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    Too pretty to punk

    "I hope you don't get punched in the face": My night as a Slayer/Megadeth fan

    Fayza A. Elmostehi
    Oct 2, 2010 | 11:08 am
    • We completely missed Anthrax. Guess that's what you get when a band starts whenthe doors open.
    • Megadeth was one of the ugliest bands I've ever seen. Although I couldn't seemuch. Lead singer Dave Mustaine's face was sheathed with his hair the wholetime.
    • Slayer's Tom Araya haunts my dreams now.

    I'd never call myself a heavy metal music fan (because if I was, clearly, I'd call it "metal"). In fact, my idea of "metal" is highly wearable and surrounded by precious gems (hell, I may be a neo-hippie, but I'm still a woman).

    But I know what "metal" is. Throttling guitars, tangled, filthy locks, and intimidating, leather-clad ogres snarling and growling into the microphone — pretty much the stuff my nightmares are made of. I've seen a (very) few metal shows in my day. I think I know what comes with the territory.

    Correction: I thought I knew.

    Where's it's a crime to look cute

    When I hopped into my boyfriend's car and was greeted with, "I hope you don't get punched in the face," I probably didn't know what I was getting into by going to see the thrash metal trifecta — Anthrax, Megadeth, Slayer — at Verizon Wireless Theater earlier this week.

    I figured wearing a casual black dress would allow me to blend in with the natives. So what if there was a healthy amount of exposed cleavage? Did my yellow peep toe flats really remove me from contention as a viable viewer? And what was wrong with my Gwen Stefani-inspired ponytail?

    But when my boyfriend followed up with, "You look way too pretty for a show like this," I was flattered. And wrongfully smug.

    Fear is the new black

    As we entered, I could see that donning the hue of death wasn't enough. The slutty, scary steamroller overran the classy caboose, and I didn't have a ticket to ride.

    So I dealt with my insecurity of sticking out like a sunflower in a graveyard the best way I know how: booze. Being from the Midwest, I'm well-versed in the belief that beer levels all playing fields, and I'd be damned if I was going to let my boobs get in between me and a good time.

    We'd already missed Anthrax by the time we arrived, but Megadeth and Slayer were the main draws for my heavy-metal-honey that evening anyway. All I needed was one beer to lube the way between me and heavy metal heaven. And I was having such a great time in line, talking to the surprisingly friendly yet mysteriously odorous long-haired couple ahead of me, looking forward to sinking my claws into a 24-oz. Shiner.

    And then Megadeth began to riff.

    And just like that, I was swept away by the boyfriend so as not to miss one nanosecond of the show. Without my thrash metal Dramamine in hand.

    Uh oh.

    Look, Ma! No hands!

    Politically-charged Megadeth had my boyfriend up in arms, but I kept trying to get a glimpse of lead singer Dave Mustaine's face behind his flowing Rapunzel-esque mane.

    All that craning and straining led me to a crucial executive decision — I would have to battle the throng for access to a few frothy beverages.

    If I'd taken two minutes longer, the boyfriend would've come in search of me. But the delay certainly wasn't the sea of grim-faced metalheads that parted for me without prompting. It was more like the long conversation I got into with the biker chick bartender as to why anyone would waste a perfectly good beer by catapulting it onstage.

    Bonding with the brutes? Boss.

    I've so got this one in the bag, baby

    Having reached the intermission between the Megadeth and Slayer sets, I felt confident I would fare well when Slayer went up to bat. We moved closer to the front and braced ourselves for the onslaught of gristly, musical carnage.

    The Houston Press' Craig Hlavaty called Slayer, "a live force of sound, probably the closest you can get to true calamity without being outright noise. Like a freight train, there are no stops. If you get hit or run over, that's the breaks."

    What if you not only get run over, but flattened and smashed into the pavement by a 18-wheeler hauling boulders and dead bodies, a bloody puddle the only thing marking the spot where you once stood alive on this planet?

    That was me, after about the second thrash of Tom Araya's guitar.

    Out of acute fear and instinct, I turned to my safe haven — the bar. There, I contemplated drowning my tremors in Guinness, but heeding Frida Kahlo's advice about sorrows, I stayed true to Miller Lite and my buoyant terror.

    I should've had that Guinness. 'Cause that's when things started to get ugly.

    The good, the bad, and the exiled

    I maintained my composure (and my grip on a random bystander) when Wasted Dude #1 came barreling through the crowd, spinning me hard on my heel. But I needed a little breather when Wasted Dude #1 plowed back through toward the stage.

    That's when I saw Wasted Dude #2 — a quite conservative, strait-laced friend of mine — with a bouncer attached to the back of his shirt.

    Wait a second. What the...?

    After I swallowed my drunken disbelief and laughter, I hurried outside to unravel the mystery of how one of the most straight and narrow people I know ended up getting tossed out of a show characterized for its aggression.

    Let's just say Headbutting Dude 1, Wasted Dude #2's Headlock 0.

    It was Wasted Dude #3 that almost landed us on Texas Ave. ourselves. Between him trying to grind his hips on me, then putting his head on my shoulder, the wafting gunpowder of testosterone barely escaped the opportunity for ignition.

    Too legit to quit

    After the show and a moment of decompression at The Flying Saucer, I tweeted, "I am not hardcore enough for Slayer." I get ejected off my mountain bike and emerge from the wreckage with a smile, I am dumped from canoes and float to the surface with pride, and yet, I can't handle a few hours of it raining blood.

    By now, my tail has relocated from between my legs to its trademark wagging demeanor, and my feigned arrogance has returned, its typical false bravado intact.

    Am I a converted Slayer or Megadeth fan? Negatron. But I think I've earned my right to reign in blood. And that's all a wholesome Ohio girl can really ask for anymore.

    unspecified
    news/entertainment

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

    rodeohoustonconcert reviewlizzo
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