone who helped make this another great event, and we can’t wait to welcome folks back in 2026.”

    In total, 492,910 patrons visited TRF over its eight themed weekends, with almost 100,000 coming through the gates for the final, extended Christmas weekend alone. On Friday, November 28, some, including this reporter, might have felt the event felt too crowded. Still, people made merry in medieval Santa costumes and the occasional Krampus.

    While attendance was down about 8 percent from 2024 (533,356), that year featured many 50th anniversary celebrations. Over the past five years, TRF has averaged about 486,000 visitors according to the TRF media office. The numbers for 2025 are even more impressive considering that the last week of October featured torrential rain across the Houston area.

    There was much concern about how well the festival would run. Earlier this year, founder George Coulam lost a court case mandating that he sell the festival after Coulam attempted to back out of a deal with Austin developer Meril Rivard. The matter was further complicated by Coulam's death in May, throwing the appeal process into chaos.

    Throughout the tangled legal maneuverings, everyone running the festival vowed to keep it going just as it is. Grimes County Judge Gary W. Chaney appointed a pair of special masters to administrate TRF at the top while the matter sat in court, which they appear to have done flawlessly if the gate receipts are any indication.

    Now that the season is over, all parties involved with the lawsuit will have free rein to continue the fight and another indicator of how popular and profitable TRF is. The 90 day appeal window open to Coulam's beneficiary closes in early 2026, Hopefully, the matter will be settled before the next season looms.

    texas renaissance festival
    news/entertainment
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