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    The summer of our discontent

    Will winter ever get here? Game of Thrones ends its fiery first season with alot to argue about

    Tarra Gaines
    Jun 20, 2011 | 6:18 pm

    Ten weeks ago HBO began its newest series, Game of Thrones, with a glowing-eyed giant decapitating sword-wielding warriors in a starkly beautiful snowy forest.

    Sunday night it ended the first season in a starkly beautiful desert as newly-hatched dragons snuggled their naked-princess adopted mommy.

    In between those amazing scenes the 10 episodes contained war, sex, impenetrable fortresses, incestuous siblings, dire wolves, palace intrigue, whores, and mass communication based on raven technology.

     Game of Thrones is the television dramatization of George R.R. Martin’s much-loved fantasy novel series A Song of Ice and Fire. At the beginning of the show’s run there was a question of whether viewers who had not read the books would be able to keep up with the multitude of characters, settings, and an immense mythology. To answer that question, I offered myself as the type of viewer HBO would probably covet, someone who was not familiar with the books but who enjoys sci fi and fantasy television.

    While Thrones certainly held my interest, I sometimes found myself admiring the expanse of the series more than I actually enjoyed it. Thrones was renewed for a second season after its first episode, and the ratings have been good, though not as good as True Blood.

    The show did stir up controversy and online grumbling on two issues both involving Ned Stark, played by the great Sean Bean. Bean’s screen time and HBO’s promotions quickly made some viewers, who hadn’t read the books, believe Stark was the show’s protagonist. As the episodes progressed, viewers were sometimes left wondering at just how dumb Ned Stark had become and then last week, — spoiler alert! — at how dead Ned Stark had become.

    The first issue began early in the series as Ned accepts an important political appointment from the Westeros king, Robert Baratheon. Ned leaves his beloved Winterfell and from that point begins to make a series of bad decisions. Ned lets honor dictate his actions in ways that make him seem foolish and trusts men who blind puppies would distrust. The writers probably wanted viewers to feel great pity at the plight of a man who lives and breathes honor as he suffocates in a city with no honor, but half the time I wanted to slap some common sense into him.

    Bad luck, political naiveté and a lack of pragmatism finally landed Ned in the dungeon. Meanwhile online, Ned’s questionable strategies led to fan forum fights and the hilarious Stupid Ned Stark Meme, a recounting of all of Ned’s political moves in poster form.

    And just as the stupid Ned Stark jokes died away, so did Ned. He finally chooses to briefly dishonor himself by giving a false confession of treason, having been promised this will spare the life of his daughters. Of course, the new king Joffrey Baratheon, the spawn of Queen Cersei and her twin brother Jaime, has Ned executed anyway.

    And that’s when viewers became a bit upset. Television blogs and magazines, including Entertainment Weekly, did stories on the death and fan reactions, which seemed to range from never watching the show again to praise for the narrative bravery.

    I accidently spoiled myself on Ned’s death five episodes in, but by episode two I wondered if he could be long for that world which, though magical, still must function under the rules of dramatic symmetry.

    I believe it was Chekhov who first postulated that if the hero decapitates a traumatized deserter in episode one and kills a chained wolf pup in episode two, both for honor’s sake, then that hero damn well better lose his own honorable head by episode nine. Admittedly, my Russian might be a bit rusty.

    Honorable but stupid, dead Ned aside, I found a lot to like about the series but some equally frustrating aspects as well. Here are my highlights:

     Daenerys Targaryen

    One of the last of the Targaryen royal line, the dragon-blooded princess went from vacant tool of her bratty brother to powerful dragon mother. Along the way she married and partially civilized the barbarian horselord, Drogo, but also found that no good deed goes unpunished when ordering the barbarian hoards to go easy on the raping during the pillaging. Though Drogo dies from a combination of infection and vengeful witch, Dany gained her own devoted followers after throwing the coolest funeral/dragon hatching party ever.

     The younger Stark children

    Youngest daughter Arya began the season as an excellent archer and finished as a deadly swordswoman. Along the way, she showed political acumen and street smarts I wish her father possessed. Her younger brother Bran got tossed out a window in episode one, but a coma and then partial paralysis couldn’t keep him from literally getting back on that horse. Finally, youngest child Rickon might have only had three lines the entire season, but when Bran tries to reassure him that all the wandering and threatened Starks will one day return to Winterfell, Rickon’s declaration “No they won’t” was probably the most intelligent statement of the whole series.

     Peter Dinklage’s Tyrion Lannister

     Game of Thrones is littered with impressive actors, but as the episodes progressed Dinklage sometimes seemed to be the only one having any fun at all. He has an assist from the writers, as Tyrion gets the best lines. Yet, no matter if Tyrion was afraid, drunk, whoring, imprisoned, lost, making quips in situations where he looks to be minutes from death, or worst of all, standing under the judging eyes of his father’s honed-steel gaze, Dinklage gives Tyrion Shakespearean depth, while seeming never to forget Thrones is essentially a swords, dragons, and zombies show.

     When Thrones remembers it is essentially a swords, dragon, and zombie show

    I’m sure many viewers watch Game of Thrones for its political intrigue and feuding, aristocratic families. Who doesn’t like a good medieval civil war? But personally, when I’m in a mood for the War of the Roses, one of Martin's inspirations for the books, I turn to Shakespeare.

    While I appreciate the scope and grit of the series, I really want more ice zombies, dire wolves, and dragons to balance out all the civil wars and political treachery. The show keeps telling us “Winter is Coming,” but on steamy Houston Sunday nights that seems more like a tease than a threat. I’ll stick around for what is likely to be untold character suffering and despair in season two and beyond, but I’m warning you HBO, there better be some awesome dragon, White Walker, ice zombie battles at the end of all this or I’ll sick a dire wolf on you.

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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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