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    Starring Texas

    Remains of the day: The woman behind TV's Bones redefines the art of scary,multi-tasking

    Cynthia Neely
    Sep 5, 2012 | 11:27 am
    • Author Kathy Reichs at a recent book signing
      Photo by Raysonho@Open Grid Scheduler/Wikipedia
    • Fox.com

    Some little girls dream of becoming a ballerina or a fashion designer or a princess. But not all little girls are so starry eyed, thank goodness. Some want to be a scientist or TV producer or famous author. One little girl from Chicago has become all three.

    I don’t know if Kathy Reichs actually ever said to her parents, “When I grow up, I want to identify skeletal human remains,” but her sister, Deborah Miner of Houston, told me she remembers bones lying around on their kitchen table at about fourth grade. (She also said they surreptitiously raised bunnies in a closet, but I was afraid to ask for details.)

    If you’ve watched the hit Fox TV series Bones then you have a good idea of the life and work of Reichs, the real forensic anthropologist behind the show’s fictional Temperance Brennan. It was Reichs’ best-selling Temperance novels (16 and counting) that inspired the television show, which will begin its eighth season Sept. 17.

    I don’t know if Kathy Reichs actually ever said to her parents, “When I grow up, I want to identify skeletal human remains,” but her sister told me she remembers bones lying around on their kitchen table.

    Reichs is a producer and writer on the show and really enjoys the collaborative spirit in the writer’s room. Writing a novel, she told me, is such a solitary experience — just her and the computer.

    When she’s in Los Angeles, however, working on Bones, she’s one of several writers brainstorming new episodes and working at the white board where the plot is developed. (She says she also spends a lot of time on the set and that actress Emily Deschanel, who plays Temperance Brennan, “Is so wonderful, just the most sweet, nice person. So nice.” I think she really likes her.)

    Reichs will be in Houston this week to promote her latest book, Bones Are Forever,” at Murder By The Book Thursday and speak Friday at the Houston Museum of Natural Science, home to bones galore in the new Hall of Paleontology. Reichs is donating her speaking time to help raise awareness of the filmmaking and audio recording department at Houston Community College Northwest.

    Graduates of this program are working in television and film today and, who knows, maybe on a Bones episode of the future? (Full disclosure: I am privileged to serve as chair of their advisory board and to have orchestrated this event in behalf of HCC as a volunteer.)

    Reichs simply amazes me. How can one person excel at so many different things, almost simultaneously? Early on, she was an anthropologist working with prehistoric bones at the Smithsonian (that alone would be enough for most people); then she became a forensic anthropologist, assessing human bodies in various stages of decomposition (sometimes dismembered, mummified, or burned) for age, sex, and to determine the cause of death for legal authorities.

    She’s helped identify mysterious remains for a number of institutions including the FBI, Quebec’s Central Crime Lab, and at Ground Zero in New York as part of the Mortuary Operational Response Team assigned to assist after 9/11. She helped exhume a mass grave in Guatemala, and traveled to Rwanda to testify at the UN Tribunal on Genocide. She taught anthropology at the University of North Carolina at Charlotte.

    It took two years to create her alter ego, Temperance Brennan, for her first crime novel, Déjà Dead. Her goal was, “To bring forensic anthropology to a broader audience.”

    Boy, has she ever.

    When that book launched in 1997, it became a New York Times bestseller and won the Canada Crime Writers’ Arthur Ellis Award for Best First Novel. These days, she writes two books a year and has started yet another series, Virals, aimed at young adults in collaboration with her son Brendan Reichs.

    In a Smithsonian Magazine interview, Reichs explained how she went from working with dead bodies to writing best sellers.

    “In the mid-1990s, when I had a serial murder case. It was before this massive interest in forensics. The time seemed right to combine murder mystery and forensics with a strong female character. I took the approach to write about what I know. I base my books only loosely on real cases.

    "The one that triggered Bones to Ashes (2007) was a child skeleton found on the Quebec-New Brunswick border — a child about 5 or 6 years old who has never been identified.”

    The impact of forensic novels and TV shows has “made the public a bit more aware of science,” she said. “Especially kids. Especially little girls, which is a good thing. But they've raised the public's expectations higher than is realistic, with juries expecting every single case to get DNA every time. That's not realistic. It's not even smart. You don't do every single test in every single case.”

    What’s next for the real Reichs? My bet is on a movie, based on a screenplay that she will write herself, if she hasn’t already. I’m only guessing, but I’m also hoping. A review in the New York Daily News praised her work as “Scary enough to keep the lights on and the dog inside."

    And that’s the way I like my books and movies.

    unspecified
    news/entertainment

    Lainey Wilson Review

    Lainey Wilson brings rock ‘n roll swagger to sold-out RodeoHouston concert

    Craig Hlavaty
    Mar 19, 2026 | 3:43 pm
    Lainey Wilson RodeoHouston 2026
    Courtesy of Houston Livestock Show and Rodeo
    Lainey Wilson drew one of this year's biggest crowds.

    Despite being one of the weirdest and most talked-about rodeo seasons in recent memory — marked by county government sideshows and barenaked carnival crowds — 2026 has been a great year for female artists at RodeoHouston, all things considered.

    Houston’s own Lizzo (69,362), Kelly Clarkson (70,007), Megan Moroney (69,125), and now Lainey Wilson (70,130) have drawn huge numbers compared to some of the male acts. Wilson’s debut RodeoHouston appearance in 2024 was a verified sold-out Saturday matinee, attracting 74,940 fans.

    Slightly surprising, Christian artist Forrest Frank has been the biggest draw so far in 2026 with 70,707 fans packing in for his Sunday matinee on March 8. Russell Dickerson, who rode into Times Square to introduce RodeoHouston to the world, pulled in 53,063 folks off the street for his debut. Stalwart Chris Stapleton’s all-too-brief show on March 12 pulled in a reliable 70,077.

    Creed and Clarkson are tied at 70,007, which bodes well for even more millennial nostalgia acts waiting in the wings.

    Will anyone next year beat the 75,600 Jonas Brothers fans that invaded NRG Stadium in 2024? Don’t worry, we’ll have our RodeoHouston 2027 wishlist online in the next few days.

    Coming into the last Thursday of the season, Wilson’s face could be seen everywhere at NRG Center, from huge banners above the Ford activation near the carnival, inside the Cavender’s booth touting her Wrangler western wear collaborations, not to mention her pitchwoman work for Whataburger and Tractor Supply.

    Wilson is also the subject of a new Netflix documentary, Lainey Wilson: Keepin’ Country Cool, which premiered at SXSW this past week. It chronicles the making of the Whirlwind album and features scenes from the road and the recording studio as the last few years of her life unfolded. Produced by Houston native Kent Kubena, Lainey fanatics will have to wait until it officially premieres on the streamer on April 22.

    The 33-year-old’s hippie-billy evolution from 2021’s Sayin’ What I’m Thinkin, 2022’s breakout Bell Bottom Country, and into 2024’s Whirlwind has seen her stretch her distinctive voice into bombastic new territories, into some late ‘80s Lita Ford vibes. When’s the power ballad duet with Dave Grohl happening?

    Wilson kicked off Thursday night with the punchy brand-new single “Can’t Sit Still,’ which just dropped on streaming services last Friday, riding onto the dirt in the back of a Ford truck, naturally. Nerdy music writer note: the song lifts a little bit of lyrical flavor from Taking Back Sunday’s “Liar (It Takes One To Know One).” Who knew 2000s screamo was still giving us gifts?

    The AC-D-She stomp of “Wildflowers and Wild Horses” got a big-budget stadium makeover. "4X4XU," which sounded like it was straight from a classic ‘80s Spotify playlist, was the first major singalong of the evening. In another lifetime, she would be the world's greatest frontwoman of a Guns N’ Roses tribute band. There’s a revival of harder-edge ‘90s female rock in the wind lately, so its probably not a coincidence that Wilson might be drinking from that well for the new album. On “Dreamcatcher,” her band went into full Rock & Roll Hall of Fame All-Star Jam mode.

    Recent #1 hit "Somewhere Over Laredo” (“caught me a red eye flight outta Houston” got a huge roar) saw Wilson taking flight on one of the starred stage’s pointed lifts. During “Atta Girl,” Wilson pulled a lucky little girl named Presley out of the chute seats to be crowned her “cowgirl of the night” to a wall of cheers, gifting her one of her signature Charlie 1 Horse cowboy hats. It’s become a tradition at Wilson shows.

    As closer "Heart Like a Truck" hit maximum altitude and Wilson hit the highest highs, her horse for the night was led out to the stairs next to the stage for Wilson’s now-customary victory lap around the stage and ride off into the bowels of NRG, leather fringe and all.

    Setlist

    Can’t Sit Still
    Wildflowers and Wild Horses
    4X4XU
    Smell Like Smoke
    Dreamcatcher
    Watermelon Moonshine
    Hang Tight Honey
    Somewhere Over Laredo
    Atta Girl
    Good Horses
    Things A Man Oughta Know
    Heart Like A Truck

    rodeohoustonconcert reviewlainey wilson
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