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    The Path of Enlightenment

    Move over real housewives: Honey Boo Boo Child has become America's darling bybeing herself

    John Bumgardner
    Aug 20, 2012 | 5:13 pm
    • Honey Boo Boo: glitzed up and on go-go juice.
    • Alana: Behind the glitz.
    • The whole clan (clockwise from l): Chubbs, Sugar Bear, Pumpkin, Chickadee, Mamaand Alana.

    Y'all, there's a new love in my life.

    She's blonde, she's curvaceous, she's hysterical and she's a pageant queen. Of course, she's also 6 years old and lives in Georgia, so I only get to watch her on TV once a week.

    But thank goodness America has turned its recession-weary eyes on the Deep South for lessons on making it in these tough economic times, along with a dash of schaudenfreudian delight mixed in for good measure.

    Luckily, Alana is busy making a million dollars and having a successful cable series focusing on her and her family — something none of these other big-hair "flipper" chicks are doing, that's for sure.

    The Learning Channel, now known more commonly as TLC (so as to hide that pesky L-word), has made breakout stars of Alana Thompson and her oddly endearing car crash of a family, recognizing the cash cow(s) available after their original breathtaking appearance on the consistently jaw-dropping Toddlers & Tiaras.

    The producers of T&T (which could just as easily be called Toddlers' T&A) saw the miracle that sweet baby Jesus had presented to them in the crazed eyes of that spastic backwoods beauty queen Alana who called herself "Honey Boo Boo Child" and instantly made herself a star.

    True, Alana is not exactly winning Grand Supreme at any of her beauty pageants that value whatever disgusting pageant definition of "beauty" that includes babies wearing fake eyelashes. She's too hyper, too pudgy, too much talking like a life-weary, roadside stripper to fit in with this crowd of tiny parental abuse victims. Sadly, beauty pageants will likely never be her road to happiness.

    Luckily, Alana is busy making a million dollars and having a successful cable series focusing on her and her family — something none of these other big-hair "flipper" chicks are doing, that's for sure.

    And, y'all. This show. Honestly, it's just so fascinating. From an ethnographic standpoint, and also from just a human-being-in-the-world-with-eyes way, too.

    First off, the Thompsons are some real-ass Americans. They are overweight, they are undereducated. They are clueless as to the harm they are doing to themselves and their offspring. And they are hysterical and hard-loving and weird as all hell.

    Basically, they're like your family if you stripped away all the pretensions about what we're "supposed" to be and just let everything hang out in the open and laughed about it. They just don't care what you think. And it is a beautiful thing to watch.

    Here Comes Honey Boo Boo! is the show that America needs and deserves right now. The geniuses at TLC are actually teaching us something about the ample embrace of blue collar America and about our desires to romanticize it when times get hard.

    The geniuses at TLC are actually teaching us something about the ample embrace of blue collar America and about our desires to romanticize it when times get hard.

    There's a reason Bravo's Housewives of Whoville's antics are no longer the subject matter at the water cooler. We're done dreaming of what we can't ever have. Now we want to feel better about where we are, and where else are we going to find that kind of reassurance?

    There is a raging debate about whether or not Mama June Shannon (the morbidly obese "coupon queen" who has a refreshing level of self-esteem) and generally absent father Mike ("Sugar Bear") are abusing their children with the never ending flow of junk food and "go-go juice" (Red Bull and Mountain Dew) that keep Alana in tip-top pageant form.

    In her defense, Mama says, "A lot of pageant moms know what the special juice is. Everybody has their different concoctions. We tried the Pixie Sticks, what everyone calls 'pageant crack.' But we went through 15 bags at one pageant and it just don't do anything for her... I'm not hurting her."

    See? She gets it.

    Most sigh-worthy, however, is the fact that Mama June is now a grandmother at the tender (and downright shocking) age of 32. (Yeah, she's only 32.) Her eldest daughter, "Chickadee," is about to give birth to a baby girl at the age of 17, which is two years older than June was when she had Chickadee.

    This is not to say that having a baby at the ripe age of 15 is in any way life ruining or even all that uncommon these days, but looking around the Thompson household, you can see how it might lead down a path of extreme couponing and pageant momming.

    But even in the bleak confines of their sparse McIntyre, Ga. home, the family (or at least the edited and packaged version presented to us, the ravenous masses) seems genuinely compelled by love and respect and humor towards one another.

    June clearly expresses her support for her girls and has instilled in them a healthy (if not, at times, over-inflated) self image. Below their constant play fighting and taunting is a sincere level of warmth and respect.

    And every one of the family members (except for the silent Sugar Bear, perhaps) is surprisingly funny. How 6-year-old Alana developed her keen comic timing is honestly beyond me.

    In Episode Two, the producers give Alana a squealing pot-bellied pig that she promptly names Glitzy. When told that the pig is a boy and Glitzy is a girl's name, Alana responds that she's going to dress him up like a girl and make him a gay pig. What!

    "I just hope Mama doesn't eat Glitzy. She eats everything else," says Alana in a testimonial shot. You're killing it, six-year-old!

    Glitzy's arrival is at the same time heartwarming (people in the South know what "gay" is and they have no problem with it!), hysterical (she's putting a pig in a dress and painting its nails!) and totally awful (it's a screeching pig in a dress given to a loud, overweight pageant contestant!).

    So many conflicting, layered feelings. Good work, The Learning Channel.

    Like all of our childlike empresses, Alana will eventually be sacrificed to the pop culture engine that is presently crowning her with so many barely-earned titles. Childhood won't last long enough, and she'll eventually realize that shaking her belly at strangers elicits a very different response.

    Her circumstances have not mapped out an easy future ahead, so pretty soon we'll get to see if she is really as smart as the pageant queen she plays on TV. She could be our next Kathie Griffin or Roseanne Barr. Or she could be our next pregnant 17-year-old from McIntyre, Ga.

    Now that'll be something worth watching.

    ---

    Here Comes Honey Boo Boo (aka your reason for getting cable) is on TLC on Wednesday nights at 9 p.m. in Texas. Check your local listings for specifics.

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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