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    at Alabama Song

    Young curators take on the big leagues with do it: houston, an experimental pop-up exhibition

    Whitney Radley
    Whitney Radley
    Jul 25, 2013 | 9:03 am

    Most art world aficionados would consider it risky for a pair of fledgling curators to organize their first group show without any real indication of how the final product would turn out. For an established artist to agree to participate in such an experimental show by virtually unknown curators is similarly unusual. And for a new gallery to agree to host said show is practically unheard of.

    But all of these factors will be in place at do it: houston, a two day pop-up exhibition at Alabama Song Art Space on Friday and Saturday. The idea comes from young, enthusiastic Contemporary Arts Museum Houston colleagues Max Fields and Olivia Junell, who have brought together 27 contemporary Houston artists to celebrate the 20th anniversary of Hans Ulrich Obrist's first do it show.

    That famed Swiss curator first conceived of the open-ended experiment in which artists follow "scores," or written instructions from other artists, as a point of departure for creating their own works. Since 1993, hundreds of artists have taken part in exhibitions spanning more than 50 cities, but the concept has never been attempted in Houston until now.

    Fields told CultureMap that he carried do it: the compendium, a recently-released tome that accumulates scores from more than by 200 artists by the likes of Yoko Ono and David Lynch, in his bag for weeks before approaching Junell with his idea to replicate it in his hometown.

    "It has all been a grand experiment," explained Junell, who was immediately on board, along with Gabriel Martinez, the director of Alabama Song.

    The curators invited area artists from all stages of their careers to partake in the exhibition in hopes of getting a broad picture of Houston's contemporary scene, and they were overwhelmed at the enthusiastic response. Among the confirmed participants are artists as varied as painter Rachel Hecker, Joseph Havel, a modernist sculptor and the director of the Glassell School of Art at the Museum of Fine Arts, Houston, and poet Ronnie Yates.

    Each selected a score from the book, and some picked a few. The resulting interpretations have taken the form of photographs, paintings, sculpture, videos, performances and installations.

    Junell said that the artists' inhibitions in fulfilling the project have surprised her. "Oddly, the presence of a set of rules or instructions seems to allow many of the artists more freedom than they might find in their normal practice."

    "The idea that anyone could pick up a book and follow instructions to make instant art is pretty antithetical to our long-held notions labor, price and exchange in art making/viewing," said Lauren Moya Ford, a MFA candidate at the University of Houston and an artist in the show. "[For] me, the idea of enacting someone else's idea is liberating. Why wouldn't you do something completely out of your comfort zone, foreign to your mode or process?"

    Visual artist Debra Barrera echoed the sentiment. "Working on my scores for do it: houston felt like letting people in to a no strings attached version of the art I make day to day."

    An opening reception will take place at Alabama Song Art Space on Friday from 6 to 9:30 p.m., with further performances on Saturday from 1 to 4:30 p.m.

    do it: houston will be the first exhibition of its kind in the city.

     
    unspecified
    news/entertainment

    Movie Review

    New movie Friendship pairs Tim Robinson and Paul Rudd in a bizarre bromance

    Alex Bentley
    May 16, 2025 | 3:30 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara), and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin — a weatherman at a local TV channel — even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, many things in the story go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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