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Mad Martz Mayhem

Will Wade Phillips make it to October? The Cowboys' Bears debacle demands action

Chris Baldwin
Sep 19, 2010 | 5:13 pm
  • Jason Garrett proved (again) that he's no Mike Martz in the Dallas Cowboys'27-20 loss to the Chicago Bears.
  • But Wade Phillips will still likely be the one who pays for the Dallas Cowboys'anything but Super start.
  • Martz has turned Jay Cutler into an under control, efficient quarterback.

If Mike Martz was employed by Jerry Jones, the Dallas Cowboys would be 2-0 and talk of a hometown Super Bowl would be approaching Betty White-hype levels.

Instead, of course, Jones' team is 0-2 after a 27-20 home loss to Martz's superiorly-schooled Chicago Bears (and yes, this is already as much Martz's team as head coach Lovie Smith's, just like the '85 Bears were as much Buddy Ryan's bunch as Mike Ditka's). Instead, a certain sportswriter's' prediction of an 8-8 season for the Boys suddenly looks awfully realistic, and maybe even, overly optimistic.

OK, Dallas isn't going to finish 5-11. But it's now doubtful Wade Phillips will even finish.

Even Jones cannot ignore the warning lights flashing over his handpicked puppet head coach and his long-drooled-over offensive coordinator Jason Garrett. In truth, Garrett is more of the problem than Phillips, but it's going to hard for Jones to sever that tie. No, Phillips is the one who will probably pay for an offense that cannot finish at the goal line.

Tony Romo doesn't look overmatched as much as unsure. The Cowboys quarterback is playing as tentative as Garrett is calling the plays. When Romo throws the ball 22 more times than a Martz-coached quarterback and is still half as effective, something's gone wrong in the offensive meeting rooms all week.

How does Felix Jones — one of the supposed new focus points of Dallas attack — get only nine touches in an up-and-down game, the week after being similarly, lamentedly ignored in week one? Who thinks that rushing the ball only 19 times overall is a good plan?

Did somebody convince Garrett and Phillips that they were actually playing against the '85 Bears defense.

"It's frustrating," Romo said of the game in general. "We've got to find a way to get better."

Phillips might only have one more chance to prove he's the man to lead the search for solutions. Fall to 0-3 with a loss to the Texans in Houston next Sunday — a very doable proposition — and Jones will have little chance of winning a fight against his inner George Steinbrenner. Someone will pay.

Coaching changes in season are rare in the NFL, but this isn't your usual situation. By jettisoning Phillips, Jones could give Garrett a three-quarters-season tryout as head coach, providing his protege one last chance to prove that Jerry knew what he was doing all along. If it doesn't work? Jones just clears house at season's end, like he would have to do anyways.

Getting rid of Garrett — whenever it happens — will be a blow to Jones' ego and credibility much greater than any Phillips' pink slip. So expect the puppet to be pushed out first.

What must Jones have thought watching Martz's offense slice through his team with Jay Culter shockingly playing the role of the sure, steady, in-control quarterback? Jones and almost any other owner in the league could have had Martz, if only they could have put up with the ego.

Jerry probably wishes there was somebody stealing all the spotlight glory from him about now.

It's no shame for most teams to be outcoached by Mike Martz. He's one of the top five head coaches in the game today — even if no one will hire him as more than an offensive coordinator, and only his confident, ego-free former Rams' colleague Lovie will even (at least publicly) embrace that.

Unless you're thinking that a Super Bowl appearance is your space-aged stadium right. Then, there's plenty of problem with it, one that Jerry Jones can no longer ignore.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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